A psychopathic killer terrorizes a babysitter, then returns seven years later to menace her again.A psychopathic killer terrorizes a babysitter, then returns seven years later to menace her again.A psychopathic killer terrorizes a babysitter, then returns seven years later to menace her again.
- Awards
- 1 win & 1 nomination total
William Boyett
- Sgt. Sacker
- (as Bill Boyett)
Joseph Reale
- Bartender
- (as Joe Reale)
Carol Tillery Banks
- Mrs. Garber
- (as Carol O'Neal)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There really is something to that old adage that if you grip the audience right away and end up giving them a good, strong finish, you're golden. When A Stranger Calls takes this to heart and serves up two genuinely terrifying 20 minutes sequences that are held together by a slow, plodding 2nd act that waddles along without much zip or excitement. For a thriller, it's not very thrilling.
The film starts off with a babysitter (the excellent Carol Kane whose expressive eyes could tell an entire 90 minute story without dialogue) being tormented by an obscene phone caller telling her to check the children. Anyone over the age of 10 has probably heard the classic legend that this section is based on and the payoff is, more or less, the same. It's a brilliant, suspenseful sequence that shows director Fred Walton as a master of his craft.
After this, we end up following the detective on the case (Charles Durning) who is looking for the child killer. That's essentially the next 40/50 minutes and it's about as exciting and gripping as an episode of Columbo. Try as the actors might, it just never gets off the ground until the killer decides to go after Kane's character in the present day where she has two young children of her own. Once that section begins, the film hits its stride again and ends on a high, terrifying note.
When A Stranger Calls is pretty much two really effective short films with a dull police procedural shoved in between it.
The film starts off with a babysitter (the excellent Carol Kane whose expressive eyes could tell an entire 90 minute story without dialogue) being tormented by an obscene phone caller telling her to check the children. Anyone over the age of 10 has probably heard the classic legend that this section is based on and the payoff is, more or less, the same. It's a brilliant, suspenseful sequence that shows director Fred Walton as a master of his craft.
After this, we end up following the detective on the case (Charles Durning) who is looking for the child killer. That's essentially the next 40/50 minutes and it's about as exciting and gripping as an episode of Columbo. Try as the actors might, it just never gets off the ground until the killer decides to go after Kane's character in the present day where she has two young children of her own. Once that section begins, the film hits its stride again and ends on a high, terrifying note.
When A Stranger Calls is pretty much two really effective short films with a dull police procedural shoved in between it.
"When a Stranger Calls" is a somewhat entertaining horror-suspense-thriller that starts off great, loses steam in the middle, then comes back for a good finish. The beginning of this movie is outstanding, with babysitter Carol Kane receiving obscene phone calls from an unknown maniac. This is far and away the best part of the film. It's scary, creepy, and downright eerie. But it doesn't sustain that level through the entire film. The mid-portion of the movie is rather dull, featuring a few lazy supporting performances. But "When a Stranger Calls" redeems itself with a nail-biting climax, even though the conclusion doesn't top the film's opening in terms of scariness. Carol Kane and Charles Durning are good in the roles of the terrified babysitter and the private detective searching for the killer when he's on the loose. "When a Stranger Calls" is not a great horror movie but a good one. And its better than the cable-made sequel that came out fourteen years later, "When a Stranger Calls Back".
*** (out of four)
*** (out of four)
When a Stranger Calls (1979) is probably best known for its opening scene in which baby sitter Jill (Carol Kane) is terrorised by an unknown caller, a man who asks her several times "Have you checked the children?" Without giving anything away part of this appears to have been lifted from "Black Christmas" (1974), Wes Craven then used it to great effect in his slasher revival classic "Scream" (1996). Many reviews on here call the middle part boring, however I disagree. We get to see a lot of the caller, a psycho called Curt Duncan (Tony Beckley), after he escapes from a mental institution, and an ex cop John Clifford (Charles Durning), who is after him. This all builds to a suspenseful finale, reuniting Jill and Curt. English actor Beckley gives a superb performance as Curt, sadly he died soon after the movie was released. Don't go into this movie expecting a slasher movie, it is not one. It is a tense suspense psycho thriller that has an excellent creepy score courtesy of Dana Kaproff, and needs to be watched late at night with the lights off. The remake was pretty good too.
When a Stranger Calls boasts the scariest opening in film history. Wes Craven completely ripped this intro off in Scream. It's that good. Too bad the rest of the film isn't. It goes completely downhill after the beginning. It's so scary and has such a tense start that you can hardly watch it without holding your breathe. My girlfriend couldn't watch it period. She had to turn her head and keep asking me when it was over. It's very subtle, slow, and deliberate, and very frightening. The rest of the film can't live up to the energy generated by the beginning. But still, I recommend this because the beginning alone is better than most fright flicks in their entirety.
A girl (Carol Kane) is babysitting one night. She keeps getting phone calls from a guy saying "Have you checked the children". (They're upstairs sleeping). The phone calls continue. She gets nervous (and never checks the children). She calls the police. They trace the calls--they're coming from INSIDE the house...
This was a big hit in 1979 with teenagers--despite the R rating kids were let into this one. It does have a great opening 20 minutes and a pretty scary ending--but the middle is dull dull dull. It involves the killer (well played by Tony Beckley) stalking an older woman (Colleen Dewhurst slumming) and a police detective (Charles Durning--also slumming) after him.
Good performances save the middle half from being totally unbearable, and there is good direction from Fred Walton. But all in all this is a mediocre thriller. Still, I'm giving it a 7 for the opening, the closing and the acting.
This was a big hit in 1979 with teenagers--despite the R rating kids were let into this one. It does have a great opening 20 minutes and a pretty scary ending--but the middle is dull dull dull. It involves the killer (well played by Tony Beckley) stalking an older woman (Colleen Dewhurst slumming) and a police detective (Charles Durning--also slumming) after him.
Good performances save the middle half from being totally unbearable, and there is good direction from Fred Walton. But all in all this is a mediocre thriller. Still, I'm giving it a 7 for the opening, the closing and the acting.
Did you know
- TriviaThroughout the opening segment, director Fred Walton gradually increases the feeling of suspense by making each subsequent phone call ring a bit louder than the previous one. They escalate from eerie to jarring and finally infuriating.
- GoofsBased on the year the film took place, 1 minute would not be nearly long enough to trace Curt's call. Back when the movie was set, it would've taken 10-20 minutes for several switchboards and circuits to locate the origin of the call.
- Quotes
Jill Johnson: [thinking it's Curt again] Leave me alone!
Sgt. Sacker: Jill, this is Sergeant Sacker. Listen to me. We've traced the call... it's coming from inside the house. Now a squad car's coming over there right now, just get out of that house!
- Crazy creditsEven though Columbia Pictures distributed this film, the Columbia Pictures logo does not appear.
- SoundtracksSpace Race
Performed by Billy Preston
Written by Billy Preston (uncredited)
Engineer Thomas Vicari (uncredited)
Producer Billy Preston (uncredited)
Courtesy of A&M Records
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Details
- Release date
- Country of origin
- Language
- Also known as
- Cuando llama un extraño
- Filming locations
- Old Bunker Hill Steps - W 5th St., Los Angeles, California, USA(route to Tracy's apartment - since removed)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $21,411,158
- Gross worldwide
- $21,411,158
- Runtime
- 1h 37m(97 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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