All Quiet on the Western Front

The film is an excellent remake. Though in some ways it doesn't live up to the 1930 original, there are some other ways in which I think it is more effective. I particularly like the portrayals of Himmelstoss and Kat; Ernest Borgnine is outstanding in his role. Changes to the original are minor - Paul, for example, as an artist, drawing a bird in the final scene rather than reaching for a butterfly - and do not in any way detract from the power of Remarque's story.

Although the film, as released on video, is very good, it could still be made better...because...

I taped the program off of CBS when it ran on the "Hallmark Hall of Fame" in 1979 or 1980. The commercially available version leaves out some scenes which aired in the original broadcast. Himmelstoss, for example, DID appear as the postman in a street scene as the boys leave school. Unfortunately, this was apparently cut when the film was released on video. This film is actually somewhat better in its original, on-air form than on video...and if anyone associated with the current production rights read this, PLEASE restore it! After 22 years, the quality of my recording is declining markedly, but I don't want to lose the narrative quality of the film.

I remembered watching this film in college and got it for my daughter when she was studying WWI. This movie really took advantage of a great opportunity: Teaming Richard Thomas and Ernst Borgnine while they were both still young enough for the parts! Thomas is wonderful, as he always is; but it's Borgnine you remember most as the old soldier, Kat. It is a great story and very well-acted. Just an interesting aside is the appearance of Patricia Neal as the young soldier, Paul's, mother. Patricia Neal portrayed Olivia Walton in the pilot episode of THE WALTONS (THE HOMECOMING); so it was interesting to see she and Thomas as mother and son again. Definitely recommended.

Many people make the mistake of thinking of this movie as a remake of the 1930 film classic. In reality, both movies are a visual telling of the 1929 novel by the same name; at different points in time. This 1979 film is just a retelling of that story, and it's obvious from its differences from the 1930 film. Personally I like this version better...it's not overacted, it was filmed on location, it has a musical score, and it has a feeling of reality to it that the 1930 film just doesn't seem to have. No matter how many times I've watched it, the end always leaves me feeling as if I had been a part of the story and its effects linger with my being. Thanks Richard Thomas and crew

It is difficult to go wrong with such a magnificent story, one of the most affecting literary anatomisations of the tragedy of young men destroyed by war. And yet, this 1979 television remake of the Lewis Milestone original adds many elements to cherish of its own. Most notably, the casting of Richard Thomas, best known for being John-Boy Walton, in the role of Richard Baume. His characterisation is wonderfully profound, and poignant, and the scene in the trench with the French soldier is a virtual masterclass of compassionate acting. Thomas has never become a superstar; and for this reason he is one of an evergrowing army of neglected romantic leading men. The battle scenes are breathlessly exciting; and yet they do not dwell on carnage, and it is to their credit...and yet still they elicit pity and horror from the viewer. The music is magnificent, the structure craftmanlike, the acting (by Thomas, Borgnine, Holm) superlative, and the work itself suffused through with compassion.......

This version may not be as good as its great predecessor, but it's definitely a fine show on its own. Richard Thomas is very good, if about ten years too old, as the central character, Paul Baumer, who grows from glory seeking school boy to crusty veteran to, finally disillusioned, weary, almost hopeless pawn. Ernest Borgnine is terrific as Kat, the cagey survivor, who takes the youngsters under his wing, teaching them ways to make trench warfare almost tolerable. Ian Holm has a nice turn as Paul's town's postman turned training NCO, who later is transferred to the trenches. The great actress, Patricia Neal, shines in a cameo as Paul's mother. Donald Pleasance is excellent as Paul's patriotic teacher who exhorts Paul and his classmates to enlist. Gradually the grinding attrition of war eliminates Paul's classmates and the old sweats, until the famous final scene, when so little happened that day that the war entry was "All quiet on the Western Front." Most of the scenes in the original are presented here, a few additions and a couple deletions. The color cinematography is nicely done. Well worth a look as either a comparison or companion to the 1930 original.