IMDb RATING
7.6/10
752
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A mysterious stranger appears at door of a farmhouse on a stormy night and asks for shelter.A mysterious stranger appears at door of a farmhouse on a stormy night and asks for shelter.A mysterious stranger appears at door of a farmhouse on a stormy night and asks for shelter.
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This film is basically a remake of the famous american western "Shane" (1953) but for some mysterious reasons all connections between these tho films are ignored or hushed up.
Both films feature a stranger in a rural "western" setting who ends up at a families house and starts to bond with them (especially the son) and working for them while trying to protect his secret.
Now this is far worse than the original as is almost always the case when "remaking" something that was already great.
There are barely any (beautiful) shots of the nature or the countryside in this film. The son is raised by a very argumentative, b*tchy single-mom, so the original main motif of male friendship and brotherhood between the stranger and the father are non-existent.
Having a really uncharismatic woman as a mc in a film that tries to copy american western movies is definitely such a great decision that I must draw my head.
If you don't believe me, just watch Shane by the love of god and you'll see.
Both films feature a stranger in a rural "western" setting who ends up at a families house and starts to bond with them (especially the son) and working for them while trying to protect his secret.
Now this is far worse than the original as is almost always the case when "remaking" something that was already great.
There are barely any (beautiful) shots of the nature or the countryside in this film. The son is raised by a very argumentative, b*tchy single-mom, so the original main motif of male friendship and brotherhood between the stranger and the father are non-existent.
Having a really uncharismatic woman as a mc in a film that tries to copy american western movies is definitely such a great decision that I must draw my head.
If you don't believe me, just watch Shane by the love of god and you'll see.
I have first seen this movie in the 80s. I was only a child and the movie was on Romanian television, who at that time only transmitted in black & white. Funny how I still remembered the opening scene with the stranger arriving at an isolated farm during a storm. I found the movie now almost by chance. I heard that Ken Takakura died last year and I was very sad to hear it, I always liked his stoic acting. I searched IMDb for his movies and found this one among others. I love the movie. I have seen others with better plot, better directing, maybe better actors ... maybe. But there is something so authentic, so simple and yet so deep about this movie that I just love it. By the way, the last scene is incredible. One of the all-time classics, in my opinion. If you can get the movie don't miss it.
The very slow pace challenged me (as sometimes happens when I'm not in the ideal mood for a slower film), but it's subtle in a way that largely works, has beautiful visuals, and Chieko Baisho is as good as always.
I can see why her and Yoji Yamada collaborated dozens of times over so many decades, because her acting and his direction always seems to work so well together.
It's also always fun to see Kiyoshi Atsumi show up in a more serious Yamada film and bring a small amount of levity to a scene or two. As is the case with Yoji Yamada, A Distant Cry from Spring is worth watching because it's by the filmmaker alone; his stuff is always worthwhile.
I can see why her and Yoji Yamada collaborated dozens of times over so many decades, because her acting and his direction always seems to work so well together.
It's also always fun to see Kiyoshi Atsumi show up in a more serious Yamada film and bring a small amount of levity to a scene or two. As is the case with Yoji Yamada, A Distant Cry from Spring is worth watching because it's by the filmmaker alone; his stuff is always worthwhile.
This film has been a favorite of mine since I first saw it over 30 years ago. It is an ordinary love story told in such beautiful narrative. Both leads are excellent especially the female lead. I think she and Setsure Hara are the two actresses that best embodied the Japaneae women postwar.
Recently quite a few films by the great Yoji Yamada has been released on blu Rays, including yellow Hankerchief and a distant cry from the mountain. I also want. To recommend another film coscripted by Yamada, Castle of Sand, recently restored and released on blu ray. These films are so much different from the Hollywood blockbusters and offer some have satisfaction after each viewing. Remarkable.
Recently quite a few films by the great Yoji Yamada has been released on blu Rays, including yellow Hankerchief and a distant cry from the mountain. I also want. To recommend another film coscripted by Yamada, Castle of Sand, recently restored and released on blu ray. These films are so much different from the Hollywood blockbusters and offer some have satisfaction after each viewing. Remarkable.
This is my favorite of the films I've seen by director Yoji. Its a simple story, but its so well put together and the two leads, Ken Takakura and Chicko Baisho, both of whom have acted in Yoji films, give straightforward but heartfelt performances. Ms. Baisho's character is a widow with a young child running a farm in northern Japan. On a very rainy night Mr. Takskura's character appears, asking to spend the night. He stays on as a hired hand. The best thing is that there is not a cliché to be found in this film. As the hired hand came from parts unknown and does not appear to have anywhere to go, you wonder where he came from. You find out eventually, but I want you to see this film for the superb direction, story and acting. I really liked Mr. Yoji's "The Yellow Handkerchief" (which Mr. Takakura also gave a stellar performance), but I loved this film. Highly recommended.
Did you know
- TriviaPosthumously listed as one of Akira Kurosawa's 100 favorite films.
- ConnectionsReferences My Darling Clementine (1946)
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