The Medusa Touch

Though top billed in this, Richard Burton features but sparingly as a man with a tortured past. His recollections to his psychiatrist "Dr. Zonfeld" (Lee Remick) are relayed to police inspector "Brunel" (Lino Ventura) after he ("Morlar") is found savagely beaten at his London flat. As the investigation expands, it is clear that the normal rules do not apply here. "Morlar" shouldn't even be alive, yet his brain activity coupled with a spate of accidents and with the ever more revealing - but sensational - revelations about his disaster-prone past lead "Brunel" and the Assistant Commissioner (Harry Andrews) to a conclusion that, well, they just cannot believe. Ventura is good in this, as is the understated, but effective Remick. There are plenty of twists that keep the obvious from becoming too obvious, too soon, and when called upon, Burton contributes well in a sort of manic, epitome of evil, manner. It is a bit dialogue heavy at times, but the last twenty minutes are great drama well put together. A good bit of telekinetic terror!

"The Medusa Touch" is a typical seventies "devil conspiracy" movie like the popular "The Exorcist" and "The Omen" series combined with the typical paranoia and disaster movies between "Earthquake" and "Airport". The late Richard Burton plays an obsessed psychic who tries to convince a psychiatrist (Lee Remick) of his demonic power to kill people and to cause disasters just by the strength of his thoughts. Being a victim of an assassination and a coma patient in a hospital, his mad thoughts are causing even worse attacks on buildings that are causing the death of hundreds of people. French cop Lino Ventura, working as a guest policeman in London, tries to find out the mystery of Burton's dark life.

Although there's not much action, this horror movie is thrilling and dominated by the convincing performances of the actors. There is a sinister atmosphere of terror and paranoia all around, and you expect the unexpected in every single moment. A fine psychological terror movie in typical seventies style that is worth being watched!

And he isn't kidding! An unusually rigid, dark and hazy telekinetic crossed disaster driven supernatural-thriller, predictably told and methodically directed, but the spectacle starts out like a cerebral murder-mystery before the bleak, schlocky mayhem bursts from the seams. Once a weary-eyed Richard Burton starts staring into your soul... only means upcoming doom is near. About an hour away... give or take.

The story follows a French detective Brunel (Lino Ventura who's great here) on temporary assignment for Scotland yard, as he investigates the attempted murder of a writer, John Morlar, who now lays comatose in a hospital bed. However there's something strange about this case, and this man. He learns from Morlar's psychiatrist Dr Zonfeld (a really cold Lee Remick), and Morlar's journals, he believed he could predict the future, and eventually cause disasters, or even death.

This leads to a lot of red herrings, where motivations are unravelled through Brunel's consistent digging of the facts, although it's not hard to figure who was the attempted murderer. So when that's finally revealed, everything suddenly changes and the story comes into its own feeling like there's a lot more at stake. The script through flashbacks, interestingly gives an insight into Morlar's decaying mindset, as his psychic ability grows and bitter distain for life (especially for the establishment) festers. Therefore the morbid nature of its bubbling intentions builds and shocks begin to multiply, which always seem to end in tragedy, and once its starts... there's no going back. It's going to end, like it began... Morlar will see to that with an excellent, fitting ending.

'The Medusa Touch' fits as one of those films that certainly deserves to be called a masterpiece that became a well kept secret. If you are a fan of the genre and haven't seen it, what a rare find it is! Contributors to threads of a remake of this film are filled with screams against that idea. And deservedly so. Any attempt to remake this classic would be a travesty.

Richard Burton's excellent performance, and surly the role fits Burton's acting style like a well tailored glove. Casting him as an intelligent and well versed author, whose spoken (and written) dialog is scripted to delve deep into a profound command of the English language, is right up Burton's alley. I see much written here about Burton's outstanding performance and they are certainly correct.

It almost seems an oversight however, that the performance given by Lino Ventura (Inspector Brunel) is as fine a work of acting as can be. Officially a 'supporting actor' in the film, one could hardly tell. Cast as a French Exchange Detective who has a suspicious, slightly non-trusting relationship with his English Scotland Yard counterparts, Ventura turns in a nearly flawless role, and makes the idea work exquisitely.

Often while deep in puzzled thought and shock, mere facial expressions from Inspector Brunel are perfect additions to Ventura's role. To many thread do not topic Lino Ventura's excellent acting in this outstanding classic gem of a thriller. Perhaps due to many fans in the English speaking world never having heard of Lino Ventura, and figuring he was a 'small-fame' actor. Nothing could be further from the truth. Ventura was Italian citizenship and birth, while living the majority of his life in France.

Ventura was a hugely acclaimed and decorated actor in France, who played some iconic roles there. Casting Lino Ventura in this film was no stretch, as his timeless performance attests. The filmmakers were fortunate to land him. In many ways, Ventura's performance helped mold this movie into the hidden classic 'The Medusa Touch' will forever be.

Don't you just hate it when you think of a review title only to find that somebody has beaten you to it!!?? So "I have a gift for disaster" was to be my first choice. Anyway the late, great Richard Burton is sat at home watching the TV when a visitor calls by and bashes him over the head. The police are called for an apparent murder but turns out that he's not dead. Taken to hospital he remains in a comatose state apart from his brain which is driving the attached monitor nuts! Burton plays a writer with telekinetic powers, he discovers these when a boy and uses them to kill his nanny, then his parents. Much of the film has him telling his life story in a series of flash backs, I liked this part of the plot a lot. As a middle aged man he has now set his sights on the mass destruction of innocents. Can he be stopped? These type of movies were popular around this time, titles such as Carrie, Patrick, Psychic Killer and The Fury spring to mind, even The Omen, and The Medusa Touch is a good addition. I can remember watching this on TV at least twice when I was a kid and several decades later I came across a nice print being screened on a British TV channel that specialises in older movies. It was great to revisit it. Burton was without question one of the finest actors to come out of the UK and I really enjoyed his performance here, but I thought the rest of the cast that includes many familiar faces to be good also. The movie does build to a gripping finale, this film is horror, thriller and disaster all rolled into one.