As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.
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This is one of the worst films I've ever seen. I looked into it mainly out of a morbid curiosity since I loved the novel, and I wish I hadn't. I turned it off after a little less than an hour, though I wanted to turn it off after five minutes. I wish I had. It disregards the novel a lot and changes all sorts of factors. Unless the film managed to redeem itself in the last 50 or so minutes (which would be impossible) I would in no way recommend this. Its an insult to one of the greatest writers of the 20th century. I don't think, as many people say that it is, that "The Bell Jar" is necessarily unfilmable, but this particular rendition could have been done without. I'd almost like to see this one day in the hands of a director and screenwriter who can do it justice.
I greatly enjoy the novel and the poetry of Sylvia Plath, but this movie does a great disservice to the book. I had seen the movie a number of years ago at the theater, and at this moment I am sort of half watching it on late night broadcast TV (which has done nothing to improve my opinion of the movie). The lead character comes across as whiny and irritating. The acting of the cast in general is pretty poor. It seems a shame that such a fine novel by such a complex and tragic author received the mediocre treatment given it by this film. Read the book!
While Marilyn Hassett is a fine actress (she's absolutely wonderful as Jill Kinmont in the "Other Side of the Mountain" movies), she was totally miscast in "The Bell Jar". According to the book, the character of Esther Greenwood was nineteen, and Ms. Hassett was almost thirty-two at the time of this filming. Sylvia Plath's novel is a haunting, harrowing, timeless classic, and the film reflected none of that. It was a mess. Read the book instead.
This movie is one of the few I actually bought several copies of. Though it is circa 1979, it is not dated, and so much more effective than the recent "Sylvia" film, which is dominated by Gwyneth Paltrow's persona.
Marilyn Hassett plays the principal role, and does an excellent job. She does not overshadow the personality of Sylvia Plath, who was an interesting, conflicted and brilliant individual.
The story follows Sylvia at Smith College, where a young Donna Mitchell ("Mona Lisa Smile" mother to Kirsten Dunst), plays her best friend. The scenery invokes New England autumn, promise and hope. Julie Harris is perfect as Aurelia Plath, Sylvia's mother. We can almost feel Sylvia's disdain, as her mother reminds Sylvia ...""you got nothing but straight A's....oh, except for deportment"... Her mother is always at her, and this mirrors Sylvia's eventual faltering self-image.
The story progresses as she wins a scholarship to NY where ..."ëvery one envied me that summer"... However, there is the fateful backdrop of the Rosenbergs, the Eisenhower era, and Sylvia's doubts about her future. We see fashion shows, jewelry, cosmetics, and the fear Sylvia has of what awaits her. One should also read the book to get her true impressions, which are quite astute, reflecting women's roles in the late 1950's.
Since it was the late 50's Sylvia was expected to marry, but does not see this as a viable solution, indeed it is a hindrance to her writing career. She is on the brink of decision, when she has the ultimate breakdown; I will not delineate the detail, you must watch the brilliantly constructed story, which leads her to her decision. The main issue I liked was that her life was shown, not in conjunction with a man (like the more recent movie) but how SHE was affected, and what life meant to her.
Marilyn Hassett plays the principal role, and does an excellent job. She does not overshadow the personality of Sylvia Plath, who was an interesting, conflicted and brilliant individual.
The story follows Sylvia at Smith College, where a young Donna Mitchell ("Mona Lisa Smile" mother to Kirsten Dunst), plays her best friend. The scenery invokes New England autumn, promise and hope. Julie Harris is perfect as Aurelia Plath, Sylvia's mother. We can almost feel Sylvia's disdain, as her mother reminds Sylvia ...""you got nothing but straight A's....oh, except for deportment"... Her mother is always at her, and this mirrors Sylvia's eventual faltering self-image.
The story progresses as she wins a scholarship to NY where ..."ëvery one envied me that summer"... However, there is the fateful backdrop of the Rosenbergs, the Eisenhower era, and Sylvia's doubts about her future. We see fashion shows, jewelry, cosmetics, and the fear Sylvia has of what awaits her. One should also read the book to get her true impressions, which are quite astute, reflecting women's roles in the late 1950's.
Since it was the late 50's Sylvia was expected to marry, but does not see this as a viable solution, indeed it is a hindrance to her writing career. She is on the brink of decision, when she has the ultimate breakdown; I will not delineate the detail, you must watch the brilliantly constructed story, which leads her to her decision. The main issue I liked was that her life was shown, not in conjunction with a man (like the more recent movie) but how SHE was affected, and what life meant to her.
i saw this a few months ago and i hope i never will have to again...i was not expecting something so hideously bad and corny....julie harris couldn't even save it...she was the only one who acted with some dignity...everything in the movie is jumbled and done wrong...the book is amazing, don't get me wrong, i love it to death..it's one of my all-time favourites, absolutely brilliant...but i find it sad how terrible the only movie it was made into is....i could've done a better job with the idea and i don't even know the first thing about moviemaking
Did you know
- TriviaDirector Larry Peerce and star Marilyn Hassett were married at the time of production.
- GoofsEarly in the picture an early-'50s New York cab has a telephone number on it beginning with "555". The all-numeric phone numbers were not put into use for another decade.
- Quotes
Esther Greenwood: To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream.
- Alternate versionsCBS edited 16 minutes from this film for its 1983 network television premiere.
- SoundtracksHere Comes The Night
Written and Performed by Janis Ian
Produced by Janis Ian and Ronald Frangipane
Arranged and Conducted by Ronald Frangipane (uncredited)
- How long is The Bell Jar?Powered by Alexa
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