Hammer House of Horror

1000 words are not enough to review this entire series but I'll try my best. These are 13 one-hour stories with the usual horrific ending. Standard fare? No. Quality actors, great direction and superb scripts make a great series of stories that are long gone but definitely not forgotten. 25 years have passed since the original airing and upon review, they're still great! Madness, revenge, greed, jealousy and the occult are just some of the subjects covered by these stories. The effects are dated, the actors look unfashionable and the locations look dated but that isn't unexpected. This is the third decade since then and life moves on. You may recognise familiar faces from Peter Cushing (Famous Hammer Actor: From Beyond the Grave, Asylum, Top Secret) to Lucy Gutteridge (Top Secret, Secret Garden) and Denholm Elliott (Trading Places).

If you love British horror, made during the 'golden era' of British television, get the DVD and start watching!

Could you believe that after so long, the Hammer Company could come back and release a show that had as much quality content as the original Twilight Zone? For those who have not seen this, the closest that I can come to describing this gems is to compare to the 1 hour episodes that Rod Serling put out. Even that doesn't do them justice.

There are thirteen episodes in all. The cover lists Peter Cushing, Denholm Eliot, and Pierce Brosnan, but there are stand-out performances by many more in each episode. Jon Finch (Hitchcock's Frenzy) starts off as director editing his film at home when a fierce storm draws near... From the first minute of the first episode, it is apparent that this series was something special. Good direction, tight casting, and fast paced stories are the norm. This is not to say that all will interest, and some have common themes to other episodes, but all are enjoyable. Picture a standard film, and cut out a half an hour of the excess, and you've got these.

Certainly worth the investment, these episodes can be collected in one box set, which is quite well done by A+E. Werewolves, demons, witches, voodoo dolls, and for good measure a demented Nazi can all be found within. Horror fans, and those who miss good television, should take a look at Hammer. I assure you, you will not be disappointed.

You could argue that by 1980 Hammer's best years were well and truly in the past, but they had one final hurrah with this series, thirteen episodes of witches, demons, werewolves and possessed children.

It's Hammer, so expect to see blood, gore, nudity and of course Peter Cushing. There are actually several very macabre moments to enjoy.

If you're a fan of the Hammer films, or shows like Thriller, Armchair Thriller and Tales of the Unexpectedly, then this show will definitely appeal to you.

It's a generally very well produced series, it certainly looks good, there are some great props and make up, and some of the camera angles are hugely imaginative.

My only gripe with this show, is that it ran for just one series, overall it's an excellent series, but with so many highlights in the series, surely it had a lot of mileage left.

Everyone seems to remember one scene in particular, the party scene from The House that dripped blood, it's certainly a memorable moment.

There are plenty of great episodes, The Silent Scream is a definite fan favourite, and a personal favourite, but the likes of Charlie Boy and The Thirteenth reunion are very good also.

I wouldn't say any episodes are out and out clunkers, but I would say that Visitor from The Grave and Growing Pains are some of the less successful offerings.

Expect to see some incredibly well known faces, look out for Denholm Elliott, Anthony Valentine, Patricia Quinn, Brian Cox and many more.

8/10.

I have read the other reviews and pretty much agree with the comments, be they negative or positive. But what you have to appreciate, is that for some of us, these superb, very British mini horror films are a huge nostalgia trip. Like one of the other reviewers, I first saw these at a tender age (I must have been about 8) and they have really stuck with me into middle age! I still see a Werewolf at my window every time I pull the curtains in the dark! (Children Of The Full Moon) I still imagine that on the other side of my bedroom door stands the guy that was previously shot and buried in the woods! (A Visitor From The Grave) When driving at night, I still see glimpses of the sinister figure in the yellow mac! (The Two Faces Of Evil). I used to somehow manage to watch them each week without my parents realising quite how scary they would have been! So, back to the perspective of today. The 13 films are defiantly a mixed bag, most are hits but there are a few misses. They are all still worth your time though. I would rate them in the following order, (1. being my favourite.) 1. The House That Bled To Death 2. The Two Faces Of Evil 3. Children Of The Full Moon 4. Charlie Boy 5. The Silent Scream 6. The Mark Of Satan 7. Rude Awakening 8. A Visitor From The Grave 9. Guardian Of The Abyss 10. The Thirteenth Reunion 11. Growing Pains 12. Witching Time 13. The Carpathian Eagle To be honest apart from the last 3, they are all really good and there's not much between them. Yes, they do look dated now, but there are some great stories in there and some great performances from the likes of Peter Cushing, Denholm Elliot, Diana Dors, Christopher Cazenove and Simon MacCorkindale, plus a pretty ropey one by Pierce Brosnan! Despite being 40 years old now these films are still very effective at building a sense of dread and un ease in what start off as normal everyday situations. I think this is where they work, taking the everyday and spiralling into your worst nightmare! If you are into splatter fest's and torture, then these films are not for you. But, if you like your horror a bit more subtle, with solid tales that stay in your sub conscience for life and lurk in your nightmares (as all the best horror should), then you wont be disappointed!

Hammer House Of Horror, with its Spinal Tap's 'Stonehenge' soundalike theme tune, casts of soon-to-be-famous actors and commendably nasty flair for nihilism and genuine nastiness slithered onto British television (on Saturday nights, too!) in 1980 and carved indelible scars in the collective subconscious of an entire generation. Sure, not all the episodes were up to the same standard, but the ones that worked - well, they were classics.

THE HOUSE THAT BLED TO DEATH is one of the most memorable episodes, and rightly so. I think this would have made a decent feature-length film. An apparently unsuspecting family moves into a house with a grim recent past and quickly realize that all is not as it should be. A series of horrible incidents (animal lovers should not even consider watching this episode) culminate in the notorious blood-soaked birthday party and the family moves away, but even that isn't the end of their problems. This episode has one of the most shocking and disturbing final scenes of the whole series and would make a nice companion piece to Romano Scavolini's NIGHTMARE (1981), released the following year. SILENT SCREAM is another excellent series entry, with Peter Cushing at his creepy best as a seemingly innocuous pet shop owner who turns out to be a former concentration camp guard with a penchant for unpleasant experiments involving "prisons without walls". The finale is extremely creepy and haunted my dreams for a long time when I was a child. THE TWO FACES OF EVIL goes all out to disturb, with creepy electronic music, claustrophobic camera angles, dopplegangers, nausea-inducing shocks and another troubling ending. It's the closest the series comes to straight horror for its own sake, and should NOT be watched alone!

After the excellent opening salvo of three brilliant episodes, the rest of the series can seem like a disappointment, but CHARLIE BOY, WITCHING HOUR, GROWING PAINS, THE MARK OF Satan and VISITOR FROM THE GRAVE are all fine stories (the latter boasting a completely wacko final scene that will have you muttering "what the hell was THAT?!"), RUDE AWAKENING is as bizarre as anything the late Dennis Potter ever came up with, THE CARPATHIAN EAGLE boasts the gorgeous Suzanne Danielle, THE THIRTEENTH REUNION is well-acted and macabre if a little predictable, and the remaining few episodes don't quite come off. Nonetheless, it's a pleasingly varied series that's consistently entertaining, and a reminder of a time when television treated adults like adults and had yet to dumb down to the levels of dreck like Freddy's Nightmares.