How to Dial a Murder

My only complaints of this otherwise brilliant episode are the ending, which felt rather rushed for my liking though I loved the twist involving the dogs, and while she plays her part very well Kim Catrall's character does drag the episode down a tad.

However, How to Dial a Murder is evident proof of why I love Columbo so much. It has an ingenious premise that is done justice by a story that is clever and compelling. It has strong writing, with great interaction between Columbo and Mason and I cannot think of rosebud the same way now now that I have seen this episode. It is well shot, with striking locations and lovely photography. It also has one of the most haunting and most effective music scores I have heard in a Columbo episode.

The acting is great, and the direction is solid. Kim Catrall is good, but it is Columbo and Mason that make the episode work along with the premise. Peter Falk is exceptional once again, while Nicol Williamson does a wonderful job playing one of the most ruthless and most strongly written murderers in the Columbo line.

All in all, if you love Columbo, you'll love this. 9/10 Bethany Cox

A very good, and above average, Columbo episode. This is caused by that it makes small variations from the classic scheme. The motive of the murder isn't present at the beginning, which is something, that really improves the movie. Columbo is playing up against Dr. Eric Mason (nicely played by Nicol Williamson), who doesn't loose his temper as much as the characters that Columbo previously met.

The third main character, Joanne Nicholls, should have a special mention, since she is not only played extremely well - by Kim Cattrall, later of "Sex And The City" fame (however her role in this movie is the complete opposite, a true romantic who has her teddy bear as her true companion) - but also that her unbalanced character adds well to the movie plot.

And ad with that, some great incidental music, good directing spots (particularly in a wordless sequence with Columbo and the dog trainer), a generally good script(rarely have I laughed so much in a Columbo movie, and the many references to old movies - particularly Citizen Kane - and psychology are well-put and well used), and that Peter Falk seems in top shape makes it a great movie, and a Columbo classic.

This Columbo episode is about dogs who kill on command. British actor Nicol Williamson plays a doctor is better known for his role as Hamlet in 1968 production. Another British born actress and better known for her role as Samantha on Sex and the City, the actress Kim Cattrall in an early performance at a very young age is also in a supporting role. Anyway, St. Elsewhere's Ed Begley Jr. has a small role as a police officer. Anyway, the episode is a Columbo favorite because it has film references around. Of course, Peter Falk's Columbo has become like an old family friend with great stories and interest in anything whether psychiatry, dogs, or movies. The ending is also brilliant with a twist and of course, Columbo catches his man in this case.

This was Falk's last but one outing as Columbo in the original series, which sees him pitted against a vengeful psychologist (played by Nicol Williamson) who murders his wife's lover by means of training his two dobermans to kill.

The motive for the murder is not particularly inventive as detective shows go, but this is positively enhanced by the means: two dobermans who respond to a word uttered by the victim in a telephone conversation with the murderer. A stylishly conceived element of the story.

The ingenuity of this premise, however, is not borne out in the rest of the episode: Columbo latches onto the murderer's scheme extremely quickly (even by Columbo standards) and it is not is not helped by the fact that he leaves a whole host of incriminating clues along the way. As Columbo remarks at the end "I must say sir, I found you disappointing....you left enough clues to sink a ship..."

Additionally, Kim Cattrall's characterisation is not particularly important to the overall scheme of things and her scenes drag the episode down a little.

Nicol Williamson's characterisation had the potential of being one of the best and most difficult-to-catch murderers in the entire series, but Williamson's initially energetic portrayal seems to recede as the script gives Columbo the balance of power.

If only the script-writer could have omitted one of two of the clues; nevertheless, for Columbo fans like myself it is still enjoyable viewing.

I must say I really liked the director approach of the movie from James Frawley. It's the second Columbo movie I've seen so far which got directed by him and it was the second one from him that I loved. He directed a total of 6 Columbo movies throughout his career, of which this one was his third. The directing is done with lots of style, which makes the movie great to watch and provides it with some good pace as well.

The movie actually knows to create a good general thriller atmosphere and style, also not in the least thanks to the musical score from Patrick Williams, who did the score for all of James Frawley's Columbo movies. It's a style which I really loved about this movie and makes it more special to watch than just the average Columbo movie entry.

It has actually a quite far fetched main plot but nevertheless you'll buy it, thanks to the skillful directing and storytelling of it all.

The movie features a 'great' killer, portrayed by Nicol Williamson. He gives away one fine performance and is a worthy opponent for the good old Lieutenant. The movie also features a still very young Kim Cattrall. Funny thing is that she also made her debut in a movie called "Rosebud", the word that plays a key element in this movie, which of course refers to the 1941 Orson Welles classic "Citizen Kane".

The movie has all of the typical great Columbo movie elements in it, including some great relieving humor at points.

Another real fine Columbo movie from James Frawley!

8/10

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