Bloodline

One wonders what it is that attracts stars to a particular project. A well-written script certainly or the chance to work with a great director. At the risk of appearing cynical one can think of no earthly reason why any of these excellent actors would agree to do a film based upon a novel(I use the term loosely) by Sidney Sheldon and directed by the staggeringly undistinguished Terence Young except THE MONEY. The starry cast list would no doubt encourage bums on seats but anyone who bought a ticket to see one of their favourites in this rubbish must have felt more than somewhat deflated. Anything at all worth remembering? Romy Schneider's line whilst unbuttoning the shirt of Maurice Ronet: 'A woman's work is never done' and Omar Sharif's seldom seen comedic side. Having endured this tripe I call to mind a quote of Dolly Parton: 'It takes a lot of money to make something look this cheap'.

It seems best to consider Richard Lester's lovely "Robin and Marian" Audrey Hepburn's swansong."Bloodline " is the most distressingly mediocre movie she ever made.

Terence Young had already directed the actress in the excellent thriller "wait until dark" ,a film which compares favorably with Hitchcock's "rear window" .So it was only natural that they teamed up again .

The screenplay is a mess,a disaster ,and it's more complicated than complex.Full of plot holes,of implausibilities (the fabulously rich heiress ,after several murder attempts does not even think of hiring a bodyguard!),and see how Young even copies himself for the last sequence where Hepburn is alone in the house ,of course in the dark,like in the 1967 highly superior effort.

An absurd international cast gives the coup de grâce to the movie: Americans (Ben Gazzara),English (James Mason),Germans (Romy Schneider,Gert Froebe),French (Maurice Ronet) ,Greeks (Irene Pappas),Egyptians (Omar Sharif).All are given lousy parts .They are supposed to be the suspects of a whodunit.

When "Bloodline" was released in 1979, a major magazine review pointed out that in the course of the story, ostensibly for failure to pay a gambling debt, a character's knees are nailed to the floor. The critic then went on to say, `This is what Paramount Pictures is going to have to do to get audiences to sit through this picture.' There aren't enough negative things to say about this abomination of a movie. The meandering, incoherent story is hampered at every turn by ludicrously bad production values. The direction, the inept blocking of the scenes, the lighting, the sets – in every case conspires to make the results look cheap and hollow. The movie is really a miracle of dreadfulness. The following is one of thousand small crimes against cinema throughout the picture: There is an explosion in the street. This is conveyed by a flash of light on the actors in the scene and a sound effect. The next shot, meant to be the view of the street from the window, is a still photograph beneath which someone is apparently waving a lit piece of paper. Just before the cut from this scene, the photograph actually starts to buckle from the heat of the flame. And the filmmakers left this in the film! The real crime against cinema is the fact that the name of Audrey Hepburn is associated with this repugnant film, a monstrosity so putrid, one wishes every single copy of it would magically disappear.

It was said that midway through shooting "Bloodline" Audrey Hepburn finally realized what a horrible and degrading movie this was going to be and desperately wanted to get out of it, but she was under contract and had no choice.

When you see this movie you will realize exactly why she felt so bad about making it. The absolute only reason to watch "Bloodline" is to see how Audrey Hepburn aged like fine wine.

...which makes this movie interesting to watch. It looks expensive and cheap at the same time. The money probably went to pay the stars, their wardrobe and to rent airplanes because the characters keep landing at airports. There seems to have been no money left for setbuilding or a proper editor! There are some really bad continuity gaps in the film.

The film is just trash! I thought it would be a serious study of a business empire run by a family. Instead it's a murder mystery without mystery and also a soft porn killer thriller! Did poor Audrey know about the naked ladies? She looks classy in her Givenchy clothes but the film is garbage; beneath her! She tries to pretend to care about the plot but the other stars (with the exception of Romy Schneider) are terrible!!!! I'm astounded at the low level of movie-making in "Bloodline"! See it for that reason only!