A private detective investigates a diamond theft and becomes embroiled in an ancient family curse.A private detective investigates a diamond theft and becomes embroiled in an ancient family curse.A private detective investigates a diamond theft and becomes embroiled in an ancient family curse.
- Nominated for 3 Primetime Emmys
- 1 win & 3 nominations total
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An odd collection of stars.. brent spiner from star trek. Jean simmons, star of a thousand old movies. James coburn, who has made films in every genre. Jason miller, who was father karras in excorcist. This started as a miniseries, shown over several nights, but is currently on tubi streaming channel, and clocks in at three hours. When ham nash, private eye, is hired to recover stolen diamonds, we go on a grand adventure. With some dead bodies. And addiction. And cults. Bombings. A little of everything! It rambles here and there, similar to the big sleep, but even the rambling is fun to watch. It's a murder mystery, broken into three parts. And no, it really didn't need to be this long; it easily could have been two, maybe two and a half hours. Lots of jazz, in between the action. Long pauses. There seemed to be some slow motion here and there. And if you're wondering why dain is spelled that way, it's someone's name. I'm a huge hammett fan, so i found it entertaining. Some might find the story too slow, but it all gets wrapped up neatly by the end.
In Dashiell Hammett's world, nothing was ever what it seemed and people were mysteries to be unwrapped layer by layer. The characters in the "Maltese Falcon" and "The Thin Man" were enigmas to Sam Spade and Nick Charles and so it is in "The Dain Curse." If you are looking for a simple plot, go elsewhere. The hero of the novel was a nameless detective known as "The Continental Op." In the movie, the hero is Hamilton Nash (a nod to Hammett who once was a Pinkerton detective). The film captures the flavor of Hammett's writing and is well cast (look for Jean Simmons in a supporting role, Hector Elizondo as a local sheriff, Brent Spiner as a baddie and Sidney Tolar (the last film Charlie Chan) in a minor role. James Coburn is well suited to the part of Nash. The show captures the flavor of the roaring '20s very well and is a must see for Hammett fans.
Someone, back in the misty reaches of 1977-78, had a pretty good idea: Take Dashiell Hammett's "The Dain Curse" and turn it into a TV mini-series "event." The novel itself, after all, had started out as a serialization in "Black Mask" magazine, and a legion of readers had faithfully followed its plot convolutions there, so why -- or so the reasoning must have gone -- shouldn't it work equally well on the installment plan by spreading a TV dramatization out over several nights?
This, unfortunately, was the last good idea experienced by anybody in conjunction with the production.
Any number of object lessons can -- and should be --drawn from what wound up being presented as "Dashiell Hammett's The Dain Curse." (Presumably, to differentiate it from "Joe Blow's The Dain Curse," an important distinction.) Object lesson #1: If you're going to slavishly follow a plot that has enough twists and turns and old fashioned red herrings to make "The Canterbury Tales" read like "Dick And Jane Floss Their Teeth," then you'd best make sure you've at least got a director and cast who can maintain a pace that will keep your audience riveted. Otherwise, you run the risk of numerous viewers snapping awake simultaneously during a commercial break and saying "For THIS we missed 'Three's Company?'"
Similarly, if you're going to adhere to the plot (and its dialogue), it's generally a good idea to cast actors who can carry it off. The novel's short and fat, middle-aged (but extremely tough) protagonist happens to also be anonymous, all for a purpose; changing him into the tall and thin, dapper (but extremely sardonic) James Coburn and giving him a name like Hamilton Nash (sounds like Dashiell Hammett, get it? wink! wink!) may gain you a bit of star power, except that he hasn't a clue how to relate to his material.
Equally to the point, if you decide to change the story's setting from San Francisco and the central California coast to New York City and some generic seashore locale, keep in mind that any number of Hammett partisans -- whose teeth are already set in terminal-grind mode by this point -- are going to expect you to have a very good reason for doing so.
In fairness, it should be mentioned that all concerned appear to give it their best shot (Hector Elizondo, as small-town sheriff Ben Cotton, and Jason Miller, as Owen Fitzstephan, are both standouts) as this "event" lurches from situation to situation; unfortunately, best shots here have a tendency to fall short of the mark, rather like a trapeze artist who can never quite make that third midair somersault in time or a high-wire artist with chronic nosebleed. The end result is a traveling circus, gamely striking its tent and moving on but getting . . . you guessed it!
This, unfortunately, was the last good idea experienced by anybody in conjunction with the production.
Any number of object lessons can -- and should be --drawn from what wound up being presented as "Dashiell Hammett's The Dain Curse." (Presumably, to differentiate it from "Joe Blow's The Dain Curse," an important distinction.) Object lesson #1: If you're going to slavishly follow a plot that has enough twists and turns and old fashioned red herrings to make "The Canterbury Tales" read like "Dick And Jane Floss Their Teeth," then you'd best make sure you've at least got a director and cast who can maintain a pace that will keep your audience riveted. Otherwise, you run the risk of numerous viewers snapping awake simultaneously during a commercial break and saying "For THIS we missed 'Three's Company?'"
Similarly, if you're going to adhere to the plot (and its dialogue), it's generally a good idea to cast actors who can carry it off. The novel's short and fat, middle-aged (but extremely tough) protagonist happens to also be anonymous, all for a purpose; changing him into the tall and thin, dapper (but extremely sardonic) James Coburn and giving him a name like Hamilton Nash (sounds like Dashiell Hammett, get it? wink! wink!) may gain you a bit of star power, except that he hasn't a clue how to relate to his material.
Equally to the point, if you decide to change the story's setting from San Francisco and the central California coast to New York City and some generic seashore locale, keep in mind that any number of Hammett partisans -- whose teeth are already set in terminal-grind mode by this point -- are going to expect you to have a very good reason for doing so.
In fairness, it should be mentioned that all concerned appear to give it their best shot (Hector Elizondo, as small-town sheriff Ben Cotton, and Jason Miller, as Owen Fitzstephan, are both standouts) as this "event" lurches from situation to situation; unfortunately, best shots here have a tendency to fall short of the mark, rather like a trapeze artist who can never quite make that third midair somersault in time or a high-wire artist with chronic nosebleed. The end result is a traveling circus, gamely striking its tent and moving on but getting . . . you guessed it!
I'm not surprised other reviewers found this mini-series confusing if they watched this video version: it has over half the scenes cut from it. The original series ran over four nights at six hours. Minus the commercial time, it clocks in at just over 4 1/2 hours. This video release is only 2 hours, 17 minutes long (despite the fact that the box says 193 minutes!)
In it's original form, it's a near masterpiece of mood, style, and suspense with a terrific cast. Every time you think the mystery has been solved, a new mystery begins. And unlike most mystery movies today, when you finally arrive at the end and learn who the real villain is, it all makes perfect sense.
So if you ever have a chance to catch it on some cable station, or if the DVD ever comes out, don't miss it. But skip the ripoff video!
In it's original form, it's a near masterpiece of mood, style, and suspense with a terrific cast. Every time you think the mystery has been solved, a new mystery begins. And unlike most mystery movies today, when you finally arrive at the end and learn who the real villain is, it all makes perfect sense.
So if you ever have a chance to catch it on some cable station, or if the DVD ever comes out, don't miss it. But skip the ripoff video!
James Coburn makes a wonderfully playful detective, somewhere between Nick Charles (The Thin Man) and Sam Spade. Like the movies of those characters, this is a complex story: actually 3 smaller mysteries wrapped in a larger one, which creates an odd tempo in the film. Normally a movie ends when the mystery is solved, but this movie keeps going onto another mystery like a rollercoaster. The version I saw was the 144 minute Anchor Bay video, which must have been abridged. This might account for a few scenes which faded inexplicably into others. Aside from that, the movie was quite entertaining. Though I was relieved when the entire mystery was really solved, I wanted to keep watching that wise, older, chivalrous, not-too-world-weary to be heartbroken detective.
Did you know
- TriviaThere is no character named "Hamilton Nash" in the original novel (nor any other story by Dashiell Hammett). The detective hero of the novel is the unnamed "Continental Op" who features in many Hammett stories, and who is a slightly overweight man of below average height (about 5' 6"). James Coburn plays an operative of the Continental Detective agency, but there the resemblance ends. Coburn is made up to resemble the author Dashiell Hammett.
- Alternate versionsThe production produced both a feature length cut and mini-series versions of the story. The mini-series was made first for television then a feature length cut was produced for home video.
- ConnectionsFeatured in The 30th Annual Primetime Emmy Awards (1978)
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- Dashiell Hammett's The Dain Curse
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- Easton, Pennsylvania, USA(interiors)
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- See more company credits at IMDbPro
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