Delirium

Man, you gotta love the swinging 70's! The villain of this movie goes to a "job interview" and manages (despite being very creepy-looking and apparently mute) to pick up a secretary, who takes him back to her place for sex, but after he proves impotent he stabs her to death. He then steals a car and picks up a leggy, hot-pants clad female hitch-hiker, but even after he nearly kills them both driving like a maniac, they still end up going skinny-dipping together and he strangles her in the surf. He next meets a young farm girl, but even though he is trespassing on her property, she is more interested in flirting with him than calling the police, and she gets a pitchfork in the neck for her troubles. Then he actually goes into a house where a woman is taking a bath, and he probably would have done great with her too, but he kind of blows it by taking a butcher knife to her delivery boy. The investigating officer meanwhile seems far more interested in making dates with the pretty roommate of the first victim than he is in solving the case. Fortunately, the girl whose case he IS trying to crack is still working as a secretary at the office where the killer had his "interview" and she stumbles upon a connection between this out-of-control "psycho puppet", her boss, and shadowy organization of Vietnam vet vigilantes who may be behind the mysterious "suicides" of a number of criminals who had gotten off on technicalities--at which point this movies turns from a cheap "Halloween" knock-off to something that anticipates the later (and much better) Michael Douglas film "The Star Chamber".

This is one of the movies that was banned in Britain in the 1980's as a "video nasty", but was so unremarkable in its native America that it is virtually forgotten today (and not even available on DVD). I'm not sure exactly sure what about this upset the Brits. There's some gore effects, but they're not that impressive. There is a lot of nudity, and the mixture of nudity and violence often got the hackles of the British censors up. This movie is also kind of misogynistic in that ALL the women are pretty much brain-dead and about as sexually discriminating as rabid alley cats in heat. (I especially like the first victim who is "going to tell everybody" that a guy she just met hours earlier and doesn't know from Adam "can't get it up"). But frankly its notoriety on the other side of the pond really gives this movie a lot more credit than it probably deserves.

More than the earlier "Halloween" or the later "The Star Chamber" this really reminded me of another late 70's film called "Killer's Delight" (aka "The Dark Ride"). That, however, is a much better movie, and it IS available on DVD, so if you're thinking about watching this, see that one instead. This is kind of "nasty" I guess, but mostly it's pretty forgettable.

This is one of the strangest and definitely one of the most atypical titles to be found in the whole list of infamous Video Nasties. Judging by the stills on the back of the VHS-cover and based on the narrative during the first half of the film, I would unhesitatingly describe "Delirium" as a crude and misogynistic slasher reminiscent of "Maniac" and "Don't Go in the House". You know; the type of sick film that doesn't bother keeping the identity of the killer secret but depicts the violence against female victims extra vile and repellent. There's a maniac at large who slaughters his women relentlessly and grotesque. One of the poor girls even has a pitchfork stuck in her throat! Whilst the roommate of his first victim teams up with the incompetent police force, the maniac – Charlie – gets killed after a failed attempt to make another victim. Then suddenly and completely unexpected, "Delirium" becomes a post-Vietnam war drama. It is revealed that Charlie was a member of a secret network of vigilantes that exists entirely out of bloodthirsty Vietnam veterans and they are hired by a board of eminent & businessmen in order to keep the streets crime-free. Charlie just went a little berserk and started killing women randomly, that's all! The "leader" of the vigilantes is a fairly short-sized yet menacing guy with a shiny bald head that would make even Telly Savalas jealous and, during the climax of the film, he goes totally bonkers as well. The concept of "Delirium" undoubtedly shows potential, but the elaboration is overly confusion and dull and reverts all too easily to dreadful clichés (like Vietnam flashbacks and power mad army officers). The first slasher half is rather exciting, with a couple of truly nasty murder sequences and the most laughably inept police investigation ever, but the second half is painfully tedious and derivative of much better films. I can't really bring myself to recommend "Delirium" to anyone, but I suppose it holds some interest if you're a cult movie freak.

PSYCHO PUPPET is certainly trying to be something though just what that is remains unclear. Today the film is best known for something other than any of its attributes -- It was infamously included on the list of "Video Nasty" films banned in the UK in the early 1980s. Looking at it now one wonders what all the fuss was about, or if the people who issued the verdict against it even watched the damn movie.

The premise is not without interest: Vietnam vets pre-programmed to kill are recruited as part of a Star Chamber like urban vigilante squad passing judgment on the criminals slipping through the cracks of the criminal justice system. The murdered criminals are passed off as suicides with nobody any the wiser, until one of the vets flips out and goes on a general killing spree.

Its here that the Brits found their problem as the Psycho Puppet of question takes off after exclusively buxom blond bombshells who obediently strip right down for the camera. The film is sleazy, voyeuristic, tacky, cheaply made, with dialog that makes a Sears catalog sound smooth. The sexualized nature of the killing scenes is completely out of proportion to anything else in the film, and exist only to provide a lurid thrill. There is nothing to be learned from the story and no profound thought is advanced by its telling.

And yet there is something compelling about this inept, nasty little movie. Mostly offbeat locations & some bizarre casting choices, showing us an underside of St. Louis that is highly unflattering. The film exists in an uneasy juxtaposition between a tacky disco culture and a run down dilapidated post-industrial urban ruin that has no aspiration to glamor or sophistication. Its late 1970s polyesterized look makes the film look unhealthy, like it needs to get some sunlight & start eating more fresh vegetables. It looks scuzzy.

Standout role is the weird bald guy, a twisted Vietnam vet with a mad hatter's view of American justice. He's a great villain while the film allows him to be one but sadly everything falls apart in the last fifteen minutes leading to a protracted gunfight that undoes any originality that came before it. The film I kept thinking about while watching it was the first Dirty Harry sequel MAGNUM FORCE, which also featured a post-industrial urban wasteland in its climax with nihilistic violence mixed with lurid exploitation.

The main difference being that PSYCHO PUPPET wasn't made with any artfulness or sense of craft and exists only as a bleak reminder of how stupid people can be when they get into positions of power. Whoever banned this movie from Britain obviously never saw it since there's very little to get worked up about in it. Those seeking it out for a joyride of vicarious thrills will be disappointed and anyone looking for a message will come up empty. It's a curious, cold, cruel little movie, existing as a footnote. Which may sound pretty dismal, but its a pretty dismal movie and at least it'll remembered for something.

5/10

A disturbed former soldier named Charlie is used as a tool to take care of corruption and he snaps and ends up killing anyone in sight, especially pretty women who threaten him.

Even with a shorter runtime, it's hard to recommend Delirium to anyone besides those with a morbid curiosity for bad movies. Everything about it feels amateur which could be forgiven if the script were any better, but there's no one to pull for and the attack/kill scenes are more unpleasant than scary or suspenseful.

A secret society of vigilante businessmen hire ex-military man Eric Stem (Barron Winchester) to bring justice to criminals who have been set free thanks to loopholes in the law. When one of Stern's men, an impotent Vietnam veteran suffering from post-traumatic stress, flips out and begins to murder innocent people (primarily attractive, semi-naked or completely naked young women), the group's illicit activities attract the unwanted attention of the police.

Boasting a volatile combination of vigilantism and misogynistic violence, it's not surprising that director Peter Maris's Delirium (AKA Psycho Puppet) was given a hard time during the Video Nasty era; in these more tolerant, less Draconian days, however, the film's insalubrious content—some graphic gore and gratuitous female nudity—is unlikely to be an issue with any but the most joyless of fascist zealots, people who thankfully no longer wield the social clout that they used to.

If anything, the one element that is most likely to raise an eyebrow (in the UK, at least) is the film's strange use of BBC's 'Mastermind' theme music during its most dramatic moments; it's hard to take matters seriously when it sounds as though Magnus Magnusson might pop up at any moment to put the film's characters through a gruelling two minutes of quick-fire questions on their specialist subject.

5.5 out of 10, rounded up to 6 for the brief but impressive spear through the chest, all the unnecessary but very welcome nekkidness, and the juicy war wounds in the Vietnam flashbacks.