Rainbow

If you're a fan of Andrea McCardle, you'll want to check out Rainbow, a Judy Garland biopic from 1978. If you're not, you'll hate this tv flick so you might as well skip it. Andrea looks, sounds, and acts nothing like Miss Garland, and the whole movie is basically a vehicle to show off her belting singing voice. She sings and sings and sings, with very little plot in between songs. And since she looks, sounds, and acts nothing like the woman she was cast to impersonate, it gets old fast.

Within the very thin plot, it implies that Frances Gumm's father (played by Don Murray) was a closeted homosexual, and her frustrated mother (played by Piper Laurie) had an affair with her friend, a married man with an invalid wife. It never explains why the vaudeville act went from The Gumm Sisters to just Judy Garland, and it stops after the filming of The Wizard of Oz. Piper's character sort of fades into the scenery once they reach Hollywood, and Judy's very close relationship with an MGM composer, played by Michael Parks, isn't really explained. There's one point in the movie where Michael advises her to tone down her wild gestures she makes while she's singing, but it's more amusing than truthful. The real Judy Garland did have spastic mannerisms, but Andrea stands with her arms plastered to her sides and an extremely bored expression on her face. For the third time in his career, Martin Balsam plays Louis B. Mayer, and while he is portrayed as a stern studio mogul, he's not as cruel or domineering as he is depicted in other movies. All in all, it's just one giant songfest from Andrea, with very little resemblance to the real Judy Garland. Although, I have to admit it's very cute Jackie Cooper directed the picture.

I saw this back in '78, and parts of the dialogue and music have stuck with me for the past 21 years. In fact, I had just quoted one of the songs at work the night before I discovered that this was running on my local cable "on demand" for free! The cast is excellent, and Andrea McArdle's voice is amazing.

Perhaps a few of the performances were a little "stiff" or "wooden," but I think that speaks more to the direction of the film, and the fact that people back in those days WERE more stiff and wooden (read: "proper") than they are now.

It doesn't have the production quality of a theatrical release, but keep in mind, this was a made-for-TV movie. I thought the entire production was brilliant, and am so happy to have been able to see it again after all these years!

I don't enjoy picking on a young person, but this biography, which ends just prior to the release of THE WIZARD OF OZ, is ruined by young McArdle's performance. Best known for originating the little orphan in ANNIE on Broadway, she has a lovely voice, and I hope she's had a fulfilling life. But she's just dreadful here. Let's forget for a moment that she doesn't look or sound like Garland in the slightest. But it's a robotic, comatose performance, and even when she sings, her voice is that of a generic Broadway babe born and bred by a monstrous showbiz mama. There's nothing new here that even those with the slightest knowledge of Garland won't already know. The cast is OK, although whoever put that awful wig on Rue McClanahan should be tarred and feathered. This is the biopic equivalent of CliffsNotes, and everything feels hollow and uninspired. If you want to check out a MUCH better version of this material, watch the first half of LIFE WITH JUDY GARLAND: ME AND MY SHADOWS, which features an extraordinary performance by Tammy Blanchard as the young Judy.

If you are looking for an in-depth, warts and all, look at Judy Garland. this is not your film. This 1978 bio pic is extremely sugar coated. Her father being a homosexual is merely hinted at through dialogue because that wasn't a subject that could be spoken of at the time. Her drug abuse is played about as deeply as an episode of Saved by the Bell.

This is a light film that walks one through the highlights of the life of Judy Garland from the point of being part of the Gumm Sisters singing group through her being cast in the Wizard of Oz. Andrea McArdle is slightly miscast since her voice is much bolder and Broadway than the real Judy Garland. (Thus a few of the undeserved reviews here about how loud she is)

McArdle was the original Annie on Broadway, and she has appeared in other regional, off-Broadway and more Broadway productions for over 40 years. So I find it humorous that there is a review here saying she can't sing!

I love the 30's music that Ms. McArdle sings throughout the production. The songs stick with you long after viewing. The supporting cast is great and it's a nice saccharin view of the days of yesterday and the Movie Studio system of the 30's.

Really very thin on plot, dealing as it does with a relatively short period in Judy Garland's life (and how much plot can one extract from "stage performer becomes film performer"?), and really just a showcase for a series of singing performances from Ms McArdle. Still, McArdle is definitely noteworthy, and this is ultimately not bad TV biopic fare.

When some actual plot does occasionally rear its head, it all seems to be handled in a fairly shallow way, without any real delving into the stories big emotional mines, such as Garland's relationship with her parents, reaction to her father's death and her treatment - and medication - by the studios.

Judy Garland/Wizard of Oz trivia: Piper Laurie, who plays Judy Garland's mother in this film, would go on to play Auntie Em, Dorothy Gale's mother-figure in Return to Oz.