The Dain Curse

James Coburn makes a wonderfully playful detective, somewhere between Nick Charles (The Thin Man) and Sam Spade. Like the movies of those characters, this is a complex story: actually 3 smaller mysteries wrapped in a larger one, which creates an odd tempo in the film. Normally a movie ends when the mystery is solved, but this movie keeps going onto another mystery like a rollercoaster. The version I saw was the 144 minute Anchor Bay video, which must have been abridged. This might account for a few scenes which faded inexplicably into others. Aside from that, the movie was quite entertaining. Though I was relieved when the entire mystery was really solved, I wanted to keep watching that wise, older, chivalrous, not-too-world-weary to be heartbroken detective.

Someone, back in the misty reaches of 1977-78, had a pretty good idea: Take Dashiell Hammett's "The Dain Curse" and turn it into a TV mini-series "event." The novel itself, after all, had started out as a serialization in "Black Mask" magazine, and a legion of readers had faithfully followed its plot convolutions there, so why -- or so the reasoning must have gone -- shouldn't it work equally well on the installment plan by spreading a TV dramatization out over several nights?

This, unfortunately, was the last good idea experienced by anybody in conjunction with the production.

Any number of object lessons can -- and should be --drawn from what wound up being presented as "Dashiell Hammett's The Dain Curse." (Presumably, to differentiate it from "Joe Blow's The Dain Curse," an important distinction.) Object lesson #1: If you're going to slavishly follow a plot that has enough twists and turns and old fashioned red herrings to make "The Canterbury Tales" read like "Dick And Jane Floss Their Teeth," then you'd best make sure you've at least got a director and cast who can maintain a pace that will keep your audience riveted. Otherwise, you run the risk of numerous viewers snapping awake simultaneously during a commercial break and saying "For THIS we missed 'Three's Company?'"

Similarly, if you're going to adhere to the plot (and its dialogue), it's generally a good idea to cast actors who can carry it off. The novel's short and fat, middle-aged (but extremely tough) protagonist happens to also be anonymous, all for a purpose; changing him into the tall and thin, dapper (but extremely sardonic) James Coburn and giving him a name like Hamilton Nash (sounds like Dashiell Hammett, get it? wink! wink!) may gain you a bit of star power, except that he hasn't a clue how to relate to his material.

Equally to the point, if you decide to change the story's setting from San Francisco and the central California coast to New York City and some generic seashore locale, keep in mind that any number of Hammett partisans -- whose teeth are already set in terminal-grind mode by this point -- are going to expect you to have a very good reason for doing so.

In fairness, it should be mentioned that all concerned appear to give it their best shot (Hector Elizondo, as small-town sheriff Ben Cotton, and Jason Miller, as Owen Fitzstephan, are both standouts) as this "event" lurches from situation to situation; unfortunately, best shots here have a tendency to fall short of the mark, rather like a trapeze artist who can never quite make that third midair somersault in time or a high-wire artist with chronic nosebleed. The end result is a traveling circus, gamely striking its tent and moving on but getting . . . you guessed it!

An odd collection of stars.. brent spiner from star trek. Jean simmons, star of a thousand old movies. James coburn, who has made films in every genre. Jason miller, who was father karras in excorcist. This started as a miniseries, shown over several nights, but is currently on tubi streaming channel, and clocks in at three hours. When ham nash, private eye, is hired to recover stolen diamonds, we go on a grand adventure. With some dead bodies. And addiction. And cults. Bombings. A little of everything! It rambles here and there, similar to the big sleep, but even the rambling is fun to watch. It's a murder mystery, broken into three parts. And no, it really didn't need to be this long; it easily could have been two, maybe two and a half hours. Lots of jazz, in between the action. Long pauses. There seemed to be some slow motion here and there. And if you're wondering why dain is spelled that way, it's someone's name. I'm a huge hammett fan, so i found it entertaining. Some might find the story too slow, but it all gets wrapped up neatly by the end.

I was somewhat disappointed by this movie. I love Dashiell Hammett but the video I say, just over two hours, looks like it was edited by Picasso. There were some scenes that just didn't make sense. I would really like to see the entire movie if there is one available because I found the atmosphere and acting first rate though Coburn is as far from the Continental Op as a man could be. Frank Cannon would have been more appropriate. I understand why people are confused by this movie. At its present length it makes as much sense as a Richard Simmons workout video.

ITS THE CURSE MAN - THE CURSE OF BAD EDITING

Although Hammett's Continental Op is written as short and squatty, Coburn manages to fit the role perfectly. The novel never gives him a name, but in a four-and-a-half hour film, he of course has to have one. This is the main change from Hammett's masterful novel, which the filmmakers have wisely chosen to stick to like glue. Beware the shortened version. If you can catch the complete version, it's worth it. Excellent cast, and terrific score. Coburn has never been better, and it's always great to see Jean Simmons. Hector Olonzdo is worth watching as the sheriff. This is a terrific tale of redemption, corruption, and unrequited love. This is one of Hammett's forgotten tales, and it's amazing that it was never filmed until 1978.