The Jesus Film

Here in the Bible belt of the United States, particularly in our Southern Baptist churches, when you say the name "Jesus Christ," most of us envision such a person as Brian Deacon, who stars as the title character of "Jesus" (1979). The plot of "Jesus" is generally well-known even by non-believers. The opening scene displays John 3:16-17 from the King James Version. Though the film claims to be entirely from The Gospel of St. Luke, it also mixes elements from Matthew's Gospel (i.e.: a more complete Lord's Prayer said by Christ and the use of the trinitarian baptismal formula).

Sadly, the acting in "Jesus" is almost as wooden as the oil-painted icons of the Eastern Church. Brian Deacon delivers a sort of solemn, meek interpretation of Jesus of Nazareth--making the scene in which he casts out the money-changers from the temple--look as if he is only frustrated, and not righteously angry. However, in the film's defense, the acting in "Jesus" is much more a product of its time in that this was generally accepted as to how Jesus acted.

"Jesus" is perhaps one of the greatest films ever made, not because of its production values or acting, but because of its content. This 80-minute film, translated into God knows how many languages, has communicated the Gospel to millions all across the globe. "Jesus," the forerunner of such films as "The Gospel of John" (2003) and "The Passion of the Christ" (2004), is one of the finest examples of evangelical film-making. Recommended for everyone.

The story of Jesus as told by this movie is faithful to the Bible version. It does not flinch from some of the uglier parts of the story, such as the crucifixion. Jesus was a soft-spoken man, with dark complexion and long hair. This is more accurate than portraying him as a blond-haired, blue-eyed WASP.

One question, though: why was this movie ever rated G? The proper rating is PG-13, although it would have been rated PG because we did not have the PG-13 rating at the time.

This was, I thought, the best cinematic summary of the life of Christ I have yet seen. Brian Deacon, who portrays Jesus, looks the part and speaks with quiet authority. His interaction with children in the movie gives a moving picture of the tenderness of Christ. The words of Christ are given in modern translation making it easy for the viewer to understand the language. Simon Peter (Niko Nitai) looks the part and acts it well. The movie allows about the same amount for the last week of Christ's life as does the gospel (about 25%). While not a perfect movie (nothing on earth is perfect), this is a delightful one. If you are looking for an accurate picture of Christ which accords well with the Bible, this is it!

A somewhat expurgated version of the gospel of Luke, Brian deacons version of Jesus is appealing, if somewhat un-animated. I have a great love for this film ( mainly due to the fact that it was the first film about Jesus I can remember seeing from my childhood.) Not as epic as Zeffirelli's film, nor as graphic as Gibson's, a faithful representation with only a few omissions ( I'm sure either due to budget or time constraints). the acting is at times somewhat melodramatic, but that is part of the charm of this film. the cinematography is not ground breaking but certainly serves its purpose and doesn't overshadow the story, and really thats one of the best things about this film, nothing in it overshadows the story as a whole.

To write about such a delicate film as about Christ Himself in this age of an extreme political correctness is a tough task. This work appeals immensely to all the believers and works out fine to convert all the newcomers. To the non-believers, this work will seem dull and boring, but then, let's be straight - this is the most accurate, the most precise and elegant retelling of the Gospel According to Luke. Since I am a Protestant Christian myself, I must say that this film really did help me to understand who Jesus is and what He was doing among us the people on Earth. The play of Mr. Deacon is very good, he does an extremely difficult work and he does it well. I remember my eyes were wet with tears during the Crucifix scene, and then my heart leaped violently with joy during the final scenes. The film is very well done, by seeing the sandy dusty plains and hills of Israel, you feel the smell of age, you do believe in the truth of the plot and you do follow the film scene by scene. A very serious and thoughtful work.