Magnificent Bodyguards

It is a pervasive feature of the written history of Chinese martial arts films (from CFW's long-extinct periodical "Martial Arts Movies" to the pioneering coffee table book "Martial Arts Movies: From Bruce Lee to the Ninjas" by Ric Meyers) that Jackie Chan languished in a series of both artistically and commercially disastrous films before attaining stardom in 1978 with "Snake in the Eagle's Shadow". The general idea is that Chan was being held back by his director/mentor Lo Wei, who was such a humorless square that he saw no merit in Chan's comedic aspirations and insisted on trying to sell the young actor as the new Bruce Lee in a series of straight dramatic roles. This contention has been repeated so often that even today it is uncritically accepted as fact. Well, guess what? It's a bunch of baloney. In the first place, Chan starred in only one Bruceploitation film: "New Fist of Fury". Thereafter, he was cast in period costume productions (in contrast to Lee, who never made a period film). Secondly, some of these movies--like "Snake and Crane Arts of Shaolin" and "Spiritual Kung-Fu"--featured comedic elements. Thirdly, Chan almost always did a respectable job when assigned a dramatic role. Finally, while there's no doubt that comedy kung-fu made him a star, it's debatable how good films like "Snake in the Eagle's Shadow" and "Drunken Master" really are. They were wildly popular, certainly, but unless you consider slapstick the highest art ever achieved by human civilization, they're pretty cringeworthy. "Magnificent Bodyguards", neither a deadly serious dramatic picture nor a screwball comedy, stars Chan alongside James Tien and Leung Siu-lung (Bruce Leung); they are martial arts experts who have been hired to escort a sick man on his journey to see a physician. Along the way they fight off bandits, hostile Buddhist monks and an assortment of other characters. Based on a tale by Taiwanese wuxia novelist Ku Lung, the film is not a classic by any means, but it's watchable. There are lengthy, entertaining fight scenes and Chan does just fine in his non-comedic role. (Bizarrely, the movie was shot in 3D, which is why there are so many kicks and jabbing weapons aimed directly at the camera.) Further putting the kibosh on the myth that Chan's early films were all unmitigated disasters, "Magnificent Bodyguards" was a success at the box office. Don't believe everything you read!

This was one of many Jackie Chan vehicles made around this time when he was not yet a huge star. He had just made "Snake in the Eagle's Shadow", and "Snake and Crane Arts of Shaolin". The mega-hit "Drunken Master" would follow. Unfortunately this doesn't compare well to those.

Chan is asked by a young, wealthy lady to take her sick brother to a specialist doctor. To reach him, Chan and a handful of traveling companions must pass through bandit-infested wild country. They encounter and kung-fu-fight several gangs of thugs along the way.

Some minor interest is maintained as there's a quest involved, and the group journey through some nice locations. Also, the musical score has a surprising range of dynamics.

On the downside, the version I saw was poorly dubbed and the script had a lot of problems.

None of the many fight-scenes reach the heights of "Snake in the Eagle's Shadow", "Snake and Crane Arts of Shaolin" or "Drunken Master" (Jackie Chan vehicles made immediately before and after Magnificent Bodyguards).

Also, there is a twist near the end which I felt was a cop out and undermined the nature of the film, but by that point I wasn't too bothered anyway.

I would recommend this to die-hard Jackie Chan fans only. The casual fan would do well to stick with his 80s and 90s output (with a few exceptions).

Cool movie! Features a long-haired 24-year old Jackie Chan, great costumes, an improbably complicated plot, a bizarre song in the middle, American-Indian Mongol hordes, pre-Matrix "bullet time" fx, and much more.

Basically, Jackie and cohorts - the magnificent bodyguards of the title - are hired to guard and transport a valuable cargo over some dangerous, bandit-infested mountains. Of course, nothing is what it seems, no-one can be trusted and there appears to be a lost tribe of American Indians wandering the hills.

The version I saw was subtitled - it was fun hearing the original Chinese. Maybe that let the humour come out more. The movie doesn't take itself too seriously and only gets serious at the very end.

Well worth a watch.

Odd, but fascinating and likable early Jackie Chan martial arts vehicle. Well I might just be stretching calling it a vehicle though he's the name seller (outside director Lo Wei), but at times Chan (who plays it cocky, but can back it up) was overshadowed by his co-stars (James Tien and Bruce Liang). Nonetheless the thing that does stand out and this is probably why he doesn't charismatically standout (well not from the crisply choreographed action sequences though) was that the comical elements are played down with a more straight-laced vibe winning out. Lord Ting Chung the fastest fists in the East (Chan) is hired along with some other partners to protect a women and her ill-brother while transporting them through the Stormy Mountains that's infested with robbers. The story might seem basic, but it's anything but. It's quite an eventful plot, which does become somewhat of a mess with its dramatic twists and silly turns. Therefore its busily conceived structure consisting of a variety of characters, situations and challenges lets the pace briskly move through moving from one set-piece to another. Quick, lively and fun sums it up. What more could you ask for. The fluidly diverse martial arts come in spades with flexibility, creativity and exuberance in its flashy and flighty execution of one-on-one or group ambushes. Namely the stirringly long-winded climax, which would come back down to earth with a thud with its abrupt ending (which filled many films of its genre). A novelty that comes to the foreground is that it was obviously made for 3D with its intrusive framing and tricky jolts. I was kind of surprised how much of those occurrences did pop up and another interesting note would be the use of the "Star Wars" theme score for one particular scene. It might not be held up alongside Chan's other efforts, but this raw venture is a neat little kung-fu showcase.

I have seen a lot of (bad) chinese, and I am a big fan of Jackie Chan and Jet Li, but this movie is probably the WORSE movie ever made. Let me explain why:

1 - The acting is very, very, very bad. The actors in the "nazi" monk scene were laughing during the fight. The fighting scene is very bad.

2 - As this movie was shot in 3D you'll see some knives, rocks and even snakes flying over the camera, to create that 3D effect. If you are watching this movie in a TV, this will look silly.

3 - The fight scenes are quite bizarre. The make up and the fake blood are very odd. The final fight scene is indoor and outdoor almost at the same time (watch carefully the final fight scene and prepare to laugh with the final "the end" scene)

If you want to see this movie, I must say: May the force be with you! You'll need it.