The Evil

At first, I was expecting a shrieky classic haunted house spook show, but that wasn't it. Granted, THE EVIL suffers from a serious lack of diversity. The movie is wasted only by scenes of people sliding around and people getting killed by electric shocks. There isn't enough to qualify this as spine-tingling fun. It is also laughably dated in visual material! Try to watch that sick girl shake all over the floor in her undies for a change and you'll see why! The only exception would be Andrew Prine sinking in mud and attempting to commit suicide. You know a movie that has a conflicting situation between good and evil, and the end always turns out to be quite simple. Any low-budget horror movie can do A LOT better than this, but for the moment, give THE EVIL some extra credit for its dark and thunderous setting that lives up to my expectations. This one spoils the most hardcore horror fans for not being frightening enough.

Way before I rented this, I kept hearing about the horrendous climax with Victor Buono as the devil. I figured I could just look past it and enjoy the rest of the movie, and though the scenes are amazingly cheesy, they don't *kill* the movie. If anything, it's a unique idea.

Richard Crenna and Joanna Pettet star as CJ and Caroline Arnold, a couple that has just bought the old Vargas Mansion, and have invited some friends and former patients from CJ's psychiatric group (? I know, I thought it was sort of odd) to help clean the place up. Caroline begins to notice creepy things about the house, including a transparent apparition that disappears when she takes a second look. She even finds an old diary of Emilio Vargas, the deceased owner of the house, and eventually, she gets the feeling they are all being warned to leave the house. While looking for Mary's (Cassie Yates) dog, who has run off and gotten itself frightened by something, CJ finds a cross in the basement, over a latched passageway in the floor. As he pries open the doors, they begin to lift and open themselves, and all hell breaks loose. (Literally.) The house shakes violently, one stock character being electrocuted along the way. Then all the windows seal and the doors all are jammed shut. After realizing they are trapped, the survivors struggle to find an explanation to what's going on, and in their pursuit to survive the night, the evil begins claiming their lives one by one....

All slightly typical fare, with some inspiration by "The Haunting," no doubt. The characters are all likable, though, and the movie can be entertaining at times. Yet ridiculuous explanations to legitimize what's happening, some loose ends, and a predictable play-out all make the movie below-average. Like, what ever happened to Laurie (Marie Louise Weller), and why did A) Ray (Andrew Pine) give up so easily on helping her, and B) why didn't he tell Felicia (Lynne Moody) in the next scene? That was my biggest problem with the movie, along with the scene where Caroline finds CJ, Laurie, and Ray possessed. She (supposedly) drove the evil out of them, but I was just sort of left unsatisfied by the fact that the scene didn't seem to matter by the next scene. The rest I can deal with. As for the climax....Well, it was an okay idea. ("The Beyond" had the same idea, of the hotel being over one of the seven gates of Hell.) But unlike "The Beyond" this movie executed that idea in a pretty weak manner. The Devil just didn't seem to threatening to me. Seemed a bit more like a child molester than the epitome of all evil.

Alright, you could do worse. And I could have done far worse when I rented this. I suppose if you can get past the plot holes, the terribly cheesy music (especially that way-too-happy music in the ultra-cheesy ending!), the excessive deaths-by-execution, and the somewhat weak climax, you may enjoy this.

The familiarity of the premise (yet another haunted house, ominous sounds, good-vs-evil battles, etc) places a burden on this movie right from the start, a burden that the competent direction and the above-average acting cannot quite shake off. Ultimately, "The Evil" is just as undistinguished as its title, but it remains a respectable, sometimes even imaginative (the "quicksand" scene) time-spender. (**1/2)

A very good horror-movie about some demons who have their home in an old mansion. The action starts when the new owners tries to move in. -------- This is a real horror-movie of the very rare kind. You seldom find many of this type. And it's scary as hell. The atmosphere manages to thrill over and over and the whole film moves towards a climax that I barely find in horror-films today. Highly recommended (((((9 out of 10))))

A daft, but entertainingly modest low-budget late 70s haunted house variation with horror comic lashings (intentional or not) in what becomes a traditional battle between good vs. evil. Nothing surprises, as no cliché is left untouched, but director Gus Trikonis' able execution is quite well done for what it is. Some creepy or outrageous moments and there's a solid cast led by the ever-reliable Richard Crenna, as he plays a psychologist along with his wife (a doctor) buy an abandon mansion (which does have something of a gloomy past) to hopefully restore to use as a clinic. So some friends and students of his go there to help fix it up, but unknowingly to them a devastating satanic force is unleashed and they find themselves trapped inside trying to survive.

The raw atmospheric make-up emit's a dominating presence, from the grand vast secluded mansion to the eerily placed music score, imaginative camera placement and cue in the cackling evil laughter of the evil entity. It constructs an ominously nightmarish strangle-hold, as it grows claustrophobic but at the same time the whirlwind becomes a random schlock-fest with its climax being the tip of it. It's not as unnerving as it could have been and the ending it feebly done. The story dynamics are old-hat (a stormy night) and it's slow to get going with some plodding opening dialogues, but soon that's made way for impulsively staged deaths / encounters --- consisting of spirit manifestations, possessions, fires, self-mutilation and bodies being thrown about. When these strange occurrences transpire, it's even mentioned for no one to go anywhere on their own, but do they listen… of course not. The dedicated cast also features lively performances by Andrew Prine, Joanna Pettet, Cassie Yates and a memorable sequence with Victor Buono.