Kummatty

I am angry at myself that I watched the version that was not the 2021 remaster that was presented by Scorsese and instead saw the one that is good quality but doesn't have the same colour correction and details as the newer one. I should have checked that first and for anyone trying to see this, make sure you're watching the correct version to not miss the full effect of the incredible cinematography of this movie.

This is such a sweet folktale that also works as a time capsule of central Kerala during that time. The surreal magical realism of the film works perfectly with minimal dialogue. But I did feel like it shouldn't even have any dialogue with the way most of the dialogue is written and delivered. However, it's the songs that complemented the visuals to make the movie really work. Karukare Karmukil is such an iconic folk song now. The dog was also an incredible actor. How they managed to make it work back then is a wonder.

This and Kanchana Sita, the two G Aravindan films I've seen have their similarities in a way, that both feel like low-budget films that focus more on visual storytelling with a bit of a fantasy narrative. Even though I like both, Kummatty is the superior one for me. Both films have themes that I understand and like, some themes that feel a bit forced, more so over in Kanchana Sita, and a lot of layers I feel I haven't understood fully. Maybe the more I see Aravindan films, the more I'd learn to love the style.

What a lovely little film this turned out to be! Seeped in the rustic goodness of a Malayali village and the charmed music from God's own country, this mythical tale was a breath of fresh air. Dotted with songs that will have you humming along, the film follows a gang of children and their fate when an old man turns up in their village, and is labeled as Kummatty, or the Bogeyman.

The film stays honest to its setting - somehow managing to weave the peace and simplicity of the village into its characters, into its dialogue, and into its fluid song sequences. The relationship between the young and the old is beautifully captured, and when the film comes a full circle, Chinda, our main protagonist, realizes a thing or two about freedom and captivity.

This film may very well be India's own Pied Piper of Hamlin, and is a slice of folklore that is very unique to the country. Kummattikali is a dance form still practiced in Kerala during the Onam festival - and the legend seems to have arisen from the Mahabharata, where the Kummattis, or the ghost-companions of Lord Shiva, were called upon to dance and celebrate the virtue of Arjuna. And yes, masks have a huge role to play in this film, as they do in the dance form. A deliberate start but a great story in the end.

The film is a Pied Piper-like figment of Malabar's folklore about a partly mythic and partly real magician called Kummatty (bogeyman).

Aravindan's Kummatty is a movie which is at the highest form of art.

Every song, every frame, the viewer will dissolve in it.

A film which defines what arthouse is.

Kummatty has something magical, and that's what a film must have, especially an arthouse piece of cinematic work.

Movie describes Kerala Folklore. Kummatty is one of the best Malayalam movie ever. All the elements are really good. Story, Script, Songs by Kavalam Narayanapanicker Directed by G. Aravindan so on..

The great thing about this movie is more is depicted in folk songs played and the long shots that have been captured just beautifully ... The movie follows basic idea but executes it beautifully.i would ve understood it even well if i was known with malaylam lieterture more but the folk songs are just beautiful.

You can watch it on youtube its uploaded by potato eater collective.

The acting by actors is great they have still faces and expressive ones ...a mivie where there is a lack of dialouge and such close ups make us feel how the charecter is feeling... it tries to potray people living in period of the film and accomplishes it well... U should give it a try for sure.