In this horror movie, a dutiful grand-daughter goes home to take care of her elderly grandmother. Once there, she finds herself trapped inside the house with a homicidal maniac.In this horror movie, a dutiful grand-daughter goes home to take care of her elderly grandmother. Once there, she finds herself trapped inside the house with a homicidal maniac.In this horror movie, a dutiful grand-daughter goes home to take care of her elderly grandmother. Once there, she finds herself trapped inside the house with a homicidal maniac.
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Not quite as good a low budget effort as Mr Brownrigg's earlier, 'Don't look In The Basement' but still well worth catching. This starts rather slow and predictably but soon develops into a real creepy affair with an excellent central performance from Susan Bracken as she spends the entire movie fending off the crazies. Whilst she may not be surrounded by folks quite as crazy as in the earlier film none of them are the sort you would wish to get too close to and as the film progresses a most unpleasant tone begins to permeate the picture. Bracken does plenty of wide eyed screaming, particularly as she really begins to lose it towards the end and with her red outfit and the dark shadows and is certainly a sight to be seen.
The film is worth watching for the extremely unsettling phone calls the protagonist gets while in her grandmothers big house alone... That and a general creepy mood and giallo like filming makes this a nice old horror. There's some killing but it's not over the top.
Acting is also .. not bad actually, the girl is headstrong and the judge has a menacing persona fitting the film, the museum curators face has a plasticity that makes his real emotions eerily unpredictable, well done sir
Plot vise this dosent make much sense but I can't say much without spoiling things, I don't think that matters as much as you might think though, crazy people dont act rationally do they.
Acting is also .. not bad actually, the girl is headstrong and the judge has a menacing persona fitting the film, the museum curators face has a plasticity that makes his real emotions eerily unpredictable, well done sir
Plot vise this dosent make much sense but I can't say much without spoiling things, I don't think that matters as much as you might think though, crazy people dont act rationally do they.
An eerie low budget shocker that features a lot of the horror/thriller standbys such as creepy phone calls, a young woman returning to a scary childhood home, and lots of frightening mannequins. Performances are stagey and pitched a little too high but it all adds to the charm.
A young woman reluctantly returns to her home town to oversee her dying grandmother's final days. While staying in the house where she witnessed her mumsy's murder thirteen years earlier, she finds more than a few secrets from her past have come back to haunt her. I appreciate that this movie has such strange execution. It's structure is very different from the typical low-budget horrors of this era, completely eschewing things like mystery (the killer's identity is obvious from the get-go) and resolution. Plot-wise, it borrows from proto-slashers BLACK Christmas and SILENT NIGHT, DEADLY NIGHT. While it's lesser than both of those films in terms of quality, I did find it undeniably charming, entertaining, and even creepy at times. While the acting in the movie is generally amateur, Susan Bracken is a hoot as the spunky lead who gets to spout some amusing dialogue. She quickly flips the switch from headstrong heroine to full-on basket case and there's not a moment she's on screen where my eyes weren't on her face. It's one of the most memorable horror performances I've watched lately. The movie's biggest downfall is the irritating soap opera-ish theme song in the opening credits that pops up way too often throughout the movie. The freaky dolls in the opening sequence (who also pop up at other points in the movie) sort of make up for it. DON'T OPEN THE DOOR doesn't make much sense and it isn't going to be for everyone, but I found it to be a bizarre and unique viewing experience.
In Director S.F. Brownrigg's DON'T HANG UP, Amanda Post (Susan Bracken) returns to her ailing grandmother's house, 13 years after her mother was murdered there. Amanda finds her grandmother near death, and a group of unsavory townsfolk seemingly up to no good.
It's not long before she starts receiving some disturbing phone calls, while someone lurks about the place, watching her through cracks and holes in the walls. Murder abounds as the killer's identity and motives are slowly revealed.
While not the best horror movie ever made, it's enjoyable enough, and has an unusual / unexpected twist at the end. It's also fun to watch for actors from other Brownrigg movies, such as DON'T LOOK IN THE BASEMENT...
It's not long before she starts receiving some disturbing phone calls, while someone lurks about the place, watching her through cracks and holes in the walls. Murder abounds as the killer's identity and motives are slowly revealed.
While not the best horror movie ever made, it's enjoyable enough, and has an unusual / unexpected twist at the end. It's also fun to watch for actors from other Brownrigg movies, such as DON'T LOOK IN THE BASEMENT...
Did you know
- GoofsThe shot of the man's lifeless face is actually Amanda Post's doctor boyfriend, Nick, dead on the ground floor - not Judge Stemple upstairs.
- ConnectionsFeatured in Dusk to Dawn Drive-in Trash-o-Rama Show Vol. 5 (1998)
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