Zombie Holocaust

"Zombi Holocaust," directed by Marino Girolami in 1973, is a curious artifact of the Italian horror cinema, a film that blends the then-popular zombie genre with a dash of cannibal exploitation. The result is a movie that is as bewildering as it is entertaining, a gory spectacle that is sure to please fans of B-movie horror, but may leave others feeling a bit queasy.

The film's narrative is a convoluted affair, involving a series of grisly murders in New York City that lead a team of scientists to a remote island in the Caribbean. Here, they discover a tribe of cannibals and a horde of zombies, all under the control of a mad doctor conducting gruesome experiments. The plot is thin and often nonsensical, serving mainly as a vehicle for the film's numerous scenes of violence and gore.

Speaking of which, "Zombi Holocaust" does not skimp on the red stuff. The film's special effects, while dated by today's standards, are still impressively gruesome. Zombies are dismembered and decapitated with gleeful abandon, and the cannibal scenes are equally graphic. This is not a film for the squeamish, and its explicit content earns it a well-deserved place in the annals of exploitation cinema.

Yet for all its gore, "Zombi Holocaust" also possesses a certain charm. The film's low budget is evident in every frame, from the cheap sets to the amateurish acting. But there's a certain earnestness to the proceedings that makes the film oddly endearing. It's clear that Girolami and his team were trying to make the best movie they could with the resources they had, and there's something admirable about that.

The film's tropical setting also adds a unique flavor to the proceedings. The lush jungles and sun-drenched beaches provide a stark contrast to the film's grim subject matter, creating a strange and unsettling atmosphere. The island itself becomes a character in the film, a place of both beauty and horror.

In terms of performance, the cast does the best with what they're given. Ian McCulloch, as the lead scientist, is stoic and determined, while Alexandra Delli Colli, as his love interest, brings a touch of class to the proceedings. The real standout, however, is Donald O'Brien as the mad doctor. His over-the-top performance is a delight, and he chews the scenery with gusto.

In conclusion, "Zombi Holocaust" is a film that is hard to recommend to a general audience. Its graphic content and low-budget aesthetics will likely turn off many viewers. But for fans of exploitation cinema, it's a fascinating artifact, a film that embodies the spirit of its genre. It's not a good film by any traditional measure, but it's a film that's hard to forget.

Being an obsessive-compulsive fan of old-fashioned Euro-gore for several years now, I've come to expect the absurd (and usually nonsensical) plots, the constant 'borrowing' from other films, and the over-the-top gore, all mixed together to form what is usually an enjoyably trashy cocktail. I picked up "Zombie Holocaust" with some optimism and a little knowledge of its reputation, and after watching it, could only help but wonder what had just happened. No, it wasn't the incoherently surreal thrill of watching "City of the Living Dead," but a general, head-scratching confusion that raised questions such as: "How was this awful waste of time ever released?" As Tom Servo would say: "Meanwhile, in YET ANOTHER MOVIE..." "Zombie Holocaust" doesn't have a brain in its head (even though the title Doctor is a deranged neurosurgeon)--it's a low-budget splatter flick without even the slightest hint of innovation. It borrows settings and characters from Fulci's "Zombie" (not to mention a few actual snippets from that film), jungle savages from "Make Them Die Slowly," and a couple bronze-faced zombies that look an awful lot like the wooden-toothed wonders in "Burial Ground." Sounds like a swinging good time, but the movie is downright distracting in its own indecisiveness, flipping back and forth between these awkwardly, incompetently blended genres without a hint of wit or style. Perhaps this is attributable to Fabrizio de Angelis, who is known less for his screen writing capabilities than as a producer on Lucio Fulci's most notable works. It is conceivable that the producers wanted to churn out a genre-bending smörgåsbord knowing they would get some return on it, but the utter ridiculousness of the finished product is an endurance test for the viewer's patience.

Ian McCulloch (his usual stuffy self) and Alexandra Delli Colli ("New York Ripper") venture off to some faraway island to investigate a doctor's odd practices. Along the way, they encounter hostile natives, zombies, and an climax that looks suspiciously like another, better zombie flick. Eyeballs are gouged out, entrails are eaten, and Delli Colli is painted in the nude for a "Laugh-In" audition.

There's ultimately nothing in "Zombie Holocaust" that hasn't been done before, and better. Pass.

I first saw this in the late 80s on a vhs. Revisited it recently. Found the film very shocking then due to the gore but aft revisiting it, found it to be boring cos almost for 34 mins nothing happens. We have lots of nudity by Alexandra Delli Colli, who in her short career is noted for the kinky female from New York Ripper. In this movie, there is nothing new except for the gore. Even the plot is stale - A team of scientists travel to a remote island aft witnessing cannibalism in various city hospitals by immigrants from a particular island. On the island, the team is shocked to come across cannibals n zombies. The make up effects of the zombies is lol. Jus plain human in torn, raggy clothes. Till now, i haven't been able to fathom how can u pierce someone's belly by a bamboo. In this movie, a female falls into a trapping pit laden with pointed sticks but survives.

One thing I always point out about these Cannibal flicks is that, besides the disturbing subject matter and ferocious gore, these films are also usually have really interesting, dare I say fascinating stories. That's right. Quality B-movies do exist, after all. However, Zombi Holocaust is not one of them. It looks like your stuck with just the gore. I think it'll be fine. I mean, just because this one doesn't hold up against the almighty Cannibal Ferox and Cannibal Holocaust, doesn't necessarily mean it's not worth your time. And really. Who wouldn't want a film called Zombi Holocaust in their Horror collection? Not I.

Besides what I've already told you, the one thing you might want to consider, going in to this film, is that it's a Zombie movie. I suppose you already had that figured out. But still, Zombi Holocaust does include cannibals, as well as a jungle. Best of both worlds? More like a touch of both worlds. Nothing groundbreaking from either side of the fence. And on top of all that, Zombi Holocaust is also a mad scientist flick. We start out at a hospital, where corpses are being mutilated. Eventually, a cannibal is caught in the act. I guess it was shame that drove the poor guy to unconvincingly jumping out the window. Obviously, tomfoolery like this is not something you'd want going on at your local hospital. Curiosity gets the best of Ian McCullough and some hot chick. For some reason, this hospital mystery lies somewhere in the Carribbean. A mad doctor is slowly turning a tribe of cannibals into zombies. Zombies who don't really do much of anything, as the cannibals are the only ones willing to start trouble. Whatever. It's a movie. So, this guy must be stopped, right? And in case you're wondering, all that doesn't turn out nearly as entertaining as it sounds. Ultimately, if you're a fan of such classics as Burial Ground and Jungle Holocaust, I see no reason why you shouldn't get a kick out of Zombi Holocaust, at least out of sheer principle. Well, unless you're not too big on stupid movies with ridiculous dialogue, and awful acting. In that case, you may want to stay clear of this one. 7/10

Another film known by many names (eight, to be precise, that IMDB has been able to track down), Zombi Holocaust is probably best known by American cult-film devotees as Dr. Butcher, MD. I ended up picking this one up because there are a rather large number of crossovers with Lucio Fulci's brilliant splatterfest Zombie-- writer Fabrizio DeAngelis was one of the producers of Fulci's film, male lead Ian McCulloch was the lead in Zombie, character actor Dakkar plays a native guide in both, etc. (Most interesting, one of the film's actors, Walter Patriarca, was Zombie's costume designer. Go figger.)

Simple plot, which should sound familiar to anyone who's seen Fulci's film; a number of deaths occur in New York City, and Ian McCollouch, a beautiful sidekick, and two of their pals end up going to a remote Caribbean island where there's an English-speaking doctor who treats the natives. Sound familiar?

For about the first forty-five minutes of this film, I was too busy thinking that it was exactly like Zombie to be impressed. (No one, these days, is sure which film came out first, and most people also draw parallels to another classic of the genre that came out the same year, Ruggero Deodato's Cannibal Holocaust.) Then Ian McCollouch disposes of a zombie with a motorboat motor, and suddenly things started getting a whole lot more fun. Rather like The Evil Dead, this is a film where there's a whole lot of setup (though Raimi pulled it off miles better), but when the gore starts, the director lays it on thick, fast, and ugly. And while death-by-propeller is probably the funniest and nastiest scene in the film, there's certainly more than enough blood flowing/spraying/dripping/being drunk/etc. to please most fans of hardcore horror. Pound for pound, though, in comparison to Zombie, the latter stands up as the better film. As one reviewer put it, "Fulci... might have had the sauce, but [he] passed on the cheese." Fulci's obsessive attention to detail, better scriptwriting, and stunning score give Fulci the edge over Girolami. But man, it's fun to be the judge. ***