Coal Miner's Daughter

As one of the better cinematic bios, "Coal Miner's Daughter" deserves praise because it is such a topnotch production. Sissy Spacek gives a terrific performance in the rags-to-riches, true-life story of country music legend Loretta Lynn. Spacek does her own singing in the movie, as does Beverly D'Angelo in the role of Patsy Cline.

But this lavish, big budget film has more to offer than the great performances of these two actresses. Attention to detail in production design, costumes, and makeup, plus topnotch editing combine to rev up the film's technical quality. And I loved that soundtrack with all those great country/western songs, including especially "Honky Tonk Angels" by the wonderful Kitty Wells. All of these cinematic elements render a film that is as entertaining as it is factual.

Loretta Lynn's story originates in the South; it's a story rich in emotion and appreciation of simple home values like love, family, and perseverance. Local non-actors are brought into the film in bit parts, and that amplifies the authenticity of her surroundings, especially her Southern roots.

My only problem with this film is the plot structure. The first fifty minutes could have been condensed. In particular, that part of the film that deals with Loretta's love affair with Mooney (Tommy Lee Jones), his red jeep, and Loretta's dad was too long and drawn out.

But overall, "Coal Miner's Daughter" is amazing because it presents a true-life success story that was by no means inevitable. All kinds of things could have intervened along the way to stop Loretta's rise to the top. Her husband was a big help, but she also had talent, and she got some breaks at crucial times. Her journey from rural Kentucky poverty to Nashville mansion thus makes for a gripping story helped along by the nearly perfect performance of Sissy Spacek.

There is no doubt in my mind that this film is one of the best biopics brought to the screen. From beginning to end, you are so fully immersed in the life of Loretta Lynn, that you forget you are watching Sissy Spacek, who hands down deservedly won the Oscar and 1980 was an excellent year for the Academy awards with stiff competition.

From the opening sequences, you get sucked right in. The life of Appalachia and the struggles of Loretta growing up. The devotion of Doolittle, Tommy Lee Jones best role, to make Loretta the star that she should be is selfless, despite some tempestuous struggles.

Beverly D'Angelo, who is underrated and versatile, portrays Patsy Cline with such bravado, it just clicks with the cast and the credibility of the audience. The fact that both her and Spacek sang on their own just enhances the credibility of the film.

In summary, a must see for anyone who is a fan of Loretta Lynn and for how a biography should be filmed.

The reason this film works (arguably the greatest bio-pic ever produced) is that it is ABOUT Loretta Lynn's life, not about country music. From the opening shots of a young Loretta riding a mule to the mines with her brother, you know this will be a film about extraordinary characters. It is over an hour before we hear one song from Loretta Lynn; director Michael Apted and writer Thom Rickman spend time to develop Loretta, Doolittle and her family. When her father dies, the audience cries with Loretta because we know her family, her father, we understand where this girl came from and why it is such a unique transition from backwoods girl to international star.

It's been said that Ms. Lynn was named after movie star Loretta Young. When approached by executives to make a movie about her life (based on her best-selling autobiography), she was savvy enough to realize that a film would end up on television anyway, and opted to have film made. I can imagine (most likely to the chagrin of studio execs) that Apted fought to develop a script that showcased the characters over the music. The result is a film that EVERYONE enjoys. When the film was released in 1980, I remember people going who were definitely not country music fans, and I remember their raves after the movie.

America is about the Horatio Alger storyline: everyone can achieve greatness. This film highlights that dream. While it does fall into some cliche trappings once Loretta Lynn is a huge success (the on-the-road montage, the drugs, the nervous breakdown), there are such cliches because the pressure performers feel is one in the same. Overall, it ages beautifully because it captures a time when the American hills spawned such unique talent (Lynn's contemporaries are either showcased or mentioned to great effect).

Of special note: If Oscars could be given for past work, Beverly D'Angelo should be voted the "Best Supporting Actress" of 1980 for this film. Unfortunately, she was not even nominated. You will be hard-pressed to find such a complete performance in film. Similar in screen time and impact as Dame Judi Dench's performance in "Shakespeare In Love", D'Angelo gives a Master Class in screen acting for her portrayal of the late Patsy Cline. Most likely, this flash of brilliance is what inspired the film "Sweet Dreams", the bio-pic of Cline, a film that pales in comparison to "Coal Miner's Daughter."

This is Spacek's only Oscar win thus far out of six nominations. She's a national treasure and this performance is outstanding. However, you should see this film for all its elements, working to create an outstanding picture. Highly recommended.

I found that this film is divided into two parts. The part before Loretta Lynn's career as a country western singer and the part after she had become a singer. I'd have to say the first portion was better. However overall this is certainly a must see motion picture. Sissy Spacek, Tommy Lee Jones, Beverly D'Angelo and Levon Helm turn in performances that literally make the movie what it is.

The true-life story of Loretta Lynn (dominant Oscar-winner Sissy Spacek) from her youth where she married at the tender age of 13 all the way to country music stardom. Along for the ride is her husband (Tommy Lee Jones' first legitimate role), an amazingly complex individual who has anger management and jealousy issues. Beverly D'Angelo (in arguably her finest career performance) is also a solid scene-stealer playing doomed singer Patsy Cline. Spacek and D'Angelo actually did all the singing themselves and that just elevates an already high level of performances. The direction by Michael Apted is adequate and so is the Oscar-nominated adaptation, but the excellent work by the three leads makes "Coal Miner's Daughter" one of the finest pictures of the early-1980s. 4.5 out of 5 stars.