Cataclysm

I rented this film under the title of 'The Nightmare Never Ends'. On the surface this film appears to be pure amateur. The acting is quite horrendous on many occasions. The character of Weiss played Marc Lawrence is a Nazi hunter, who mumbles throughout the picture (that's until he's bumped off). Cameron Mitchell plays a detective who investigates Weiss's death. He starts to follow a rich playboy, played eerily by Richard Bristol. He begins to suspect that Olivier is responsible. Another subplot involves Charles Moll who plays a professor. He writes a book called 'God is Dead', which starts a controversy. Rich playboy, Olivier, approaches him. Bristol is basically the devil's representative on earth. A crazy monk approaches Moll's wife, played by Faith Clift (who could not act if her life depended on it). He warns her that her husband is being seduced by satan. People start dying left and right as they attempt to stop Olivier and his minions. Even though the film suffers from poor dubbing, synching (it feels like you're watching an old Hong Kong Kung Fu flick), the film has a sense of dread from beginning to end that grabbed me. It doesn't have a happy ending. And that's the way I like it.

This film has good intentions. There is something lacking, but I't hard to put one's finger on it. This tells the tale of a Satanic figure who passes through time by recreating himself. An Nobel author, played by Richard Moll, Bull from "Night Court" of all people, has written a kind of Scientology book about God being dead. It has received much attention and he becomes of interest to the Satanic figure. The movie starts out with a Nazi hunter engaging the police to help him capture the man who was responsible for the deaths of his family members during the Holocaust. The thing that is always in the way is that if Satan is so powerful, why does he need to do much of anything. If there are people who threaten him (which they obviously can't), why doesn't he just kill them outright. I know he is searching for souls and all that, but his invulnerability makes him relatively uninteresting in this film. He does some things that don't make much sense in the world of the film. The ending is kind of fun, I guess.

An aging Jewish man calls upon a detective to investigate the mystery of an unscrupulous Dorian Gray-style scoundrel who, despite his youthful appearance, may be a notorious Nazi war criminal.

In addressing this film, I must begin by saying that it will not be well received by most viewers. If, however, you possess a willingness to extend impunity to poverty-row cinema, then you might find a blink or two of mildly amusing frippery in this dicey little three-dollar-bill.

That this flick was committed to cheap, ashen filmstock is an immediate indicator that this was an empty-pockets production. Quite simply stated, there's a discernable messiness to the entire mechanical wheel of the film, yet it does manages to catalyze a shadowy, spectral veneer, and inject a few moments of trashy David Lynchian surrealism.

A page ripped straight from the manual on how to quash a perfectly good prospect. 4/10.

First off, don't watch this film alone! Don't make the same mistake I did, and be sure to watch "Cataclysm" in the company of at least one good buddy, or preferably a whole group of friends. Not because the film is so petrifying, obviously, but for the complete opposite reason. "Cataclysm" is so dumb, so incoherent and generally "so-bad-it's-good", that it'll make guaranteed entertainment for a bunch of like-minded horror lovers! All the necessary ingredients are there, trust me: horribly bad acting performances, totally absurd storylines and plot twists, cheesy early 80s make-up effects, a washed-up Cameron Mitchell, nonsensical dialogues ("I've been staring at these walls so much that I begin to see swastikas in my oatmeal"), Nazi-orgy flashbacks, wooden disco-dancing moves, and the reincarnation of Satan himself in the shape of an Udo Kier look-alike with a very gay haircut. I had seen bits and pieces of "Cataclysm" before, as they got edited into "Night Train to Terror" for some reason, but the full-length version is definitely worth seeking out. Oh, and it's available on YouTube! What are you waiting for? WhatsApp your friends!

"The investigation into the mysterious death of an aging Nazi war criminal hunter brings a surprising revelation to the cop working on the case. It appears the old man was actually following an individual with ties to the Nazis, who seems to have not aged in appearance in spite of the passage of over 30 (sic) years. The policeman and some other individuals decide to track down the mysterious individual to find out his horrifying secret," according to the DVD sleeve's synopsis.

The appropriately named Faith Clift (as Dr. Claire Hansen) and atheist writer husband Richard "Charles" Moll (as James Hanson) go to sinful Las Vegas to see the shows and promote Mr. Moll's book "God Is Dead". Ms. Clift is troubled by nightmarish dreams about Nazis. Meanwhile, Marc Lawrence (as Abraham Weiss), a blathering Jew, has traced Nazi war criminal Robert Bristol (as Mr. Olivier) to Vegas; and, he reports the finding to police lieutenant Cameron Mitchell (as Sterne). At first, Mr. Mitchell won't believe old Mr. Lawrence, because young Mr. Bristol hasn't aged in 35 years.

"Cataclysm" (aka "Satan's Supper" aka "The Nightmare Never Ends") is a classic "so-bad-it's-good" film. Although others try, nobody in the cast can best Clift's supremely awful performance; her effort is astonishing. Also, watch Mitchell ("High Chaparral") defeat Moll ("Night Court") for best artificial hair. Bristol is delightfully devilish; it's too bad he, Maurice Grandmaison (as Papini), Klint Stevenson (as Jim), and Christie Wagner (as Ann) have so few screen credits; their characterizations are perfect.

Films like this hardly ever have good endings; admittedly, it's truly difficult to appropriately end a story as bad as this one -- but writer Philip Yordan and company come up with a real winner; it may make you want to click your heels… or hooves, as the case may be. See it with an open heart, or liver