Hallucinations of a Deranged Mind

According to the box (and as an aside - God bless Something Weird Video!), this feature is cobbled together from material censored out of Marins' earlier "Coffin Joe" films. Though there are plenty of topless girls, and a good bit of torture and mayhem as well, the content of this movie seems to indicate that the censors in question (Brazilian?) had more serious issues with intense hallucination sequences. The handful of scenes which comprise the framing device, some mumbling business about a psychotic guy and the people trying to cure him, are certainly inept and boring enough, but this is actually a relief, because the hallucinations are pretty overwhelming, and you'll be happy for opportunities to catch your breath. An endless barrage of utterly grotesque and disjointed imagery, much of which seems to be intended as literal hellscapes, is liberally flavored with nude women, partially obscured by psychedelic lighting and editing effects, and staged on sets which must be seen to be believed (parts of actors' bodies are often built into the backdrop). It's easier to compare this to other movies than it is to describe it; if you can imagine Kenneth Anger's Satan movies, interspersed with gore scenes from H.G. Lewis, and rationalized by the further insertion of pieces of a fifties health class film on mental hygiene, you're on the right track; and, not to be snotty, but if you can't imagine that, you might not be ready to watch this one. If one can judge by this film alone (as, unfortunately, I must, though that won't be the case for long), Marins' big influences are Jung, Bosch, and E.C. Comics, which places this picture in heavy company by virtue of its aspirations alone, despite its technical shortcomings. (Not to mention that its very incoherency makes this movie a more accurate picture of some forms of schizophrenia than many more "serious" films which address the same subject.)

Hallucinations of a Deranged Mind (1978)

** 1/2 (out of 4)

I'll have to say right off that to date this is my first Coffin Joe film. From what I've read this might not have been the one to start off with as this here only features about twenty-five minutes worth of "newly" shot scenes mixed in with outtakes, deleted footage and censored footage from the previous films. I guess you could call this a real cut and paste job but the end results are pretty good. In the film, a doctor is having strange visions of Coffin Joe (Jose Mojica Marins) coming to steal his wife so that the evil one can create a super being. I've read that Coffin Joe's creation and stealing of women is something that runs through all of his film so there's nothing new there but I must admit that the film really captured my imagination. I'm not sure how many people will be attracted to a film like this but if you like LSD-type mind trips then this is a good one. For the most part we get very little story and instead just countless strange visuals, which range from cannibalism to naked women to other strange acts of violence being carried out by Coffin Joe. A lot of times we see the same clips being used over and over and while many are going to read this and think lazy, the director actually does a very stylish job with his low-budget nature. I had always seen images of Marins as Coffin Joe but seeing him in actual was a lot of fun. His entire look and feel were quite attractive for a horror film of this type. I haven't seen too many films from Brazil but this one here certainly has me interested in checking out the rest of the Coffin Joe films, which includes a brand new one just recently finished filming.

While showing lots of nightmarish scenes, this is far from the best of José Mojica Marins, and brings nothing new. Indeed, previous issues came back: Coffin Joe wants to find the perfect woman, there is a discussion about the existence of Coffin Joe, and Mojica works together with psychiatrists. More remarkable than that is the fact that only a little more than one third of the film is composed by original footage; all the rest was copied from four previous movies which had suffered with censorship: This night I'll possess yout corpse, The strange world of Coffin Joe, Awakening of the beast, and The bloody exorcism of Coffin Joe. Therefore, for a public nowadays, when it is much less difficult to have access to those former films, I do not think the present one worth watching, although it is not bad.

This film, from what I have read, is the censored material that was cut from Marins' older films. It looks to me like this material was thrown together to form something close to a movie, but very short of a plot or anything else for that matter. The movie is impossible to follow and had I not paid my own money to see it, I would not have finished watching it. I would not advise anyone to watch this film unless they wanted to see what, in my opinion, is one of the worst films ever.

During the opening credits for Hallucinations of a Deranged Mind, a hunchback plays the bongos while circling a semi-naked woman. It's an extremely bizarre image, but pretty standard fare for cult Brazilian director José Mojica Marins, who has carved a whole career from such surreality.

For this particular film, Marins has gathered together numerous scenes from his body of work so far and cobbled them together with a little new footage to tell the story of scientist Dr. Hamilton (Jorge Peres), who suffers from terrible nightmares in which he sees cult horror icon Coffin Joe (played by Marins) trying to make off with his wife Tânia (Magna Miller). In a 'meta moment', the doctor treating Hamilton calls Marins for help, believing that the creator of Coffin Joe might hold the key to curing the nightmares, which in turn gives Marins an idea for his next film.

With the majority of the running time taken up by Hamilton's nightmares, which are essentially a compilation of random freaky imagery taken out of context (not that they had much context to begin with), Hallucinations of a Deranged Mind is an incredibly tedious, meaningless experience and a colossal waste of time, especially for anyone who has already seen most of Marins better known films.