A Kung Fu master assembles guards to escort an ailing person through dangerous "Stormy Hills" terrain infested with bandits, savages, and evil monks to reach a doctor before it's too late.A Kung Fu master assembles guards to escort an ailing person through dangerous "Stormy Hills" terrain infested with bandits, savages, and evil monks to reach a doctor before it's too late.A Kung Fu master assembles guards to escort an ailing person through dangerous "Stormy Hills" terrain infested with bandits, savages, and evil monks to reach a doctor before it's too late.
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Szu-Cheng Mu
- Wen Liang Yu
- (as Chiang Kao)
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Odd, but fascinating and likable early Jackie Chan martial arts vehicle. Well I might just be stretching calling it a vehicle though he's the name seller (outside director Lo Wei), but at times Chan (who plays it cocky, but can back it up) was overshadowed by his co-stars (James Tien and Bruce Liang). Nonetheless the thing that does stand out and this is probably why he doesn't charismatically standout (well not from the crisply choreographed action sequences though) was that the comical elements are played down with a more straight-laced vibe winning out. Lord Ting Chung the fastest fists in the East (Chan) is hired along with some other partners to protect a women and her ill-brother while transporting them through the Stormy Mountains that's infested with robbers. The story might seem basic, but it's anything but. It's quite an eventful plot, which does become somewhat of a mess with its dramatic twists and silly turns. Therefore its busily conceived structure consisting of a variety of characters, situations and challenges lets the pace briskly move through moving from one set-piece to another. Quick, lively and fun sums it up. What more could you ask for. The fluidly diverse martial arts come in spades with flexibility, creativity and exuberance in its flashy and flighty execution of one-on-one or group ambushes. Namely the stirringly long-winded climax, which would come back down to earth with a thud with its abrupt ending (which filled many films of its genre). A novelty that comes to the foreground is that it was obviously made for 3D with its intrusive framing and tricky jolts. I was kind of surprised how much of those occurrences did pop up and another interesting note would be the use of the "Star Wars" theme score for one particular scene. It might not be held up alongside Chan's other efforts, but this raw venture is a neat little kung-fu showcase.
7Aidy
This movie was made during the pre-humour stage of Jackie Chan's career, and is one of the relatively few serious movies that Jackie did. I like his humorous films as well but I find they can slow down the pace a little. Not so with this movie as it's action from start to finish.
This is one of the more interesting Jackie Chan movie that I've seen. Jackie plays a bodyguard who is hired to accompany a woman through a dangerous stretch of countryside. Jackie is hired yet agrees to do the job for free...this is just the start of a complicated story line.
Unlike his more humorous movies this movie is out-and-out action from the very start. The fighting scenes are good and frequent. The story line has a few twists and isn't just the standard `I will revenge my father/brother' plot. Interesting things to note are the 3D effects, at one point they enter a monastery that has swastikas on the wall, then when the team are trying to pass through a valley they start to play the Star Wars theme!!!
Overall this is quite different from most Jackie movies in that the story line is rich, the action is frequent, and the twists rival Fight Club.
Not the best movie he's ever done, but well worth a look.
This is one of the more interesting Jackie Chan movie that I've seen. Jackie plays a bodyguard who is hired to accompany a woman through a dangerous stretch of countryside. Jackie is hired yet agrees to do the job for free...this is just the start of a complicated story line.
Unlike his more humorous movies this movie is out-and-out action from the very start. The fighting scenes are good and frequent. The story line has a few twists and isn't just the standard `I will revenge my father/brother' plot. Interesting things to note are the 3D effects, at one point they enter a monastery that has swastikas on the wall, then when the team are trying to pass through a valley they start to play the Star Wars theme!!!
Overall this is quite different from most Jackie movies in that the story line is rich, the action is frequent, and the twists rival Fight Club.
Not the best movie he's ever done, but well worth a look.
It is a pervasive feature of the written history of Chinese martial arts films (from CFW's long-extinct periodical "Martial Arts Movies" to the pioneering coffee table book "Martial Arts Movies: From Bruce Lee to the Ninjas" by Ric Meyers) that Jackie Chan languished in a series of both artistically and commercially disastrous films before attaining stardom in 1978 with "Snake in the Eagle's Shadow". The general idea is that Chan was being held back by his director/mentor Lo Wei, who was such a humorless square that he saw no merit in Chan's comedic aspirations and insisted on trying to sell the young actor as the new Bruce Lee in a series of straight dramatic roles. This contention has been repeated so often that even today it is uncritically accepted as fact. Well, guess what? It's a bunch of baloney. In the first place, Chan starred in only one Bruceploitation film: "New Fist of Fury". Thereafter, he was cast in period costume productions (in contrast to Lee, who never made a period film). Secondly, some of these movies--like "Snake and Crane Arts of Shaolin" and "Spiritual Kung-Fu"--featured comedic elements. Thirdly, Chan almost always did a respectable job when assigned a dramatic role. Finally, while there's no doubt that comedy kung-fu made him a star, it's debatable how good films like "Snake in the Eagle's Shadow" and "Drunken Master" really are. They were wildly popular, certainly, but unless you consider slapstick the highest art ever achieved by human civilization, they're pretty cringeworthy. "Magnificent Bodyguards", neither a deadly serious dramatic picture nor a screwball comedy, stars Chan alongside James Tien and Leung Siu-lung (Bruce Leung); they are martial arts experts who have been hired to escort a sick man on his journey to see a physician. Along the way they fight off bandits, hostile Buddhist monks and an assortment of other characters. Based on a tale by Taiwanese wuxia novelist Ku Lung, the film is not a classic by any means, but it's watchable. There are lengthy, entertaining fight scenes and Chan does just fine in his non-comedic role. (Bizarrely, the movie was shot in 3D, which is why there are so many kicks and jabbing weapons aimed directly at the camera.) Further putting the kibosh on the myth that Chan's early films were all unmitigated disasters, "Magnificent Bodyguards" was a success at the box office. Don't believe everything you read!
This is a typically bizarre early Chan film, made by Lo Wei. It concerns Chan escorting a woman across a dangerous valley to find a cure for her sick "brother". Although not a classic, this film does contain a number of impressive fight scenes,although the script is messy and often confusing. Still,it's nice to see Chan in his long-haired seventies days!
Another 70s flick starring Jackie Chan. The movie has very well choreographed fight scenes but again there are way too many.
I like the adventure aspect of this flick. The costumes are really good. The evil king in this film is one of the best Jackie Chan movie villains of the 70s.
The movie has a very good twist at the end that I did not see coming. In fact, evey aspect of the little plot there was was good.
The music score for the movie is mostly directly stolen from Star Wars (1977), which adds some camp value. The movie also has a theme of its very own during scenes of their trek through Stormy Hills.
Director Lo Wei throws everything before your eyes that he can think of. This is the first Hong Kong movie filmed in 3D so snakes , swords, spears, ninjas, boulders etc. are hurtled toward the screen.
This is one of Jackie's better movies but too much fighting and an overall lack of plot hurt the proceedings .
Still, characters have enough different traits and eccentricities to be fairly engaging and Jackie and Luk Chuen choreograph the action well. The movie has decent pacing and is far from waste of time. This is a nice little movie that transcends the trappings and limitations of the typical period piece to deliver light thrills and mild gore for a somewhat more mainstream audience.
Despite its flaws, I would recommend checking it out.
Did you know
- TriviaThis was the first movie in Hong Kong to be filmed using 3-D technology.
- Alternate versionsOriginally issued in 3-D.
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- Magnificent Guardsmen
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