Coma

"Coma", as well as other mid-to-late 70's films, was one of the reasons I became a filmmaker myself. In terms of the suspence, tension and general spookiness of such a "normal and everyday" subject as hospitals, doctors, etc., was very influential in how I perceived the things around me. The great thing about the film, and the book - of course, was that we put our trust in people like doctors, policemen, goverment officials, and the like - and most of the time that trust is "blind faith". Dr. Cook and DR. Crichton are masters at this genre - Making the incredible credible. Even though this film is a bit dated, It is almost becoming a reality. In China, prisoners are "harvested" for their organs so others can benefit. Technology, like in the film, can now sustain life for as long as the machine(s) and/or computers can function. It was Sci-Fi in 1978 - now an all-to-real reality. Back to the film itself, I thought Dr. Crichton did a wonderful job on the directing and the screenplay. The material he had from Dr. Cook was first-rate. The cinematography, done by A.S.C. President Victor J. Kemper was outstanding. The technique of keeping the images at the hospital as cold, sterile and clinical as possible was brilliant. Mr. Hirschfield's "Jefferson Institute" sequences were also fantastic. Dr. Crichton's editing pace was also a stroke of genius. All editing was done with straight cuts. No zooms and very few dolly /pan shots. This was keep with the theme that YOU, THE VIEWER, are in the hospital and the "cuts" are as impersonal and precise as the doctor's scalpel. The cast was also well thought out. Ms. Bujold, even though she speaks with a thick French-Canadian accent, was the perfect protagonist. You do not have to be an Amazon Woman to be strong and independent. Mr. Douglas was a bit "sleepy" in his role, he just needed more to do. Mr. Widmark was perfect as the Chief, as was Mrs. Ashley as the Institute's head matron. Look for Tom Selleck and Ed Harris in their first movie roles. Also, in the "Jefferson Institute" sequence, you will see a young Christopher Reeve as a hapless victem of the movie's plot. All in all, "Coma" is one of those films that, even though had moderate success at the box office, is really a forgotten gem in the MGM vaults. It proves that you do not need blood guts, or special effects to make a great movie. Gee, kind of like Mr. Hitchcock.

From now on I'm staying away from hospitals, no matter how cute the nurses, and especially if they stick something up my nose. The movie may be a one-track screenplay, but it's a first- rate thriller accelerating suspense by the minute. So what the heck is going on at this prestige hospital where too many folks are collapsing into comas after ordinary procedures. From the marquee, you'd expect Michael Douglas (Dr. Mark) to be the heroic bloodhound. But he's not. Instead, it's a she, sweet looking, little Bujold (Dr.Wheeler) who takes all the risks from climbing into the clouds to burying assassins in a pile of cadavers—an unforgettable scene. Underneath the riveting suspense, this is really a sneaky feminist-type film.

I really like the way we can never be sure about Douglas. Sometimes he's helpful and affectionate, but then there are the darker fleeting moments that add a good unsettling note. At the same time, the great Richard Widmark (Dr. Harris) is suavely slimy as the head doctor. And what about that Jefferson Institute. It may be the most sinister looking modern building I've seen, more like a futuristic prison, which I guess it is. Anyway, there are a number of unforgettably imaginative scenes that, along with a riveting screenplay, make this a first-rate nail-biter.

"Coma" is one of those movies which for some reason made a powerful impression on me as a kid. Not through its story line, the acting or Geneviève Bujold(I was still too young to appreciate these "aspects" :-) ), but through an overall atmosphere. Such that, upon reviewing 20 years later, certain scenes trigger memories and almost puts me back into that couch as a 7-8 year old. Another of those movies is the weird early science fiction movie by George Lucas of which the title escapes me right now.

In "Coma", it was in particular the image of the "Jefferson Institute" building that recalled an evening somewhere in the late '70s. There's probably no movie featuring a more effective and suggestive modern-style horror house. For me, the "Jefferson Institute" complex perfectly impersonates and clenches the feeling that this intelligent thriller is trying to get accross. By its architecture and desertedness, it suggests sterility, impersonality, loneliness and the feeling of an industrial complex. The sterility of a medical system that does well in the technical aspect, but features a growing impersonality that makes it miss its primary goal: to make people feel good. The loneliness of Bujold, who is rather assumed by everyone to be paranoid than to be believed, even by her boyfriend. And the industrial feeling of a healthcare system that doesn't exist to cure people, but to keep itself alive as an industry (=profitable).

With the arrival of sophisticated genetic techniques, the medical horror genre is bound to return soon to the big screen. It will be difficult to do a better job than the concisely-titled "Coma"...

JoH

Not for those who fear the medical profession, this creepy thriller takes it's time getting started, but then kicks into high gear. It creates a mood and builds suspense to an almost unbearable degree. Elfin Bujold (sporting a truly unappealing hairstyle) is Dr. Susan Wheeler, a principled, dedicated intern at a major hospital. She begins to notice a disturbing trend...that folks with purportedly minor surgeries are not coming out of their operations conscious. From this point on, it is virtually Bujold against the world as a gallery of sexist, condescending doctors (including her own lover Douglas) tries to poo-poo her findings or encourage her to lay off. Naturally, she can't leave well enough alone and is soon up to her ears in intrigue and violence. The film has a blatantly frank point of view. People eat sandwiches while they are examining cadavers. Brains are sliced like deli meat. It's all very clinical and unsettling to non-medical viewers. There are several highly-charged moments including a duct hole exploration and a chase through a seemingly abandoned hospital. Jerry Goldsmith's clanking score doesn't take center stage until late in the film, but is wonderfully nerve-wracking when it needs to be. Bujold and the Chief of Staff Widmark make wonderful counterparts as they come from different generations and different eras of medicine. Best of all is the brief, but unforgettable, appearance of Ashley as the world's most intimidating nurse. In her opening scene she blinks exactly once! Her voice is a monotone terror and her stare is up there with Medusa's. The section that contains her is surreal, but arresting and very campy! Adding to the fun is a series of small appearances by people like Torn, Chiles, Selleck and Harris. This is a frightening film with some memorable imagery and a startling amount of skin for a PG film.

As a squirrelly doctor at a Boston hospital who smells a rat when her best friend mysteriously goes into an anesthesia-related coma during a routine operation, Genevieve Bujold proves once again what a dynamic presence she is on the screen. Cool-headed one moment, hysterical and running pell-mell the next, she's instantly identifiable to us. As a mystery-thriller that is so filled with continuity errors, gaps in logic and a final act that gives the audience the satisfying release it needs but at the risk of all credibility, "Coma" shouldn't work (and, indeed, many fans of Robin Cook's wordy book didn't think it did). However, as a one-box-of-popcorn melodrama, the film is enjoyable and suspenseful. Not the least of the reasons why it's so good is Bujold; handling herself like one of the best crime detectives ever concocted, she is gutsy, feisty, nosy and infectious. You never tire of her spirit. *** from ****