The Silent Partner

Riveting battle of wits. Clever bank teller Cullen (Gould) figures out way to filch cash from bank and get it blamed on a robber (Plummer) who gets away with only a minor amount. Trouble is robber Reikle figures out where the bulk went and decides to harass Cullen into sharing his amount. But Cullen cleverly leads cops to Reikle's flat where they arrest him. Now it looks like Cullen's home free, but is he.

Cullen's a fascinating character. Humorless and nerdy, he appears married to the bank and his big aquarium. But inside that deadpan appearance lurks a calculating brain that knows an opportunity when he sees one. Thus, as Cullen knows, strength can lie in being underestimated as he usually is.

This would seem one of actor Gould's easier assignments since Cullen rarely breaks an expressionless exterior. Nonetheless, the humorless part really requires a lot of self-control, which Gould manages in ace fashion. On the other hand, Plummer doesn't get much screen time, but Reikle's icy stare and mocking voice make an unsettling contrast to Cullen. Girl-wise, the blonde York has a rather thankless role as bank co-worker Julie who sort of likes the diffident teller, but can't figure him out. On the other hand, Cullen seems mildly interested one minute only to turn cold the next as he calculates what his various schemes require. It's really Lomez who gets the plum part as the steamy Elaine. Not bothered by his odd manner, she quickly attaches to the conflicted Cullen who has trouble resisting.

All in all, the plot threads are cleverly woven into a compelling whole, along with an apt ending . And I like the idea of the enclosed but breakable aquarium as a key metaphor. Anyway, the film's an outstanding 110-minutes, whether taken as a solid crime suspenser or as an imaginative character study. Either way, it's highly entertaining.

Technically mediocre, but an adrenaline-fueled crime-thriller adapted from Anders Bodelsen's book "Think of a Number". Bank employee Elliott Gould dupes bank robber Christopher Plummer out of a small fortune, leading to a head-spinning game of cat-and-mouse. Gould and Plummer both do career-peak work, with Plummer never more riveting (violence turns him on, making him a dangerous, bloodthirsty cat). The film's R-rated mayhem may be over-the-top, but the movie is never off-putting and director Daryl Duke, working from Curtis Hanson's screenplay, nearly keeps it on track the entire way. Duke mounts the proceedings with flair, accentuating the coal-black humor inherent in the tension for a terrifically lively effect. Engrossing picture was unjustly swept under the carpet in 1978, but has more excitement than most big-budget films in this genre. Watch out! ***1/2 from ****

I first saw this movie about 15 years ago and watched it again the other night. What I once considered a very good film I now consider a borderline great film due to how movies in general keep regressing. It was so nice to see a movie with adult protagonists and a well-written, clever script that doesn't resort to explosions and mindless action stunts to cater to the MTV crowd.

I won't give anything away at all -- if you like clever, twisty thrillers like The Usual Suspects, then check this one out. The acting is excellent and the script is too. Note that Curtis Hanson (Bedroom Window, LA Confidential) wrote this one 22 years ago!

Director Daryl Duke makes a very taut thriller here about a figurative chess game between Elliot Gould, a bank teller who stole in excess of $48,000, and Christopher Plummer the real thief who gets outwitted. Gould and Plummer have some remarkable scenes between them - most of them on phones - one upstairs and the other in a phone booth. The tension created has roller-coaster effects through much of the film to see what the next move is for each character. I was riveted through much of it. Added in for some extra measure are various love liaisons for Gould and lots of depth given to the main characters. Gould does a very good job carrying off a very difficult role as a man who is quiet, overlooked, and introspective. Plummer is his equal as a maniacal killer/thief who knows how to play cat and mouse. The film has several memorable scenes: the ending in the mall was just fantastic as were all the scenes shot in Gould's apartment. Susannah York gives an integral performance as a co-worker at the bank. The director gives this rather pedestrian material lots of life, though the film obviously is a product of the 70s with way too much nudity for a film like this. Just about every woman in the movies goes bare-chested at some point(not that I am complaining mind you). If you are looking for a real edge of your seater then the Canadian production The Silent Partner might just be what you need to see.

This is where everything that makes good suspense comes together, a well-paced story, authentic characters, a clever hero, terrific direction, just the right atmosphere and fine writing.

The actors make it all the more outstanding, Elliott Gould, who has phenomenal range spanning from dry comedy to innocence to riveting dramatics and angst-driven neuroses, delivers here one of his best.

Susannah York lights up the screen with her sparkle and talent.

All the others are equally effective, plus we have the added bonus of the great John Candy.

If you get a chance to see it, go for it!!