The Black Hole

I have actually gone in here and altered and added to my original comments to make them a little less one-sided.

Did you ever have one of those mutant pets, like a cat with six toes on its front paws, or an extra ear? Well I didn't either, but you can imagine what it must be like. You'd love the thing all the more because of its flaws, because it'll never be perfect, and because it needs someone to love it. And such is my love for "The Black Hole" (1979). It is an interesting story that is rendered and explored in a mechanical manner--although visually, in terms of its set design and special effects, it is really stunning.

It's a Disney product, and like "Star Trek: The Motion Picture," it was put on the slates mainly to cash in on the space opera craze that "Star Wars" had ignited. Movies are commercial art, they exist to make money (hopefully entertaining us at the same time); and the Disney people got their best film-making talent together, assembled a dynamite cast, and cranked this out, in a very lavish and polished way, production-wise. The money is slathered all over the screen, and everything is handled in the tried-and-true Disney Studios fashion of preplanning and choreographing everything down to the tiniest of details (actors don't even PAUSE IN THE MIDDLE OF A LINE unless it was dictated, planned and rehearsed that way)...this was very near the end of Disney's run as a major producer of live-action features, and "The Black Hole" is a fitting finish. It even features cute touches, like the way the nastiest demise is saved for Anthony Perkins. If you're gonna make a slow, mechanical movie, you can at least do it with style, and they did. It is an impressive production.

In a certain way you might say I love/hate the movie. The methodical way it's constructed seems lifeless. But at the same time, it is a strange joy to see its methodical construction. It takes tremendous energy to create something so controlled. It's certainly not a film made by accident or unconsciously.

"The Black Hole," manages to be strangely trance-inducing. Once I put it on, it's hard to turn it off.

Not only is The Black Hole beautifully made from a technical aspect, it has marvelous performances. Robert Forester (Jackie Brown), Anthony Perkins (Psycho), Ernest Borgnine, Maximillian Schell. It does get a little campy but it is a Disney movie after all and it can be forgiven its attempts at comic relief. This is a very unlikely sort of film for Disney, were it made today it would have been made under the Miramax header rather than Disney, and like another unlikely Disney film, Tron, it is tragically underrated. The special effects and set design are breathtaking, but it is the script which is the best part. The ending is one of the most surreal and haunting in any science fiction film (and especially bold for a Disney film) The characterizations are wonderful and the robots, especially Maximillian (in my book the greatest cinematic robotic villain to date), are unforgettable.

Yes The Black Hole may have some silly dialogue and uneven acting, excepting Maximillian Schnell who is absolutely brilliant, but it is a very underrated film in my opinion. I love the story, it was an intriguing idea and it was compelling and moved at a good pace. The ending is wonderfully haunting and surreal, the direction is secure and the film's villain is one of the memorable ones I have seen in a while, twisted, tormented yet with a touch of humanity about him too. I did connect to the characters, yes even VINCENT and BOB. But what makes The Black Hole are the production values and music. The special effects, cinematography, design of the robots and set/scenery design are absolutely breathtaking and the score from the late legendary John Barry compliments the film perfectly. All in all, a very underrated film. 8/10 Bethany Cox

Despite being almost universally labeled as a failure, The Black Hole is actually not that bad. Not bad at all. The film is generally pleasing to the eye, fairly well-paced, and touches on some interesting issues. The film is hamstrung however by the fact that it is still a Disney film (despite the PG rating) and it therefore has to pander to the kiddies too much.

The story centers around a small spaceship (the Palomino) and her crew who are charting the deepest depths of space in the search for new life. Early on, they come across a giant Black Hole and notice a long-lost ship (the Cygnus) which seems to be parked right by it. The ship appears to be empty until closer inspection reveals it to be full of robots, humanoids made up of the old crew, and a mad scientist type of guy in charge of it all. He plans to take his ship through the Black Hole to see what wonders are beyond it. Needless to say, most of the Palomino's crew can tell what a nut this guy is, and they try to escape before he can take them with him. The story is paced by numerous shoot-outs between our heroes and the robotic army controlled by this lunatic. And what would the film have been without someone going through the black hole? Everyone ends up going through, and what they find might surprise you.

The film has some definite strengths. The film is visually impressive considering how much of it was created with matte paintings and lesser f/x. The ships are particularly nice to look at. There are some truly memorable shots, such as the crew scurrying out of the way as a gigantic meteorite comes rolling after them. Outer space looks very detailed, and the object of record is always spinning away in the background as the cast recites grandiose lines about it. The sound effects are also top-drawer.

There are some considerable faults, however. There are more than a few times where you can clearly see wires holding things up (particularly the robots) that should be floating on their own. This is particularly obvious on the DVD. The acting is passable at best with Schell coming off as the best simply because his character is so charismatic. The robots look like a rip-off from the Star Wars films, and are given cutesy Disney-like things to do and say.

The ending is somewhat intellectual and even dark, considering this is a movie ostensibly made for kids. We are treated to a pretty cool-looking vision of hell where our mad scientist has presumably been sent. As far as what happens to the crew of the Palomino, we can only speculate, but we have a pretty good idea. Small children are bound to be left with numerous questions for mommy and daddy, and their parents may have some difficulty explaining what they've just seen. That may be the biggest problem with The Black Hole. There are some deeper issues that are worth studying, but they get glossed over by the "kiddie" elements of the plot. The film tries to please two audiences, but may not have pleased enough people in the end.

At $18,000,000, this film had a considerable price tag for back then. It failed to make that back in theaters, but the market for home-viewing has more than made up this shortfall since then.

The verdict: 6 of 10 stars. The film is worth seeing, but it falls considerably short of the greatness its makers had in mind.

The Hound has spoken.

The Black Hole was one of many films that were released with the intention of cresting the sci-fi wave created by the huge success of Star Wars (1977). More specifically, this was Disney's attempt at the genre and I think it was the studio's first movie that didn't go for a U certificate. The film that it can best be compared to is Star Trek: The Motion Picture, which was also released the same year. Both movies sport fantastic special effects and production values, while both also are surprisingly - and pleasingly - slightly left-field in their approach. Neither really fall squarely into the action/adventure bracket that Star Wars so obviously did, they rely more on atmosphere, some psychological aspects and have some enigmatic qualities which seem to indicate the influence of the earlier hard sci-fi masterpiece 2001: A Space odyssey (1968). For these reasons, I find both these films to be decidedly under-appreciated and interesting. The Star Trek franchise of course went down a different, more comforting route, from the second feature The Wrath of Khan (1982) onwards, while The Black Hole remained a one off that has become more and more obscure as the years go by. So much so that it could reasonably be considered a cult movie on account of its selective appeal.

From the off, this is visually a very interesting film. It has great sets and model work, which make the giant space craft where the majority of the action takes place an evocative setting. The special effects throughout are in general very impressive and still look good today. But the visuals have been constructed for more than mere spectacle as they combine to create a pretty interesting atmosphere on the whole; they ultimately are used also to set up the strange and ambiguous ending which involves visions of Hell and an alternate universe. This kind of oddness stands out these days, as most big budget sci-fi endeavours mostly avoid such ambiguity, but this is definitely a plus point for The Black Hole. Another serious asset is the really effective main theme from John Barry. This is in all honesty one of his best bits of individual music, its sweeping yet mysterious and complements events on screen extremely well.

The story itself is pretty simple and boils down to a deep space crew discovering a mysterious spaceship near a black hole, they board it and events escalate. The story is perhaps oddly presented in some ways as there is material quite obviously aimed at kids, like the cartoonish robots (the main one, V.I.N.C.E.N.T., being voiced excellently by Roddy McDowell) but at the same time there are also some decidedly sinister aspects to this one too. So I guess it had a bit of a split focus in some ways, not that that is a terrible thing but it may have accounted for its marginalised position in the sci-fi cinematic pantheon. But whatever the case, I consider this to be one of the best that 70's science fiction has to offer. It's mysterious and left-of-centre nature mean that it is one of the more interesting entries in the genre to revisit.