The Legacy

This can't seem to decide if it wants to be a kitch 70s Hammer Horror-em-up, or a glossy romantic US TV movie. Slick moustache man heart throb Sam Elliot clearly thinks he's in the latter, while Roger Daltrey bounds onto the screen like he's auditioning for a part in 'Eastenders: The Pantomime'. To say The Legacy is uneven is putting it mildly, no two characters appear to realise they're in the same film. Shove them all in a grand old mansion in the English countryside, add a touch of supernatural hokum, some surprisingly inventive death scenes, a whole lot of messing around doing nothing, the most pointless random car drive scene in movie history, a cat which has more screen time than half the cast yet has no reason to be involved in the film, and enjoy - but not that much because it drags after an hour or so.

This movie doesn't seem to compare to the horror movies of today but I remember really liking this film when it came out. It may have been considered much better back when the film was released. I had read the book first when it came out before seeing the film and thought it was fantastic. I found it to be a great story and played very well in my mind. Though most seem to have a complaint about the special effects/ cheesiness of the film. I think they fair well in the time frame that the movie was made, plus to this day the swimming pool scene still gives me a chill. If the special effects don't work for you try reading the book and see if your imagination doesn't bring this story to life for you. I gave it an 7 because I felt it was a good solid movie and that is what I would have rated it back in 1978.

Based,as users have pointed out ,on the "and then there were none "aka "ten little Indians" aka "Ten little n...." model which had already begun to be thread-bare at the time (although "mindhunters" recently used it relatively smartly), "the legacy" was mainly a Katherine Ross vehicle ,whose hair is really beautiful.The rest of the cast is faceless,although they hired Roger Daltrey to attract the rock audience:he has five or six lines to say.

"They have all done something wrong in their life and they have not been punished" discovers the heroine,in the grand Christie tradition.this is not only a thriller,it's also a horror flick with some gory scenes .The mixture is stodgy .The ending does not make any sense .

"Nothing works in this f.... country!" yells the hero after a hot shower and a drive in the English country.

I like this potboiler. There's a soft spot in me for this story, even though it features the occasional lapse in narrative logic, and the special effects--while serviceable--don't guarantee it will leave much of a cinematic impression in many people's memory, years down the line. The Legacy is passed down by a moribund multi-millionaire, Jason Mountolive, to a group of inheritors (most of them European) who have travelled from afar to reunite for Jason's last 'will and testament.' Maggie Walsh and boyfriend Pete work together in Los Angeles as interior decorators (what's the likelihood of that?). They are hired sight unseen by a British client and, soon, 'accidentally' meet Jason, and are invited to stay at his home. At Ravenshurst mansion, the inheritors drop like flies, and Jason begins to get a little warmed over--he appears to be melting, cataracts appear, and he's definitely in dire need of a manicure. Clearly, this horror film was inspired by The Omen and, likewise, features a few Rottweilers that help take care of impending 'business' matters... Time to feed the dogs!!!

Enjoyed this film though I've seen this story before. Most of the acting was good, especially Elliott, Ross and Daltrey in a small role. Charles Gray though plays the same role in every part he plays and Hildegard Neil is criminally underused. In all a decent effort.