Suicidal suburban housewife drifts in and out of asylums.Suicidal suburban housewife drifts in and out of asylums.Suicidal suburban housewife drifts in and out of asylums.
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Sydney Lassick
- Ernie
- (as Sidney Lassick)
Bebe Drake
- Gloria
- (as Bebe Drake-Hooks)
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Natalie Wood's performance in 'The Cracker Factory' is quite simply, brilliant. The fact she wasn't nominated for an Emmy for this performance is unforgivable. Her character is a nuanced mix of and belligerence and insecurity - with real depth and humour. When she found a part she could really relate to, there was such honesty in her work.
The film itself rises above the 70's telemovie 'disease of the week' cliche, although it would have made an interesting feature film under the right director.
It's a shame that Natalie died two years after this film, it would have been fascinating to watch her grow and mature as an actress. We have such a great gallery of portraits from her - from child parts (Tomorrow is Forever, Miracle on 34th St) to ingenue roles (Rebel Without a Cause) to the leading lady material of Splendor in the Grass and Love with the Proper Stranger. She didn't do too many films in the 70's or 80's - but The Cracker Factory shows how well she had developed.
Great support by Shelley Long, Juliet Mills etc... (the music score is a little distracting though - esp. during her speech to Perry King)
I have seen the movie several times and am floored by Wood's performance each time. Highly recommended.
The film itself rises above the 70's telemovie 'disease of the week' cliche, although it would have made an interesting feature film under the right director.
It's a shame that Natalie died two years after this film, it would have been fascinating to watch her grow and mature as an actress. We have such a great gallery of portraits from her - from child parts (Tomorrow is Forever, Miracle on 34th St) to ingenue roles (Rebel Without a Cause) to the leading lady material of Splendor in the Grass and Love with the Proper Stranger. She didn't do too many films in the 70's or 80's - but The Cracker Factory shows how well she had developed.
Great support by Shelley Long, Juliet Mills etc... (the music score is a little distracting though - esp. during her speech to Perry King)
I have seen the movie several times and am floored by Wood's performance each time. Highly recommended.
Of course, the book is usually better. The author has time to develope the characters, while the film makers do not. That having been said, "The Cracker Factory" is a very good movie. I was pleasantly surprised. Natalie Wood did a remarkably good job of bringing Joyce Burditt's "Cassie" to life. The supporting cast was also good, especially Juliet Mills as Tinkerbell, the night nurse. A good book to read, a good movie to watch, either way, you won't feel let down.
I had read the book by Joyce Burditt -- even wrote her a fan letter, so was prepared NOT to like this television movie. Boy, was I wrong. Natalie Wood plays a wise-cracking suburban mom with a severe alcohol addiction. She loses control in a supermarket and ends up on the seventh floor of a hospital where they put the addicts and mentally ill. She has a crush on her psychiatrist and a wonderfully warm relationship with the night supervisor played by Juliet Mills. She confronts the pain she puts her family through, especially the children. Despite the serious subject matter, she is so charming and witty you can laugh and then cry with her. Highly recommend.
I really like movies with people with mental problems, it's one of my favorite subjects, one of my favorite movies has always been "One Flew Over the Cuckoo's Nest" (actor Sydney Lassick has a similar role in both movies). I didn't thought this "The Cracker Factory" would be so good. There are many powerful, extraordinary scenes, Natalie Wood and Shelley Long they outdid themselves. Delia Salvi is great in a supporting role, the scene in the cemetery when she starts hitting the tombstone of her dead husband is very impressive. Absolutely worth seeing and not only once, it's an original drama intertwined with comic moments. From what I read about Natalie Wood, her character in this movie, Cassie Barrett, is very close to her in real life.
There are three kinds of TV movies. First, fiction stories which look like the big screen films, but cheaper: thrillers, comedies, westerns; nothing really exciting most of the time. Second, you have TV movies related to real life of people, gloomy, depressing, not the kind of stuff that most audiences will pay for in a theater, when they go to forget their daily problems, especially when they are with their kids whilst eating popcorn, eccept maybe some films from directors such as Paul Mazursky, Daniel Mann or Peter Bodganovitch. And third, you have, in TV industry, biopics, biographies of famous folks: politics, show bizeness, sport. So this one belongs to the second category, destined to home audiences, people sitting in their sofa and seeking in this kind of movies, some things in common with their own problems; with sometimes a bit of peeping tom line too. Guilty pleasure to observe distress, hopeles, despair. Nathalie Wood is of course excellent here and I think she did not play better for the big screen, where most of time, she played in major, famous movies, with only her presence, her beauty and charisma instead a real actress' play. In TV industry, at least, she could be a real actress and show her skills. That's my own opinion, i can be wrong. This movie is good enough for me but certainly not DAY OF WINE AND ROSES or LOST WEEK END. It is too light hearted for such a subject, not a comedy, but only not depressing, as I expected.
Did you know
- TriviaBarbara Tarbuck's debut,
- ConnectionsFeatured in Natalie Wood: What Remains Behind (2020)
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