The Changeling

"The Changeling" tells the story of a composer (George C. Scott) who, as the film opens, loses his wife and daughter in a tragic accident. Getting away from it all, Scott buys an old home to get his mind right and to get back to doing the work he loves. Soon he discovers that his house is haunted and filled with secrets waiting to be revealed. To say much more then that would be unfair to the first time viewer.

Suffice to say this is a chilling film with several good scares that aren't achieved by manipulating the audience. By that I mean loud chords of music on the soundtrack or the unexpected cry of a cat or something like that. "The Changeling" works for its scares and succeeds. Another big reason the film is so well done is the performance by Scott. For a change the hero in a ghost story is not a wimp but a strong, self assured man who is going to fight to the bitter end to find the truth and get his life back. Very few actors could have pulled it off better then Scott.

The supporting cast is headed by Melvyn Douglas (in one of his last roles) and Scott's wife, Trish Van Devere who projects a look of total terror as well as anyone I have seen.

Two moments that stand out are the séance scene which is eerie and the unexpected arrival of a child's toy ball. This film will give you shivers. If you are a fan check it out and make sure to watch it with a loved one cuddling up against you with all the lights turned out.

Talk about FUN...this one is FUN.

I'm with the people who say this is one of the most frightening haunted house movies ever. For me, it really is, and it's influenced many movies that came after it, including "The Others."

Like Robert Wise's "The Haunting," this film's ethereal manifestations are largely auditory: unidentifiable, rhythmic booming sounds coming from deep within the house, etc.; and in this case there is an amazing stereo mix that exploits 3D effects and pulls you into the scenes. It sounds great. I wish "The Haunting" (the real one, not that other thing) had such a mix!

George C. Scott is amazing as a composer who absolutely refuses to be frightened by the weird phenomena, ever. Watch his face throughout the proceedings--this character is a tough cookie, but most people who watch this one don't fare so well. Well worth a rent or a buy.

The first time I saw this film, I was about four years old. I'm not sure if I have slept right since, I am now twenty four and it still haunts me.

The tale of a lonely musician, who loses his wife and daughter in a terrible accident, and then decides to rent an old mansion in the pacific norhtwest, only to find the house has a history of it's own. The film is paced well, set perfectly, and reveals a darker side of the bourgeouis than most are willing to explore. A masterpiece.

In this sadly forgotten horror film, George C. Scott plays a music composer who has just moved to Oregon to escape the painful memories of his wife and daughter who were killed in a car crash. He rents an old and secluded mansion from the historical society as a place to live. Soon after he moves into the house, strange occurrences begin.

This is one of those horror movies that can be scary without being bloody and gory. It simply relies on atmosphere and frightening, but subtle images to deliver its chills, and it works. I will never be able to understand that "R" rating mainly because there is only very mild profanity and there is no blood or gore. Anyway, I would recommend this film to anyone who enjoys a good scary ghost story. 8/10.

I recently bought The Changeling on DVD because I first saw it when I was much younger at around 3 in the morning. I was flipping channels when I found this movie just starting. The first 5 minutes sucked me in and I watched the whole thing. I found the movie to be pretty good and quite freaky as well. Based on that memory I decided to take the plunge again and I was not disappointed. The Changeling displays a quality of movie making that is sadly becoming rare. George C. Scott delivers a fiery performance as usual as Jack Russell, our tormented protagonist. The sets are moody and perfectly fit the tone and atmosphere of the story. This film manages to be spooky without descending into camp, and suspenseful without overdoing it. The supporting cast brings up the rear with fine performances all around, and the music contributes to rather than distracts from the film. Bottom Line: If you're looking for a obscure old movie to curl up and watch with your significant other with the lights out, then you can't do much better than this.