Aakrosh

As they say that the emotions cannot be completely described in words so is this movie, which is a string of well directed and engrossly acted cinematic shots, describing the atrocities poor and weak faced/s in an illiterate feudalistic society such as ours.

Govind Nihalani and Vijay Tendulkar sirs..hats off to both of you!! Not just for marvelous direction but also for courage that you had shown for writing and showcasing the truth.

Om Puri...what an actor he was. One of the few well deserved filmfare award for a supporting role, ever. He didn't need to say even a word throughout the movie and still his dilemma and pain reaches the viewer effectively.

Naseer sir looks his part and very graciously played his role in the movie, which I otherwise will like to remember for its realistic depiction of rural India and perfect exposure of various characters.

Heartbroken but cherished every moment of Govind sir's filmmaking.

Must watch for truth seekers..not for idiots.

Now, that summary above would seem like a hyperbole, but in the case of Aakrosh, it isn't. Simply telling the story of an untouchable family whose sole breadwinner gets entangled into a legal case after his wife is murdered and the police say he has done it.

What follows is a series of depiction of human nature on how evil meets good & tries to suppress the truth. With a climax so scintillating and adverse, the whole film revolves around how Naseeruddin Shah tries to save Om Puri's back from the gallows. Both are equally phenomenal diving into their characters just like Amrish Puri is strict in his air. What a terrific way of conveying a message with a screenplay so fine, dialogs so sharp & writing so bold, Aakrosh is definitely Indian cinema's pride. Smitha Patil, Reema Lagoo & others have a short roles, but marvelous portrayals.

BOTTOM LINE: Recommended to people who care for Indian cinema. Maybe the best film of 1980.

Can be watched with a typical Indian family? NO

Sex/Foreplay: Mild <> Violence/Gore: Strong <> Drugs/Alcohol: Very Mild <> Smoking: Strong <> Nudity: No <> Porn/Mouth-Kiss: No

You can write a thesis on this movie but less said is more. What I liked the most is the story, screenplay and characterization because Smita Patil, being in only one scene of a 2+ hours long movie, overshadowed stellar performances by Late Om Puri and Naseeruddin Shah. I am speechless about Om Puri as he was in this movie. The movie left me wondering why today's film makers and STARS, shout so much so, about their products?

A classic movie directed by Govind Nihalani. Tremendous performances from Nasir, Om puri and all others in the film. A must watch movie for the classes and if possible for the masses to. A movie that depicts the true and the harsh face of the rural world.

This is one of the best movies ever made in India. It is unfortunate that the world associates films in India exclusively with bollywood (atleast post-Ray), and so, films like Aakrosh do not get their due. The film pits the idealism of a young lawyer, Bhaskar (Naseer), who is the public defendent for a tribal man, Lahanya (Om Puri), against the inhumanity of the very milieu he has grown up in and is a part of, and which exploits tribals off their labor, life, and dignity with abandon. Especially poignant is Bhaskar's relationship with his mentor (Amrish Puri) who is the public prosecutor in this case. The two share an extremely cordial relationship in personal life but are gulfs apart when it comes to their work and professional ideals.

But probably most important point of the movie is what social theorist Gayatri Spivak asked some years later (in the context of women though)-- 'can the subaltern speak?'. Aakrosh is a forceful reminder that in our capitalist and bureaucratic postcolonial set-up, they indeed cannot.

Nearly all performances in the film are brilliant. Naseer, as the idealist lawyer is completely immersed in his character, to the degree that one forgets that it is Naseer you see on the screen, so good is he as Bhaskar. Something, however, that cannot be said about any of the mainstream 'heroes' in Bollywood. The film, I think, is worth watching for Naseer's method acting alone. Om Puri is remarkable as a tribal man framed in the murder of his wife (Smita Patil in a brief appearance), who, as we discover in some painful shots, loves her a lot. The agony on his face is haunting. And Amreesh Puri is extremely effective as the public prosecutor. The best scenes for me, personally, were Naseer's incessant, and ineffective, pleas to Om Puri to speak up and his cross examination of the witnesses and monologues in court. If anyone needs a great exposition of method acting, then the song 'sans mein dard' is the place to start. Following Naseer's movements in it are extremely educative.