Henry V

Although this BBC televised play would as a matter of course lack the production values that Laurence Olivier and Kenneth Branagh brought to their films of Henry V, this adaption is second to none in the quality of the performance. In fact David Gwillim who had played Prince Hal in both parts of Henry IV grew into the role in a way that Olivier and Branagh never did.

It is interesting to speculate how history might have changed had Henry V gotten a few more years. While British historians proclaim one of the greatest of monarchs, the French see him as slightly below Hitler as one of the greatest enemies of their country. As well they should, the English got battlefield glory, the French buried battlefield dead as the 100 Years War was fought in their country. He died a couple of years older than that other conqueror Alexander the Great and had both of them lived who knows what they might have achieved.

Henry V is fulfilling the promise of greatness that he showed so little of as Prince Hal. The play concerns itself with his taking full command of the throne, executing some conspirators who were planning to assassinate him, and then achieving one of the great battlefield triumphs of the Middle Ages, the English victory at Agincourt over a French army that outnumbered them. Gwillim plays Henry with authority and decisiveness that rank with what Olivier, Branagh and others have done with the part.

The BBC series of Shakespeare plays were productions of the highest quality. I only wish that they were all available in this country as this one was. I saw it when it first aired on American public television back in 1979 and it is still as good as I remembered it from then.

Reviewer "anne-25" from England was evidently so exercised by what she perceived as shortcomings in this excellent production of "Henry V" that she neglected to listen to the words. In the opening Chorus, we are advised that, since the entire combatants of Agincourt could not be incorporated into the production, we must "into a thousand pieces divide one man." A little further along, the Chorus enjoins us thusly: "O, pardon! since a crooked figure may attest in little place a million." Shakespeare obviously knew something that "anne-25" does not -- it's unfeasible to expect two medieval armies to be incorporated into a humble stage production; therefore, we must use our imaginations, as per, again from the Chorus, "upon your imaginary forces work." Even Olivier's and Branagh's film versions left a lot to be desired in this aspect. Olivier's Agincourt was confusing and brief (although the arrow flights, abetted by Walton's glorious music, were stunning); and Branagh's, although more realistic and bloody (fought in the rain as was the real Agincourt), made us suffer through excruciating and over-used slow motion, a device that never adds to action sequences. And by my count, there were far fewer than sixty thousand French soldiers in either production.

So, "anne-25," a little advice -- listen to the Chorus next time, and perhaps you'll enjoy yourself much more.

The complete Shakespeare set is now available at Amazon UK for a fairly low price of about $250 - depending upon exchange rates. Note the price they quote is NOT the price you pay, since it includes VAT. Shipping is only a few pounds, and takes less than a week. The amazing set includes ALL 37 plays in a compact box.

The only SLIGHT problem is that it's REGION 2 encoded.

To get around that problem, go to your favorite auction web site, and search for multi-region code free.

There, you should find sales of instructions on how to convert MOST DVD players to region-free players -fairly simply, as part of setup.

If for some reason, your player is not included in the list then consider picking up an inexpensive one -I managed to get one for $30, including shipping.

I want to reply to one of the claims made by the 2010 reviewer (who puerilely refers to Shakespeare as "Will"). This reviewer states that the play is presented "with minimal, if any cuts." If the reviewer takes the time to read the play instead of making uninformed pronouncements about it, he or she will discover that numerous cuts have been made in the BBC's production. To be sure, most of the abridgments are pretty well judged, and there are considerably fewer abridgments than in the Olivier and Branagh versions. Nonetheless, the claim that the BBC's production presents the text uncut or nearly uncut is flatly incorrect.

As for the production itself, it's quite a good rendering of an uneven play. I agree that David Gwillim is too "weepy" and "whispery", but he performs several of his scenes well (for example, the scene with the tennis balls -- until he starts to throw them -- the scene of the exposure of the traitors, and the scene in which he woos Katherine). His rendering of the magnificent St Crispin's Day speech is very disappointing, but his rendering of the riposte to Montjoy shortly after that speech is excellent. Likewise, although he starts the great "Once more unto the breach" speech quite lamely, he finishes it well. Other members of the cast are generally proficient. In particular, the actors who appear as the French nobles seem to enjoy their roles, and they perform those roles adeptly.

Ever since studying 'Macbeth' and 'Twelfth Night' in Year 6 (consisting mostly of reading the text out aloud and analysing it), there has been high appreciation, and even love, for William Shakespeare's plays and his mastery of language. 'Henry V' is not one of my favourites of his, though am not sure whether it would be counted as a lesser play in my book because it does have a lot of powerful text (the Crispin's Day speech being one of the bard's finest) and an interesting titular character.

Between 1978 and 1985, the BBC did a series of performances of all Shakespeare's plays. While quality-wise it is not consistent, the BBC Television Shakespeare series is a fascinating one. It is great to see Shakespeare mostly adapted and performed faithfully and with respect, to see all of Shakespeare's work as part of one project and seeing so many talented actors at various career stages either in signature roles/styles or against type. There are so many fine and more performances in the series, though not all have worked, and the production values and stage direction also varied. This 1979 BBC production of 'Henry V' is not one of the best of the BBC Television Shakespeare series, though not quite a lesser one at the same time. It is somewhat of a let down after the wonderful 'Henry the Fourth' productions and do consider the Kenneth Branagh and Laurence Olivier films superior. That is not discrediting the production in any way though because there is a good deal to like here.

'Henry V's' production values may not be lavish or grand, but they didn't always come over as ugly or tacky to me and served their purpose well. Considering that the budget wasn't a big one they could have been far worse. The camera work doesn't try to do too much or anything too fancy that it comes over as chaotic and has intimacy when needed, though it could have opened up more. As an adaptation, there are cuts and abridgements but they are ones that are tasteful and make sense, not affecting the story's coherence.

While the staging didn't blow me away, that it's cohesive and doesn't do anything that's tasteless or gratuitous is laudable. The humour, authority and emotion are generally there and in the right places. Shakespeare's writing shines through with wit, intelligence and emotion, and mostly it is delivered very well with a few disappointments. Found the supporting cast to be excellent, with them being funny and touching in all the right places without mugging or being overwrought. Bryan Pringle (enjoying himself), Brenda Bruce, Anna Quayle and Thorley Walters all deliver, as does Alec McCowen. Jocelynne Boisseau is a touching Katherine. While David Gwillim is not as consistent (his delivery of the Crispins Day speech is agreed anaemic) and was much better in the 'Henry the Fourth' productions, which also did much better with Henry's character growth and conflict, much of his performance is still authoritative and moving.

Did find though that the production was a bit drab and in places static. Liked that the staging was respectful but later on it could have been bolder and had much more tension.

The momentum is not always there and parts were on the too safe and bland side, character development not always growing enough (i.e. Katherine).

Overall though, an interesting and decent production, but there is a preference for the Branagh and Olivier versions. 7/10 Bethany Cox