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A woman is aided by her brother, a professor and an explorer as they search the jungles of New Guinea for her anthropologist husband, who vanished near a mountain that is said to be cursed.A woman is aided by her brother, a professor and an explorer as they search the jungles of New Guinea for her anthropologist husband, who vanished near a mountain that is said to be cursed.A woman is aided by her brother, a professor and an explorer as they search the jungles of New Guinea for her anthropologist husband, who vanished near a mountain that is said to be cursed.
Akushula Selayah
- Sura
- (as Akushla Sellajaah)
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I'm a big fan of director Sergio Martino, who ranges among the finest filmmakers in Italian Horror, particularly for his Gialli. Especially his insanely brilliant "Il Tuo Vizio È Una Stanza Chiusa E Solo Io Ne Ho La Chiave" (aka. "Your Vice Is A Locked Room And Only I Have The Key") is a masterpiece that ranks among my all-time favorites, and among the greatest Gialli ever made. Having adequately praised Martino, it has to be said that his early contribution to the Cannibal sub-genre is not one of the most stunning examples for its type of film. Nonetheless "La Montagna Del Dio Cannibale" aka. "The Mountain Of The Cannibal God" of 1978 is a film with undeniable qualities (Which other Italian Cannibal flick could claim to star an international star like proto-Bondgirl Ursula Andress in a very revealing role?). After the disappearance of a scientist in the unexplored jungle of New Guinea, his sexy wife Susan (Ursula Andress) is dedicated to find him. In spite of all warnings, She decides to search for him herself. Accompanied by her brother (Antonio Marsini) and her husband's colleague Professor Edward Foster (Stacy Keach), she travels deeper into the jungle... a menacing and savage jungle...
Within the Cannibal sub-genre, "The Mountain Of The Cannibal God" is not a particularly memorable film, but it has several qualities that no Italian Exploitation lover should miss. This is one of the early specimen of the sub-genre (as far as I know the fourth, after Umberto Lenzi's pioneering "Deep River Savages" of 1972, Ruggero Deodato's fascinating "Last Cannibal World" of 1977 and Joe D'Amato's ultra-sleazy "Emanuelle And The Last Cannibals" of 1977 starring the ravishing Laura Gemser). While this is not as nauseating and shocking as some of the Cannibal flicks to come (such as Deodato's masterpiece "Cannibal Holocaust" or Lenzi's "Cannibal Ferox" and "Eaten Alive") it is quite focused on the sleaze factor, at least in its uncut version. The film's main attraction, of course, is Ursula Andress, who was still very sexy at 41, when the film was made. But seeing sexy Ursula naked is not the only reason to watch the film. It often has a good atmosphere, the jungle settings are great and the score by the De Angelis Brothers is superb (the Cannibal sub-genre is generally known for great scores). As most other Cannibal flicks, the film includes real animal killings, which might shock animal protectors, but which actually seem like whatever one might see in wildlife documentaries. Overall this is a worthwhile, but not particularly memorable example for the Cannibal sub-genre. Fans of the genre should see it, and in case you wanna see Miss Andress undress (who would't?) this is your film. To experience a masterpiece of the Italian Cannibal sub-genre, however, watch "Cannibal Holocaust". This "Mountain of The Cannibal God" is warmly recommended to my fellow Italian sleaze fans.
Within the Cannibal sub-genre, "The Mountain Of The Cannibal God" is not a particularly memorable film, but it has several qualities that no Italian Exploitation lover should miss. This is one of the early specimen of the sub-genre (as far as I know the fourth, after Umberto Lenzi's pioneering "Deep River Savages" of 1972, Ruggero Deodato's fascinating "Last Cannibal World" of 1977 and Joe D'Amato's ultra-sleazy "Emanuelle And The Last Cannibals" of 1977 starring the ravishing Laura Gemser). While this is not as nauseating and shocking as some of the Cannibal flicks to come (such as Deodato's masterpiece "Cannibal Holocaust" or Lenzi's "Cannibal Ferox" and "Eaten Alive") it is quite focused on the sleaze factor, at least in its uncut version. The film's main attraction, of course, is Ursula Andress, who was still very sexy at 41, when the film was made. But seeing sexy Ursula naked is not the only reason to watch the film. It often has a good atmosphere, the jungle settings are great and the score by the De Angelis Brothers is superb (the Cannibal sub-genre is generally known for great scores). As most other Cannibal flicks, the film includes real animal killings, which might shock animal protectors, but which actually seem like whatever one might see in wildlife documentaries. Overall this is a worthwhile, but not particularly memorable example for the Cannibal sub-genre. Fans of the genre should see it, and in case you wanna see Miss Andress undress (who would't?) this is your film. To experience a masterpiece of the Italian Cannibal sub-genre, however, watch "Cannibal Holocaust". This "Mountain of The Cannibal God" is warmly recommended to my fellow Italian sleaze fans.
Many of the Italian cannibal movies tread a fine line between jolly jungle caper and gut-munching exploitica; 'Mountain of the Cannibal God' falls firmly into the former category. With a bigger budget than most movies of it's kind, the higher production values allow for a more coherent storyline and, in Stacy Keach, an actor who is able to deliver a badly written line with an admirable level of conviction. Nevertheless, the whole thing is really just a mildly interesting romp through the jungle, with very little suspense, and no real violence, sex or gore to speak of. Quite inexplicably, considering the movie's total removal from the trapping of the cannibal genre, it is littered with real-life animal killings. Of all the elements of the cannibal movie to keep, why the animal suffering? I'd rather have seen a good disemboweling.
The only redeeming qualities are the locations and the tribespeople. The vast cave complex is a beautiful and awe inspiring sight (and looks suspiciously like the caves of 'Ultimo Mondo Cannibal'). The tribespeople, caked in dried mud and wearing home made masks are actually quite frightening for once, like a Jungle DIY version of Leatherface. It's refreshing to see something new in cannibal design, it's just a shame the efforts are wasted in a movie that is more reminiscent of 'King's Solomon Mines' than a cannibal movie.
The only redeeming qualities are the locations and the tribespeople. The vast cave complex is a beautiful and awe inspiring sight (and looks suspiciously like the caves of 'Ultimo Mondo Cannibal'). The tribespeople, caked in dried mud and wearing home made masks are actually quite frightening for once, like a Jungle DIY version of Leatherface. It's refreshing to see something new in cannibal design, it's just a shame the efforts are wasted in a movie that is more reminiscent of 'King's Solomon Mines' than a cannibal movie.
Of all the infamous Italian cannibal movies of the seventies and early eighties, this is the most tedious. They all include pointless depicting of animals killing animals - and people killing animals.
Of course, they also include people killing people, but whereas this, of course, is fake, the animal killings are for real. Not that nature's not cruel, but what's the point in including suffering monkeys, iguanas, snakes and turtles in the movies?
Most of the time, these scenes seem staged, and in this movie, it's very clear a monkey was thrown before a hungry boa, and there was probably even a rope tied to it, while throwing! At 23:31 into the uncut DVD, you can see that a very clear and sharp, green branch is added onto the film in the left of the frame afterwards, in order to cover something up.
If it isn't a rope, it's probably the arm of the one throwing the poor monkey to its certain death. The following scene, where the producers show close-ups of the monkey's face, in all its anguish, is almost unbearable, and adds, of course, nothing to the story, except a bitter aftertaste.
The music (by de Angelis & de Angelis) is beautiful, and watching the then 41-year-old Ursula Andress in the nude, all tied up, are this movie's highlights.
Of course, they also include people killing people, but whereas this, of course, is fake, the animal killings are for real. Not that nature's not cruel, but what's the point in including suffering monkeys, iguanas, snakes and turtles in the movies?
Most of the time, these scenes seem staged, and in this movie, it's very clear a monkey was thrown before a hungry boa, and there was probably even a rope tied to it, while throwing! At 23:31 into the uncut DVD, you can see that a very clear and sharp, green branch is added onto the film in the left of the frame afterwards, in order to cover something up.
If it isn't a rope, it's probably the arm of the one throwing the poor monkey to its certain death. The following scene, where the producers show close-ups of the monkey's face, in all its anguish, is almost unbearable, and adds, of course, nothing to the story, except a bitter aftertaste.
The music (by de Angelis & de Angelis) is beautiful, and watching the then 41-year-old Ursula Andress in the nude, all tied up, are this movie's highlights.
"Mountain of the Cannibal God" may disappoint those looking for a hardcore cannibal flick, but if you're willing to accept it as a jungle adventure with occasional doses of gore it works better. The production is colorful and polished; this movie really looks great on DVD. Sergio Martino does a solid job with the direction; apart from "Predator", I don't think I've seen a film with a better sense of place during its jungle scenes. The plot has a good build-up, and even attempts a couple of twists. Ursula Andress handles her physically demanding role well (no wonder the cannibals mistake her for a goddess; that's what Ursula is. And did anyone else find one of the cannibal girls that were painting her up quite hot?). Stacy Keach is a solid lead and has the best (and best-delivered) line in the film: "You never forget the taste of human flesh!". By the way, I watched a 97-minute version which was quite gory, but had some "extreme" scenes that others have mentioned (bestiality) missing. (**1/2)
Susan Stevenson (Ursula Andress) and her brother, Arthur (Antonio Marsina), travel to the jungles of New Guinea to search for a lost expedition, which included Susan's husband. They enlist the help of Edward Foster (Stacey Keach), an anthropologist, who has visited the area before and is certain that Susan's husband went to the supposedly cursed area known as Ra Ra Mea, on the island of Roka.
Sergio Martino's addition to the Italian cannibal sub-genre is a far more tame and forgettable movie than Cannibal Holocaust' (1979) or Cannibal Ferox' (1981). While featuring the numerous indignities that seemingly became mandatory amongst the sub-genre (such as castration, rape and real animal slaughter), Mountain of the Cannibal God' is much less brutal and therefore less compelling. The plotline was dreadfully arranged which meant that all the supposed plot-twists were noticeable long before they even happened. Rather than be shocked or appalled by the depictions on-screen, it becomes far easier for the viewer to laugh at what is going on; a reaction that no good exploitation flick should produce. Having said that, the first thirty-five minutes or so were fairly entertaining and set the movie up nicely. The movie benefited from some surprising and effective moments, as well as many well-executed (but basic) effects. Unfortunately, scripting and pacing problems meant that Mountain of the Cannibal God' started to become fairly dull shortly afterwards; something that no degree of `shock treatment' was able to fix.
The performances from the cast in Mountain of the Cannibal God' are possibly the best of the Italian cannibal sub-genre. Veterans Stacey Keach and Ursula Andress (ex-Bond girl) were certainly the crème de la crème of the cast as they both offered dramatic and convincing performances. Ursula managed to portray the sexiness of her character (despite being over 40 at the time) very well which certainly allowed the movie to gain in some respects from the multiple nude scenes in which she was involved. However, nudity as we know does not make a good movie. Claudio Cassinelli also gave a pleasing performance in his role as jungle-wise Manolo. The only bad performance was that of Antonio Marsina who came across as monotonous and unmotivated. His performance was less than aided by the terrible scripting for his character. Although the character of Arthur was obviously meant to come across as an annoyance, he became too annoying and thus made all scenes in which he was involved almost too painful to watch. One could be forgiven for wishing that Arthur had been killed at the beginning of the movie.
For all the movies faults there were some pleasantly entertaining scenes scattered about and although the viewer may be put off by the constant dragging, the later scenes can be somewhat of an enjoyable experience. The more basic effects were usually of a good standard but some of the advanced effects later in the movie fell very short and were thoroughly unconvincing. Fans of exploitation flicks should be partially impressed with Mountain of the Cannibal God' but will be very unfulfilled if they expect another Cannibal Holocaust' or Cannibal Ferox'. This movie is worth watching once, but I doubt many would deem it worthy of multiple viewings. My rating for Mountain of the Cannibal God' 5.5/10.
Sergio Martino's addition to the Italian cannibal sub-genre is a far more tame and forgettable movie than Cannibal Holocaust' (1979) or Cannibal Ferox' (1981). While featuring the numerous indignities that seemingly became mandatory amongst the sub-genre (such as castration, rape and real animal slaughter), Mountain of the Cannibal God' is much less brutal and therefore less compelling. The plotline was dreadfully arranged which meant that all the supposed plot-twists were noticeable long before they even happened. Rather than be shocked or appalled by the depictions on-screen, it becomes far easier for the viewer to laugh at what is going on; a reaction that no good exploitation flick should produce. Having said that, the first thirty-five minutes or so were fairly entertaining and set the movie up nicely. The movie benefited from some surprising and effective moments, as well as many well-executed (but basic) effects. Unfortunately, scripting and pacing problems meant that Mountain of the Cannibal God' started to become fairly dull shortly afterwards; something that no degree of `shock treatment' was able to fix.
The performances from the cast in Mountain of the Cannibal God' are possibly the best of the Italian cannibal sub-genre. Veterans Stacey Keach and Ursula Andress (ex-Bond girl) were certainly the crème de la crème of the cast as they both offered dramatic and convincing performances. Ursula managed to portray the sexiness of her character (despite being over 40 at the time) very well which certainly allowed the movie to gain in some respects from the multiple nude scenes in which she was involved. However, nudity as we know does not make a good movie. Claudio Cassinelli also gave a pleasing performance in his role as jungle-wise Manolo. The only bad performance was that of Antonio Marsina who came across as monotonous and unmotivated. His performance was less than aided by the terrible scripting for his character. Although the character of Arthur was obviously meant to come across as an annoyance, he became too annoying and thus made all scenes in which he was involved almost too painful to watch. One could be forgiven for wishing that Arthur had been killed at the beginning of the movie.
For all the movies faults there were some pleasantly entertaining scenes scattered about and although the viewer may be put off by the constant dragging, the later scenes can be somewhat of an enjoyable experience. The more basic effects were usually of a good standard but some of the advanced effects later in the movie fell very short and were thoroughly unconvincing. Fans of exploitation flicks should be partially impressed with Mountain of the Cannibal God' but will be very unfulfilled if they expect another Cannibal Holocaust' or Cannibal Ferox'. This movie is worth watching once, but I doubt many would deem it worthy of multiple viewings. My rating for Mountain of the Cannibal God' 5.5/10.
Did you know
- TriviaThe film was banned in the UK until 2001 for its graphic violence (mostly for its very real animal violence) and was once one of the infamous 72 "video nasties."
- GoofsWhen the snake eats the monkey, it is supposed to be natural footage of one animal eating another. There are many leaves around the shot and one of them was very clearly added during editing to hide a device used to launch the monkey into the snake's mouth (a frame-by-frame analysis of this scene can be found on the unrated Blue Underground DVD release).
- Crazy creditsThe film's ending credits do not actually state what the job of each individual was. Instead, it merely lists the technicians involved, which is why many have mistaken this for a cast list. This was because of the guerrilla nature of the shooting of this film, which meant the film crew positions were very fluid.
- Alternate versionsThis film was one of the original 72 video nasties of the UK (under the title "Prisoner of the Cannibal God") and was on the infamous DPP 72 list. The theatrical version was cut to remove all the footage of animal violence in it and the 2001 Vipco DVD version (now re-titled "The Mountain of the Cannibal God") featured a longer and more complete U.S. print, although a further two minutes and six seconds were cut by the BBFC to remove genuine footage of a snake fighting a bird and a snake killing and eating a live monkey.
- ConnectionsEdited into Eaten Alive! (1980)
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- La montaña del dios caníbal
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