Hallucinations of a Deranged Mind

In 'Hallucinations Of A Deranged Mind' a psychiatrist (Jorge Peres) is being driven insane with hellish nightmares in which the sinister bogeyman Coffin Joe (Jose Mojica Marins) tries to steal his wife (Magna Miller) for the purpose of creating the perfect woman. His colleagues are so concerned they contact Marins, the creator of the Coffin Joe character, asking for his help, and he readily agrees. The movie mainly consists of outtakes and recycled footage from the earlier Coffin Joe movies including his masterpiece 'Awakening Of The Beast', which are then edited together into a kind of psychedelic collage. Newcomers to the weird and wonderful world of Coffin Joe (which is actually the anglicized name for Marins' Ze do Caixao character he debuted in 'At Midnight I'll Take Your Soul' forty years ago) will probably find 'Hallucinations...' tough going, but if you're already addicted to these extraordinary movies you'll find plenty to keep you amused/amazed. I once described Marins as being a bit like Jodorowsky on a Herschell Gordon Lewis budget, and that gives you some idea of how unique his work is. This is my sixth Coffin Joe experience and I'm now hooked for life!

The psychologist Dr. Hamilton (Jorge Peres) is fascinated by the supernatural and adores his wife Tânia (Magna Miller). Out of the blue, Dr. Hamilton has daydreams and nightmares with Zé do Caixão that wants to take Tânia to deliver his perfect offspring. His colleagues at the Psychiatric Clinic Dr. Adolfo Hansen invite José Mojica Marins, who is the creator of Zé do Caixão, to convince Dr. Hamilton that the character is not real but fruit of his imagination.

"Delírios de um Anormal" is a boring collection of footages from other movies from Zé do Caixão a.k.a. Coffin Joe. However, it is interesting to see that this 1978 film has many points in common with Wes Craven's "Nightmare on Elm Street" (1984) and the idea of an evil supernatural being that attacks in nightmares might have been the source of inspiration for the creation of Freddie Kruger. My vote is five.

Title (Brazil): "Delírios de um Anormal" ("Delirium of an Abnormal")

While showing lots of nightmarish scenes, this is far from the best of José Mojica Marins, and brings nothing new. Indeed, previous issues came back: Coffin Joe wants to find the perfect woman, there is a discussion about the existence of Coffin Joe, and Mojica works together with psychiatrists. More remarkable than that is the fact that only a little more than one third of the film is composed by original footage; all the rest was copied from four previous movies which had suffered with censorship: This night I'll possess yout corpse, The strange world of Coffin Joe, Awakening of the beast, and The bloody exorcism of Coffin Joe. Therefore, for a public nowadays, when it is much less difficult to have access to those former films, I do not think the present one worth watching, although it is not bad.

According to the box (and as an aside - God bless Something Weird Video!), this feature is cobbled together from material censored out of Marins' earlier "Coffin Joe" films. Though there are plenty of topless girls, and a good bit of torture and mayhem as well, the content of this movie seems to indicate that the censors in question (Brazilian?) had more serious issues with intense hallucination sequences. The handful of scenes which comprise the framing device, some mumbling business about a psychotic guy and the people trying to cure him, are certainly inept and boring enough, but this is actually a relief, because the hallucinations are pretty overwhelming, and you'll be happy for opportunities to catch your breath. An endless barrage of utterly grotesque and disjointed imagery, much of which seems to be intended as literal hellscapes, is liberally flavored with nude women, partially obscured by psychedelic lighting and editing effects, and staged on sets which must be seen to be believed (parts of actors' bodies are often built into the backdrop). It's easier to compare this to other movies than it is to describe it; if you can imagine Kenneth Anger's Satan movies, interspersed with gore scenes from H.G. Lewis, and rationalized by the further insertion of pieces of a fifties health class film on mental hygiene, you're on the right track; and, not to be snotty, but if you can't imagine that, you might not be ready to watch this one. If one can judge by this film alone (as, unfortunately, I must, though that won't be the case for long), Marins' big influences are Jung, Bosch, and E.C. Comics, which places this picture in heavy company by virtue of its aspirations alone, despite its technical shortcomings. (Not to mention that its very incoherency makes this movie a more accurate picture of some forms of schizophrenia than many more "serious" films which address the same subject.)

This film, from what I have read, is the censored material that was cut from Marins' older films. It looks to me like this material was thrown together to form something close to a movie, but very short of a plot or anything else for that matter. The movie is impossible to follow and had I not paid my own money to see it, I would not have finished watching it. I would not advise anyone to watch this film unless they wanted to see what, in my opinion, is one of the worst films ever.