Woyzeck

I seriously need to re-watch *all* of Herzog's films, but in the flicker of memory this is my favorite.

For me, the static camera-work fits the hothouse atmosphere of Buchner's play perfectly. I think especially of the early scene where Woyzeck is shaving the Captain, and the camera doesn't move *at all* for what seems like forever ... technically, it is reminiscent of some of Jim Jarmusch's early films where the camera is hilariously static. Here, it is horrifyingly static.

And Kinski has never been more possessed, more demonically almost out of control. I just can't watch him, particularly during the intense (slow motion!) climactic sequence, and then "come back" to Hollywood movies and watch ... well, say, Kevin Costner. Sorry. Guess I'm a snob.

Finally, the strange, sawing music just sends me over the top every time, my skin tingling. To me this is an absolutely unforgettable, brilliant film experience. It disturbs the living hell out of me, and I like that.

One of Werner Herzog's most unrecognized films, Woyzeck is utterly brilliant.

Few films succeed at portraying frustration and madness as much as this. Among them are Scorsese's "Taxi Driver" and Lodge Kerrigan's "Clean Shaven"

Klaus Kinski's performance is so good that just watching him is tiring, and the viewer is left anticipating when he will finally snap. Few films stick with me as much as this one and the sped up opening sequence is one of the most memorable opening scenes of any film I've seen.

Klaus Kinski gives a couragous effort that deserved an Oscar for Best Actor in 1979. Woyzeck(1979) deals with a lower level solider who's clinging to the small amount of sanity left in him. The film is competently done by Werner Herzog. The motion Picture comes on the heels of Herzog's Nosferatu(1979). Its one of the best films by Werner Herzog that isn't as notorious as films like Fitzcarraldo(1982), Aguirre:The Wrath of God(1974), and The Mystery of Kaspar Hausar(1975).

There is a murder in the movie that's worthy of the shower scene in Psycho(1960). Woyzeck(1979) follows a few themes that were prominent in Herzog's debut Signs of Life(1967). The fast motion scene at the beginning is marvolous. Klaus Kinski was really being kicked around in the opening scene. Klaus Kinski did such a great job at his realistic portrayal that the actor almost ended up like the main character.

I will put the bottom line at the top so you can decide whether to bother reading on (and seeing this film).

This is certainly not a film for everybody. If you find the following review annoying, and you feel as if you wasted time reading it - BY ALL MEANS - avoid seeing this film, you simply won't enjoy it.

Another Herzog-Kinski masterwork, Woyzeck is one of the weirdest films of the 1970s. I do not use the word "weird" very often, but it is so appropriate for this film that an endless string of adjectives, adverbs and modifiers I would need to replace it seem thoroughly inadequate. Despite the vast and deep power and beauty of this film, I don't want to label it "good". Unlike some of the less surreal Herzog-Kinski collaborations, the amount of attention you pay to this film does not necessarily correspond to the amount of sense you will be able to make of it. Mostly, I think it's a film about psychosis - both personal psychosis (Woyzeck himself) and social psychosis (Woyzeck's miserable treatment at the hands of virtually everybody around him in his back-water town in Nazi occupied Poland).

For the first half of the film you will feel as if you are playing a VERY serious version of Monty Python's "Spot the Loonie." But, in this case, you are looking for the HEAD LOONIE in a whole melange of maniacs. The string of soliloquies which eventually leads to the climactic ending, hearkens back to Shakespearean tragedies, but until the very end, you don't necessarily know whether to think of this film as a comedy or the very dark and sinister tragedy that it seems to be. Even after the film exposes itself so dramatically in the end, I am still inclined to see it as a very deranged bit of comedy as much as anything else. Such is the beauty of Herzog's artistic method - nothing is straightforward, much is hideous and beautiful, and in a peculiar metaphysical and aesthetic sense, it all makes perfect sense.

Klaus Kinski gives a signature performance and the rest of the cast, though excellent, is barely noticeable with Kinski's intensity in the foreground. Though less accessible than many of Kinski's more popular works (Aguirre, Fitzcarraldo, Nosferatu), this is nevertheless a unique and brilliant blend of one of the greatest actor-director teams of all time.

Made the same year as the peerless 'Nosferatu the Vampyre', 'Woyzeck' again brings together the mighty partnership of Klaus Kinski and Director Werner Herzog. Whereas Kinski's portrayal of the vampire remains a highpoint of understated power, here his intensity hits overdrive and crosses the blurred line between insanity and over-acting.

The story is a deceptively simple one. Woyzeck is a soldier who is forced to take menial jobs and perform degrading experiments in order to feed his family. This leads to his mental breakdown, which results in a shocking act at the film's climax. As he loses his mind, you can believe in him totally, but that is partly because his frantic movements and extreme facial expressions indicate the grip of his senses is fragile to begin with. In true Herzog style, the film drinks up the main character's flaws and falls from (lowly) grace without spectacle or glamour.

Although the relationship between director and leading man was always fractious, co-star Eva Mattes as Marie has always spoken fondly of Kinski and their time working together.

The film is typically bleak but compelling. My score is 7 out of 10.