The Norseman

Isn't always sad to rediscover a memory from your childhood that you treasured greatly, but then finding it as an adult, and not being able to figure out how in the hell you possibly could have liked it in the first place. That's how I felt upon seeing this movie a while back. I can recall vividly when I went and saw this movie when I was ten, and my friends and I being blown away by it. In fact I saw it three times in one week. (no lie) When I saw it last, I pondered how could I not have seen the FATAL miscasting of Lee Majors. How I overlooked the black(!?) viking. Why did I not conceive that the plot for this was so laughably stupid (Vikings vs. American Indians). Sigh, it's a sad fact of life, the smarter you get, the DUMBER you realize you were.

A treasure trove of anachronism, continuity errors and baaaaaaaaaad acting. So bad it's wonderful. Who knew there were black vikings, or that vikings wore wristwatches? A genuine treat. You'll laugh your butt off.

I am sitting at home watching THE NORSEMAN on TV, trying to pick my incredulous chin up off the floor. This movie must be seen by film students so they can learn everything NOT to do in making a movie. For example: Lee Majors (THORVALD) and the boy playing his Norse son deliver arch dialog in southern American accents...The Caucasian looking Indians with perfect Herbal Essence hairstyles...and perfect teeth..(that tribe must have a really good dental plan) Lee Majors sports a late 1970's mustache and hair style...He probably was on hiatus from a series and refused to restyle his hair...The Max Factor warpaint on the Indians' faces...and the lack of "Light Egyptian" on their bodies...Irish actress, Kathleen Freeman, as an old Indian woman... The "ultra realistic" Canadian location (NOT!), complete with palm trees and Spanish Moss... How did they get the money to make this thing? Where can I get some for my films??? This film is like a train wreck....painful to watch but absolutely riveting in its awfulness. The only area that deserves praise is the cinematography...the exteriors look pretty good... the cinematographer must have picked up the gig to pay for a fishing expedition or a vacation to Hawaii... In the words of many a great Norseman, .....Oy Vey!!!

I am somewhat forgiving in giving this movie a 3! I highly recommend saving your time by doing other activities such finger painting or recreating THE NORSEMAN. I am sure a high school student with a video camera could do a better job at research and casting. The costumes are out of period, Native Americans do not fight running with tomahawks in their hand screaming. Not sure how they really fought back then, but I am sure that was not it! A black Norseman is not impossible just not probable. If I remember correctly the Norse were beaten by the Romans hence the Roman like uniforms plus the Roman had black slaves (Egypt which is located in Africa) hence the black guy.The work seems rushed and a lot of forethought has not gone into the editing. I feel this is one of the reasons why Farrah and Lee divorced.

When you get a load of this casting mix and this plot, you're probably already preparing yourself for a dumb, silly and cheese ball period adventure. Much of the acting is less than stellar (yet entertaining in its own way), the accents (or lack thereof) priceless, and the action ridiculous. There's a fair bit of blood here for a PG rated flick, but overall this is a pretty "good" diversion on a crummy, politically incorrect, wholly inaccurate level.

The hilariously cast Lee Majors of 'The Six Million Dollar Man' and 'The Fall Guy' fame plays proud Norse warrior Thorvald, accompanying a group of his men to America (which they dub "Vineland"), where his father, the King (Mel Ferrer), had vanished previously. It turns out that dad had been abducted by the local Indian tribe, so the very slim story ends up turning into a "Norseman vs. Indians" series of battles. Also along for the ride are none other than Jack Elam as an old "wizard", Cornel Wilde as a Norseman named Ragnar, Christopher Connelly as Rolf, Jimmy Clem, a regular in the films of Charles B. Pierce ("The Legend of Boggy Creek", "The Town That Dreaded Sundown"), and the directors' son Chuck Pierce as Majors' younger brother. Sonny Bonos' third wife Susie Coelho plays the young Indian hottie who sympathizes with the Norsemen and betrays her tribe. And is that Kathleen Freeman as an old Indian woman? It sure is.

This is worthy of some hearty chuckles, thanks to the script (by Pierce Sr. himself) and performances. But it's not totally lacking in quality, with sharp Panavision photography by Robert Bethard and stirring, atmospheric music by Jaime Mendoza-Nava.

This may not be one of the directors' finer moments, but it's still fun to a degree.

Executive produced, uncredited, by Majors and his then wife, Farrah Fawcett.

Five out of 10.