Crossed Swords

This is an oddly mangled version of the famous Mark Twain novel. Historically, Edward VI became king at age 10, and had been dead for three years when he would have been Mark Lester's age (18) at the making of this film. Why director Richard Fleischer chose to transmute the title characters from children to late adolescents is a mystery to me. It makes their bumbling in their respective reversed roles more pathetic than sympathetic. Mark Lester's performance, in both roles of prince and pauper, I thought was distinctly undistinguished in view of his earlier achievements. Perhaps he was already thinking of his medical career ahead. Now having said all that, the strength of this movie, such as it is, lies in its powerhouse supporting cast: Oliver Reed, Raquel Welch, Ernest Borgnine as the abusive father, George C. Scott as a brigand, Rex Harrison, David Hemmings, and even Charlton Heston as Henry VIII -- WOW! As I watched, I wished they had just left the protagonists out altogether and let these master actors tell the story of Sixteenth Century Tudor intrigues. To view or not to view? It's a toss-up: you decide.

This is a good film but it is spoiled by the ineptitude of Mark Lester who wisely retired after this film.Age was irrelevant,acting ability is far more to the point.Enjoyable to watch the stars go through their paces.

The major stumbling block in this all-star version of Mark Twain's classic children's story is Mark Lester, he just does not convince as a begging urchin, he lacks the street-wise cunning of a young man who has been dragged up, beaten up and abused by his monster of a father. There is no disguising his cultured and well-spoken dialect when attempting the pauper's lower class diction, and the Harpo Marx hairstyle doesn't help his cause. Charlton Heston, the only American actor ever to play King Henry VIII, gives a towering performance as the gout-ridden Tudor monarch and completely dominates every scene he is in. Oliver Reed is great as Miles Hendon, and proves to be a rollicking good swashbuckler in his clash with fellow British 60's hell-raiser David Hemmings.(It's sad when viewing GLADIATOR and seeing what twenty years of hell-raising did to these two talented actors). Coincidentally, Errol Flynn, the daddy of all hell-raisers, made a better version of THE PRINCE AND THE PAUPER in the 30's, and also a terrible turkey called CROSSED SWORDS, which was the American title used for this film in 1978. What this version has over all the others is the marvellous supporting cast, not just Rex Harrison, George C. Scott and Ernest Borgnine (who is frightening as the pauper's father) but the excellent British character actors who keep cropping up in the minor roles. Michael Ripper, veteran of countless Hammer horrors, does a fine turn as the servant of Raquel Welch; Ripper also appeared in the very good Walt Disney 1962 version of this tale, as a broom merchant. THE PRINCE AND THE PAUPER is excellent family entertainment, the sets and costumes are superb, and this movie may inspire younger viewers to pick up and read the wonderful Mark Twain classic story.

This film has a lot to recommend it. It is has some rather beautiful scenes (the scene of Henry VIII on his deathbed with his jester at the foot of the bed lingers long in the memory and deserves to be in a better film), some good fights and an all-star cast. Oliver Reed in particular puts in his usual charismatic performance. There is some impressive technical wizardry by which Mark Lester is made to appear as his own twin. But I agree with other reviews that Lester is not up to the task of the central role unfortunately. He is too old, for a start. That would not not necessarily be a problem except he is involved in some fight scenes and appears to be too gangly and delicate an adolescence to be able to best his opponents. Nor does he have much presence and one gets the distinct impression that the all star cast was drafted in to distract from his rather dull performance. Still it is worth watching.

Nice adaptation from Mark Twain's classic also titled ¨Crossed Swords¨ with a top-of-the range cast . It's a Richard Fleischer's gorgeous film plenty of action , costumed adventure , humor , swashbuckling and lots of entertainment . The movie is very amusing and funny , capturing the flavor of the old times . On the same day two boys cross their fates : the pauper Tom and prince Edward (Mark Lester in double tole) . As a street beggar, Tom flees from pursuers and sneaks into the palace garden and meets the King Henry VIII (Charlton Heston) . Later on , the pickpocket Tom meets prince Edward VI , they change clothes with each other but the guards discover them and throw out the prince, since they are almost identical. Nobody believe them when they try to tell the truth and the young prince has trouble reclaiming his crown. Soon after, the old king dies and the prince will inherit the throne. The young prince turned beggar is aided by a swashbuckling soldier-of-fortune ( Oliver Reed who steals the spectacle as intrepid adventurer ) .

The flick deals about the Prince Edward VI ,son of Henry VIII of England, who's replaced by a beggar and vice versa . The film mingles comedy, adventures, humor, tongue-in-check and history. The starring boy is excellent and Oliver Reed as the preceptor is sublime. Also are splendidly, the supporting roles : Rex Harrison , Harry Andrews , Charlton Heston , Ernest Borgnine , David Hemmings , George C Scott , all are magnificent , including Raquel Welch. In the movie appears several historical characters, such as Henry VIII, Edward VI , Duke of Norfolk , and Lady Jane, princess Elizabeth , both of whom will be queens.

Colorful and evocative cinematography by Jack Cardiff . Imaginative score by Maurice Jarre who includes sensible chores . Direction by Richard Fleischer is very good . This is still one of the best versions along with the starred by Errol Flynn. This entertaining movie should satisfy young and old . Other adaptations about this vintage story dealing with mistaken identity between a prince and a child from the London slums are the following : The classic rendition ( 1937) by William Keighley with Errol Flynn , Claude Rains ; Disney version by Don Chaffey with Guy Williams , TV take on ( 2000) by Gilles Foster with Aidan Quinn ; furthermore , several versions on cartoons .