A devoutly Calvinist businessman from Michigan ventures into California's adult entertainment industry, where he desperately searches for his runaway teenage daughter.A devoutly Calvinist businessman from Michigan ventures into California's adult entertainment industry, where he desperately searches for his runaway teenage daughter.A devoutly Calvinist businessman from Michigan ventures into California's adult entertainment industry, where he desperately searches for his runaway teenage daughter.
- Awards
- 5 nominations total
Dave Nichols
- Kurt
- (as David Nichols)
Gary Graham
- Tod
- (as Gary Rand Graham)
Charlotte McGinnis
- Beatrice
- (as Charlotte McGinnes)
Bob Bishop
- Stud #1
- (as Michael Allan Helie)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Good enough but definitely not as good as it potentially could had been.
In short; I did like the movie but still had plenty of problems with it.
The premise of the movie is really good and interesting and also lets this movie sound like it is a great and powerful movie, about some previously unseen and very ugly, dirty things. But the movie just isn't quite it. It never gets confronting or shocking enough and in the long run, the movie fails to make a true emotional or dramatic impact.
That is the real problem with this movie; it's lacking any good emotions and dramatic developments. The search for George C. Scott's daughter just never feels intense enough and he doesn't always make a very desperate or depressed impression at all.
The movie also gives you the feeling it really isn't delving deep enough into things. This could had been an interesting exploration into the darker and ugly side of the porn business but the movie just never quite goes there. You could blame it all on the writing but perhaps you should also blame it a bit on the approach that the movie is taking.
The approach just never makes the movie a real interesting one really. It's lacking a good buildup to certain things and situations, which also causes the movie to fail to make a true great impact with anything.
Some moments are still being made great by George C. Scott's performance. But unfortunately he himself also can't really ever make his character a compelling enough one. He isn't even all that likable and his character is also making some odd and very unlikely choices throughout the entire movie.
There still is plenty to like about this movie. I for instance loved it how it was taking a real typical '70's approach with its film-making, even though not everything about it worked out all that well. And like I also said before, the movie does still definitely has its moments and it besides still remains a original movie to watch, thanks to its main concept and premise.
Definitely good enough but it all had far more potential in it really.
7/10
http://bobafett1138.blogspot.com/
The premise of the movie is really good and interesting and also lets this movie sound like it is a great and powerful movie, about some previously unseen and very ugly, dirty things. But the movie just isn't quite it. It never gets confronting or shocking enough and in the long run, the movie fails to make a true emotional or dramatic impact.
That is the real problem with this movie; it's lacking any good emotions and dramatic developments. The search for George C. Scott's daughter just never feels intense enough and he doesn't always make a very desperate or depressed impression at all.
The movie also gives you the feeling it really isn't delving deep enough into things. This could had been an interesting exploration into the darker and ugly side of the porn business but the movie just never quite goes there. You could blame it all on the writing but perhaps you should also blame it a bit on the approach that the movie is taking.
The approach just never makes the movie a real interesting one really. It's lacking a good buildup to certain things and situations, which also causes the movie to fail to make a true great impact with anything.
Some moments are still being made great by George C. Scott's performance. But unfortunately he himself also can't really ever make his character a compelling enough one. He isn't even all that likable and his character is also making some odd and very unlikely choices throughout the entire movie.
There still is plenty to like about this movie. I for instance loved it how it was taking a real typical '70's approach with its film-making, even though not everything about it worked out all that well. And like I also said before, the movie does still definitely has its moments and it besides still remains a original movie to watch, thanks to its main concept and premise.
Definitely good enough but it all had far more potential in it really.
7/10
http://bobafett1138.blogspot.com/
General Patton in Pornoland...
I'm not a big fan of Paul Schrader, but I really dug this film! Personally, I think `Hardcore' is Schrader's best film, as it successfully mixes effective social drama with compelling tension. George C. Scott is truly magnificent as the hardworking, Midwesterner Jake Van Dorn who individually searches for his lost preteen daughter. At first, he cooperates with a private-detective (a very convincing Peter Boyle) who discovers that his offspring is now active in the hardcore porn-industry. Later, Van Dorn forms a partnership with a poor whore who brings him into contact with the right persons in the business. The first hour of this film is really good and works on many levels. Not only does Schrader mixes different social mentalities and religious convictions, he also gives a perfect portrayal of how someone is driven to complete distraction. The sequences in which Van Dorn witnesses his own flesh and blood feature in a sexfilm are truly intense and vindictive. Of course, the pornography shown isn't real (or even explicit) but you can easily imagine what a father's reaction would be. And please keep in mind that the film is now 25 year old and the censorship has changed a lot since then. Unfortunately, Van Dorn's private investigations aren't always credible (Scott dresses up as a stereotypical adult film-director and organises a cast-session) and the ending is rather abrupt and unsatisfying. Nevertheless, `Hardcore' is a dreadfully overlooked film and one of the most efficient thrillers of the late seventies. George C. Scott is truly brilliant and I personally think this was his best period as an actor. A year later, he starred in the unforgettable horror-chiller `The Changeling' and gave away an equally brilliant performance. If you appreciate good thrillers, you have to give `Hardcore' a chance. Highly recommended.
Powerful, But A Tough Movie To Watch
This is an extremely sordid movie, but one you never forget. I saw it in the theater almost 20 years ago and it was shocking then, so much so that I've only seen it once since and have no desire to see it again. It just left such a bad taste in my mouth.
This is a frightening picture of the pornography business 20 years ago featuring about everything you can think of in that seedy world. Unfortunately, the story centers around finding a girl from a "religious" family and the father, played by George C. Scott, is painted as something of a fanatic. He's portrayed as a cold and violent figure. (Hey, Hollywood isn't going to portray a Christian father as kind and loving.) Yet, Scott is not all that bad because he still is extremely dedicated father who went to all lengths to get his daughter back.
This movie really shows the sleazy side of the entire porno business and, thankfully, it doesn't glamorize any of it. Peter Boyle is good as the detective and Season Hubley is interesting as the prostitute who gives you her ideas on life in the business. This is a fascinating film in parts but also very tough to view in a number of areas. This may sound naive, but when I saw this in 1979, I was stunned that this type of sick-underbelly of a society existed....at least to this degree. I can't imagine what's out there today.
In summary, a very powerful but brutal movie to watch, especially if you have kids of your own.
This is a frightening picture of the pornography business 20 years ago featuring about everything you can think of in that seedy world. Unfortunately, the story centers around finding a girl from a "religious" family and the father, played by George C. Scott, is painted as something of a fanatic. He's portrayed as a cold and violent figure. (Hey, Hollywood isn't going to portray a Christian father as kind and loving.) Yet, Scott is not all that bad because he still is extremely dedicated father who went to all lengths to get his daughter back.
This movie really shows the sleazy side of the entire porno business and, thankfully, it doesn't glamorize any of it. Peter Boyle is good as the detective and Season Hubley is interesting as the prostitute who gives you her ideas on life in the business. This is a fascinating film in parts but also very tough to view in a number of areas. This may sound naive, but when I saw this in 1979, I was stunned that this type of sick-underbelly of a society existed....at least to this degree. I can't imagine what's out there today.
In summary, a very powerful but brutal movie to watch, especially if you have kids of your own.
George C. Scott is terrific as a conservative Midwest businessman ventures into the underworld
This film stars Geoge C Scott as Jake Van Dorn , whose family leads a church-oriented life in their home in Grand Rapid , Michigan . When the church sponsors a youth trip to California , Van Dorn's daughter Kristen (Ilah Davis) is allowed to go . She disappears , so Van Dorn goes to Los Angeles and learns she's now making pornography in California . And there Van Dorn hires a private investigator (Peter Boyle) to find her , and later a prostitute (Season Hubley) ."Oh my God, that's my daughter". ¨Life doesn't always go as planned'' . Forget you ever had a daughter !. ¨There are some doors that should never be opened''. A man chases his daughter in the pornographic underworld !.
A thrilling and strong film about an unsettling father who undertakes a merciless crusade to look for his runaway teenage daughter who's making sex and mags films in California's porno pits , and he'll stop at nothing to get it and at whetever cost. It is rated R , but is closer to a highest rating : x . It results to be a powerful , unflinching glimpse into the dark, bizarre world of the pornography industry. It is rather reminiscent of those old sleazy movies that were advertised as sex-education flicks. As usual in Paul Schrader films , he takes recurring theme of isolation and self-loathing and their effects on the psyche . Stars George C Scott who gives a very good acting as Jake Van Dorn , a businessman from the American heartland who shares strong Calvinist convictions with most of his countrymen when suddenly his teenage daughter is missing from her church youth convention trip to California . He's well accompanied by a good support cast , such as : Peter Boyle , Season Hubley , Dick Sargent , Leonard Gaines, Dave Nichols , Gary Graham, Larry Block, Bibi Besch , Ed Begley Jr , among others.
It contains a strange but emotive at times musical score by Jack Nitzsche composed by meansof synthesizer. As well as evocative and dark cinematography by Michael Chapman. The motion picture was well directed by Paul Schrader , though being really ugly and sordid. Paul has frequently written about characters who are lonely, isolated, surrounded by the seedy side of sex and his roles usually have traumatic and deeply troubled pasts with a propensity for self-destruction which they are constantly trying to escape from . Stablishing his reputation as one of Hollywood's top screenwriters, which was consolidated when Martin Scorsese filmed Schrader's script Taxi Driver (1976), written in the early 1970s during a bout of drinking and depression. The success of the film allowed Schrader to start directing his own films, which have been notable for their willingness to take stylistic and thematic risks while still working squarely within the Hollywood system. The most original of his films -which he and many others regard as his best- was the Japanese co-production Mishima (1985) and following a lot of pictures as writer or director such as : Blue collar , Hardcore , Gigolo , Light sleeper , Autofocus , Affliction , Dominion: Prequel to the Exorcist (2012) . Rating : 6.5/10 . Better than average. The pic will appeal to George C. Scott fans.
A thrilling and strong film about an unsettling father who undertakes a merciless crusade to look for his runaway teenage daughter who's making sex and mags films in California's porno pits , and he'll stop at nothing to get it and at whetever cost. It is rated R , but is closer to a highest rating : x . It results to be a powerful , unflinching glimpse into the dark, bizarre world of the pornography industry. It is rather reminiscent of those old sleazy movies that were advertised as sex-education flicks. As usual in Paul Schrader films , he takes recurring theme of isolation and self-loathing and their effects on the psyche . Stars George C Scott who gives a very good acting as Jake Van Dorn , a businessman from the American heartland who shares strong Calvinist convictions with most of his countrymen when suddenly his teenage daughter is missing from her church youth convention trip to California . He's well accompanied by a good support cast , such as : Peter Boyle , Season Hubley , Dick Sargent , Leonard Gaines, Dave Nichols , Gary Graham, Larry Block, Bibi Besch , Ed Begley Jr , among others.
It contains a strange but emotive at times musical score by Jack Nitzsche composed by meansof synthesizer. As well as evocative and dark cinematography by Michael Chapman. The motion picture was well directed by Paul Schrader , though being really ugly and sordid. Paul has frequently written about characters who are lonely, isolated, surrounded by the seedy side of sex and his roles usually have traumatic and deeply troubled pasts with a propensity for self-destruction which they are constantly trying to escape from . Stablishing his reputation as one of Hollywood's top screenwriters, which was consolidated when Martin Scorsese filmed Schrader's script Taxi Driver (1976), written in the early 1970s during a bout of drinking and depression. The success of the film allowed Schrader to start directing his own films, which have been notable for their willingness to take stylistic and thematic risks while still working squarely within the Hollywood system. The most original of his films -which he and many others regard as his best- was the Japanese co-production Mishima (1985) and following a lot of pictures as writer or director such as : Blue collar , Hardcore , Gigolo , Light sleeper , Autofocus , Affliction , Dominion: Prequel to the Exorcist (2012) . Rating : 6.5/10 . Better than average. The pic will appeal to George C. Scott fans.
Still a very powerful and impressive film.
Paul Schrader's celebrated collaborations with Martin Scorsese will unfortunately always overshadow his own directorial efforts. His own movies have been variable to say the least ranging from the truly forgettable (e.g. 'Light Of Day' and 'Witch Hunt', both from the "what on earth was he thinking?!" category), to the truly unforgettable ('Mishima', and 'Light Sleeper', both sadly overlooked). 'Hardcore' is one of his best efforts in my opinion, but MUST be watched taking into consideration WHEN it was made, and the censorship prevalent at the time (something a few of the other comments here fail to do). Over twenty years later certain scenes seem way too tame and almost unintentionally humorous to our jaded "sophisticated" movie-going eyes, but even so to me overall it is still a very powerful and impressive film. And for those who think it too dated and "safe" just compare it to Schumacher's lame '8MM', a movie which is almost an uncredited remake of 'Hardcore' in some ways, but one that despite the relaxation in depicting sex, violence and profanity in mainstream moviemaking, fails to pack the punch that Schrader's movie does. 'Dr Strangelove's George C. Scott is solid as a straight-laced and in many ways unworldly man who finds himself in the alien (to him) urban world of sleazy strip joints, sex shops and pornography. Season Hubley (John Carpenter's 'Elvis') plays the streetwise hooker who becomes his guide. Peter Boyle ('Taxi Driver', 'Young Frankenstein')) is a stand out as a crafty low life private detective. Buffs will also get a kick out of small roles by Tracey Walter ('Repo Man') and Ed Begley Jr ('Meet The Applegates') as a clerk in a dirty book store and a porn actor respectively. 'Hardcore' is a very fine movie, one of the most underrated of the 1970s, and highly recommended viewing.
Did you know
- TriviaWhen location director Paul Pav was scouting porno shops for the film, he was stonewalled. Pav remembered, "That was the worst experience of my life. They're all scared to talk to you. If you say to a manager that you want to film in his porn shop, he says, 'Get out!' Then you have to go and find the owner of the shop. That's the most difficult thing. They're often lawyers and doctors. I'd have to leave my name, then someone would call me back. Often I wound up talking to people behind closed doors."
- GoofsPanties suddenly appear on Niki's fully nude body in the peep booth. This goof is seen on old video and cable un-matted versions. (On DVD, the portion showing that Niki is wearing panties is properly cropped out and doesn't show.)
- Quotes
Jake VanDorn: [watching a porn film starring his daughter] It can't be... oh, my God. Turn it off. Turn it off. Turn if off! TURN IT OFF! Oh, God... turn it off, please!
- SoundtracksPrecious Memories
Written by Buck Owens (uncredited)
Performed by Susan Raye
Courtesy of Buck Owens Enterprises and Capitol Records
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