A naive young woman marries a wealthy widower, but grows haunted by his late wife's legacy and the sinister housekeeper's obsession with the deceased Rebecca.A naive young woman marries a wealthy widower, but grows haunted by his late wife's legacy and the sinister housekeeper's obsession with the deceased Rebecca.A naive young woman marries a wealthy widower, but grows haunted by his late wife's legacy and the sinister housekeeper's obsession with the deceased Rebecca.
- Nominated for 1 BAFTA Award
- 1 nomination total
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I remember seeing this on the TV when it first came out as a teenager and have never forgotten it. However as I have got older I remember it as a film and not a series, either way it was brilliant and Joanna David was the perfect casting as the young Mrs De Winter and Anna Massey is perfect as the housekeeper - Mrs Danvers - I remember her being very scary! The house it was filmed at was amazing and really set the scene for this fantastic programme. I only wish it was available on video or DVD as I would love to see it again. Throughly recommend it to anyone.
10mlktrout
I saw the very last part of this 4-part miniseries 12 years ago on PBS. It was so fascinating I rushed out and bought the book. (And read it until the covers fell off, and because of it years later won a "Who was Rebecca?" essay contest and a trip to England.) For the next two years I besieged PBS with requests to re-run it, in 1996 they finally did. I savored each moment of it, and taped it of course. I still have the tapes, but wish it was on DVD.
Jeremy Brett -- later to become forever identified as Sherlock Holmes -- was the perfect Maxim de Winter. After hearing his story of Rebecca, you could finally understand why he married the Second Mrs. de Winter, shy, tongue-tied, and klutzy. She possessed the innocence he desperately needed. Anna Massey was a very creepy, scary Mrs. Danvers. In real-life, Jeremy Brett and Anna Massey were briefly married in their youth. It throws a new slant on the Danvers-de Winter relationship, doesn't it? And Joanna David goes from a girl afraid of her shadow to a woman who can take whatever is dished out to her by the end of the series. Excellent performances.
I've seen the Hitchcock version -- Maxim was too much a caricature of rude aristocracy, and because of the Hayes Commission certain elements of the story were drastically changed, with ill effect. I've also seen the recent Charles Dance version; interestingly the girl playing the second Mrs. de Winter in that one is the daughter of Joanna David, and she isn't bad, but Dance is nobody's notion of Maxim, and for completely gratuitous reasons they changed the story. Du Maurier's work is perfection itself and nobody should ever change it. The Brett-David-Massey version comes closest to the book, is beautifully photographed and hauntingly scored, with Debussy's "Reverie" and other classical and impressionist music played throughout. This is the one that needs to be on DVD...preferably a "collector's edition," with lots of special features.
Jeremy Brett -- later to become forever identified as Sherlock Holmes -- was the perfect Maxim de Winter. After hearing his story of Rebecca, you could finally understand why he married the Second Mrs. de Winter, shy, tongue-tied, and klutzy. She possessed the innocence he desperately needed. Anna Massey was a very creepy, scary Mrs. Danvers. In real-life, Jeremy Brett and Anna Massey were briefly married in their youth. It throws a new slant on the Danvers-de Winter relationship, doesn't it? And Joanna David goes from a girl afraid of her shadow to a woman who can take whatever is dished out to her by the end of the series. Excellent performances.
I've seen the Hitchcock version -- Maxim was too much a caricature of rude aristocracy, and because of the Hayes Commission certain elements of the story were drastically changed, with ill effect. I've also seen the recent Charles Dance version; interestingly the girl playing the second Mrs. de Winter in that one is the daughter of Joanna David, and she isn't bad, but Dance is nobody's notion of Maxim, and for completely gratuitous reasons they changed the story. Du Maurier's work is perfection itself and nobody should ever change it. The Brett-David-Massey version comes closest to the book, is beautifully photographed and hauntingly scored, with Debussy's "Reverie" and other classical and impressionist music played throughout. This is the one that needs to be on DVD...preferably a "collector's edition," with lots of special features.
10sstaker
This Rebecca unfolds the same way Du Maurier wrote her novel. In fact when Gene Shalit hosted this showing on Mystery he told how Ms. Du Maurier had commented it was the truest telling of her book. Yet that isn't what compels the viewer; it's Jeremy Brett as Maxim, Joanna David as the second Mrs. DeWinter, poor dear who has no first name, and Anna Massey as Mrs. Danvers. Julian Holloway is wonderful as Favell. The entire cast is flawless. The sets are as you would picture Manderly. Truly you go back to Manderly again...
Really, I'd love to see this once more, then over and over again. Please whomever has the power to bring this to DVD, do it. New fans will flock to this best version of Rebecca.
Really, I'd love to see this once more, then over and over again. Please whomever has the power to bring this to DVD, do it. New fans will flock to this best version of Rebecca.
The BBC are still refusing to release this superior production of 'Rebecca' officially, but I have finally been able to view a copy, many years after first hearing about it.
So, does it match up to all the discussion and speculation? Close to the book, and well-cast (Jeremy Brett as Maxim, Joanna David - whose daughter Emilia Fox appeared in another Rebecca twenty years later - as the second Mrs De Winter, Anna Massey - the former Mrs Brett - as Mrs Danvers, and Julian Holloway as Jack Favell), it certainly does not disappoint. In four episodes it involves the viewer while making a good stab at translating a complicated book to the screen.
Not broodingly Gothic like Hitchcock's version with Olivier, or convoluted like the Emilia Fox/Charles Dance version, the 1970s Rebecca stands up well against a selection of other period dramas made at the same time by the BBC. Certainly it seems unfair that it is suppressed from view in the UK - the US has had TV repeats, although no video or DVD.
So, does it match up to all the discussion and speculation? Close to the book, and well-cast (Jeremy Brett as Maxim, Joanna David - whose daughter Emilia Fox appeared in another Rebecca twenty years later - as the second Mrs De Winter, Anna Massey - the former Mrs Brett - as Mrs Danvers, and Julian Holloway as Jack Favell), it certainly does not disappoint. In four episodes it involves the viewer while making a good stab at translating a complicated book to the screen.
Not broodingly Gothic like Hitchcock's version with Olivier, or convoluted like the Emilia Fox/Charles Dance version, the 1970s Rebecca stands up well against a selection of other period dramas made at the same time by the BBC. Certainly it seems unfair that it is suppressed from view in the UK - the US has had TV repeats, although no video or DVD.
10west-1
Intense atmosphere, visual beauty, mystery and emotion.
Haunting, Debussy-derived music.
Breath-taking evocation of the dazzling scenery around Monte Carlo, and then of the paradisal estate on the Cornish coast, Manderley - for which Maxim has sold his soul. (The estate - house, gardens, azaleas, beach, boathouse, butler and maids - is so convincing that you have to believe the story is real too.)
Poignant imagery of flowers: exotic, red blooms associated with Rebecca, and wild flowers with the new Mrs de Winter.
And always the threat that the sea will give up its dead.
Unsurpassable performances from the three principals: Jeremy Brett, Joanna David and Anna Massey. All three characters far more deeply analysed than in the Hitchcock movie, and Mrs Danvers no less sympathetic than the others.
Hitchcock changed the manner of Rebecca's death, but this version faces up to what really happens in the book.
Haunting, Debussy-derived music.
Breath-taking evocation of the dazzling scenery around Monte Carlo, and then of the paradisal estate on the Cornish coast, Manderley - for which Maxim has sold his soul. (The estate - house, gardens, azaleas, beach, boathouse, butler and maids - is so convincing that you have to believe the story is real too.)
Poignant imagery of flowers: exotic, red blooms associated with Rebecca, and wild flowers with the new Mrs de Winter.
And always the threat that the sea will give up its dead.
Unsurpassable performances from the three principals: Jeremy Brett, Joanna David and Anna Massey. All three characters far more deeply analysed than in the Hitchcock movie, and Mrs Danvers no less sympathetic than the others.
Hitchcock changed the manner of Rebecca's death, but this version faces up to what really happens in the book.
Did you know
- TriviaJeremy Brett (Maxim de Winter) and Anna Massey (Mrs. Danvers) were once married, and had been divorced for 17 years by the time they made this film together.
- ConnectionsVersion of Rebecca (1940)
- How many seasons does Rebecca have?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Rebeca
- Filming locations
- Caerhays Castle, Gorran, Cornwall, England, UK(Exteriors and grounds of Manderley)
- Production company
- See more company credits at IMDbPro
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