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5.6/10
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A young man poses as "the Whip King" and collects the reward for a bandit he has seen killed by a famous bounty hunter. He must now learn Kung Fu if he is to live up to this new persona and ... Read allA young man poses as "the Whip King" and collects the reward for a bandit he has seen killed by a famous bounty hunter. He must now learn Kung Fu if he is to live up to this new persona and conquer the enemies he has inherited.A young man poses as "the Whip King" and collects the reward for a bandit he has seen killed by a famous bounty hunter. He must now learn Kung Fu if he is to live up to this new persona and conquer the enemies he has inherited.
Jackie Chan
- Jiang
- (as Jacky Chan)
Kang Chin
- Thousand-Faces
- (as Kong Kam)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Half A Loaf Of Kung Fu really is an early glimpse at the kung fu comedies that would make JC famous. You can really see that Jackie had influence over this production in both fight choreography and overall tone of the film. The opening sequences is really a highlight of this film and the choreography is solid in the fight scenes. Overall a very enjoyable film and a must for JC fans.
7 Tiny Wooden Dummies out of 10
7 Tiny Wooden Dummies out of 10
Jackie is finally given creative control under the constraints of Lo Wei and here's the result: an early key to the new direction which sees Chan clowning about in his own distinct fashion, less Bruce Lee and more Charlie Chaplin, ridiculing the stifling pictures that were forced onto him at the same time as sending up the genre as a whole. Straight from the slapstick titles we know what we're in for; Chan perfecting his underdog happy-go-lucky character that would later make him such a huge star. Yet like all beginnings, HALOKF isn't a polished piece, certainly dragging in places with the Lo Wei influence still clearly evident (namely in the souped-up story concerning the transportation of sacred treasures the Evergreen Jade and the Soul Pill, much in demand by nasty bandits). Lo Wei's reaction was open detest resulting in the picture being shelved, only to be given a successful theatrical release after Chan had finally re-defined the kung fu movie.
believe it or not, this was my first chan experiance. i was delighted at how they mixed humor and action. but 15 years later, i rewatched it, only to find it wasnt nearly as good as his newer(or older) films. i would like to take these last few lines to say that Jackie Chan is the man and no one could ever be as good as he is. thank you, and good night.
The film starts off well enough with the spoofy opening titles, where Chan adopts a number of famous roles – such as Zatoichi – and mercilessly takes the mick with them. From there on, it's pretty much typical comedy kung-fu nonsense for an hour; most of it tests the patience, but some of it is funny. This is certainly a fast paced movie with numerous characters; Chan is a kid who ends up impersonating the Whip Hero, then there are lots of different groups of bad guys who end up getting involved with him. There's an odious beggar, an evil witch, and guys with moustaches and long hair which usually turns out to be fake. Add in some kick-ass femme fatales and an old DRUNKEN MASTER style teacher with some killer moves, and you have a generic but fun outing.
The film definitely improves in the final half hour, in which a cargo of treasure is ambushed by all the bandits at once. Non-stop kung fu takes place until the very end of the film, with decent fighting and comedy in between to make it more entertaining – like Chan trying to learn new moves whilst being beaten pretty bad. The film has a weird sense of humour, no doubting that; there's a dream where Chan turns into Popeye (yep, the music is here again) and he does stuff like throw eggs at the bad guys to repel them. The ending is pretty violent with broken arms and necks. The varied characters and their mannerisms always entertain. The dubbing is the same as that in most of Chan's films from this era, annoying but sometimes funny with it. Nothing special, but pretty good for one of Jackie's '70s movies.
The film definitely improves in the final half hour, in which a cargo of treasure is ambushed by all the bandits at once. Non-stop kung fu takes place until the very end of the film, with decent fighting and comedy in between to make it more entertaining – like Chan trying to learn new moves whilst being beaten pretty bad. The film has a weird sense of humour, no doubting that; there's a dream where Chan turns into Popeye (yep, the music is here again) and he does stuff like throw eggs at the bad guys to repel them. The ending is pretty violent with broken arms and necks. The varied characters and their mannerisms always entertain. The dubbing is the same as that in most of Chan's films from this era, annoying but sometimes funny with it. Nothing special, but pretty good for one of Jackie's '70s movies.
I've said it before, I'll say it again: I think Jackie Chan's pre-Drunken Master movies are pure gold. Not for the same reasons that make'Drunken Master' and following movies gold, but gold nonetheless. 'Half a Loaf of Kung Fu' is rather gold. I swear, the more the 70s kung-fu movies I watch, the easier it becomes to watch them, and the more I like them and wish to seek out more. Now there's a scary thought...
I missed the name of Chan's character here. In fact, I missed most, if not all, of the character's names in this movie. Actually, I missed most of the plot too. Actually... Plot? What plot? I still can't figure out what this was actually about, and there no identifiable threads running in the plot other than the evil-witch and the treasure she wants to steal.
'Half a Loaf of Kung Fu' is very funny movie, and I'm sure Chan was trying to spoof kung-fu films. It probably would have worked had other kung-fu movies of the time not been sillier that 'Half a Loaf...' in the first place. The fight scenes are credible enough to maintain interest when the plot-apparent lags. 'Half a Loaf...' does drag on a bit at times, especially when it just gets to ridiculous. It probably could have been shorter, and much more entertaining for it.
It isn't the best of 70s kung-fu movies, but it is by no means the worst. Jackie Chan fans might get a kick out of this, as would others looking for something to laugh at - 6/10
I missed the name of Chan's character here. In fact, I missed most, if not all, of the character's names in this movie. Actually, I missed most of the plot too. Actually... Plot? What plot? I still can't figure out what this was actually about, and there no identifiable threads running in the plot other than the evil-witch and the treasure she wants to steal.
'Half a Loaf of Kung Fu' is very funny movie, and I'm sure Chan was trying to spoof kung-fu films. It probably would have worked had other kung-fu movies of the time not been sillier that 'Half a Loaf...' in the first place. The fight scenes are credible enough to maintain interest when the plot-apparent lags. 'Half a Loaf...' does drag on a bit at times, especially when it just gets to ridiculous. It probably could have been shorter, and much more entertaining for it.
It isn't the best of 70s kung-fu movies, but it is by no means the worst. Jackie Chan fans might get a kick out of this, as would others looking for something to laugh at - 6/10
Did you know
- TriviaConsidered one of the earliest Kung Fu "spoof" movies.
- Alternate versionsUK video version is cut by 3m 7s. In 2002 all previous cuts were waived by the BBFC.
- ConnectionsReferenced in Adjust Your Tracking (2013)
- SoundtracksThe Coach Robbery
Written by John Addison
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