The Long Good Friday

I am often a bit wary of British Gangster films I have to admit. Whilst I genuinely think people in this country often undervalue the wealth of film directing and acting talent we have produced I do often feel that in recent years "gritty" British films have almost hit self parody and are full of mockney clichés. However over the years there have been some truly brilliant British gangster films (this, get carter and sexy beast are my favourites) and as much as I worship Scorsese etc it is sometimes refreshing to watch something closer to home. This film is one of the best portrayals I have ever seen of a mans world falling apart around him. Bob Hoskins plays an old school East End Villain at the point where his long built up empire is collapsing and his stubborn refusal to accept this leads to ever more desperate and violent attempts to stem the inevitable which perfectly portrayed making this a must see for anybody who is a fan of gritty, powerful and sometimes violent gangster films.

There are so many things to appreciate in this movie. First and foremost, Bob Hoskins and Helen Mirren give outstanding performances as the First Couple of London's underworld. He, with the Cockney-made-good aspirations for status and the "class" he can never attain, epitomizes the hands-on manager overtaken by larger events. She, the cool-headed savvy- tough-and-sexy moll, is almost on top of things enough to redeem the situation but not quite. The key elements of the underworld ruling coalition-- dirty councilor and policeman, lieutenants of varying backgrounds both tough and educated-- make you believe in how this man has achieved peace through strength.

The film's plot is Byzantine whodunit, with gangland-style violence as an accent piece that seems downright tame in the age of "Pulp Fiction". The real hidden star, though, is late-70's London-- oh so run-down and yet full of the potential that drives Harold's ambitions. The views from boating on the Thames are unrecognizable to those who have only seen modern London--- the sole landmarks in common are Tower Bridge and the Savoy hotel. The towers of the City and modern Docklands are just a twinkle in dreamers' eyes.

Overall TLGF is a modern tragedy in the true land-of-Shakespeare tradition, somewhere between Macbeth and Hamlet and King Lear: ambition, betrayal, and the sweep of history interact richly without being heavy-handed in symbolism or over-artiness. This is a satisfying and complex film that invites re-viewing and reflection.

Having enjoyed Bob Hoskins in his Oscar nominated performance in Mona Lisa I was recommended this film by another film fanatic friend as one of Hoskins best.

I did enjoy it and was never bored, the pacing is just right and it never slows down or drags. Hoskins again is excellent as always as is Helen Mirren as his girlfriend.

My only complaint about the film is that parts of it get very confusing. I watched with subtitles to follow along and understand but parts of it do get very convoluted and at times you ask yourself what is going on?

If the plot had been a little less confusing I probably would have given this a 9 but the confusion leaves this a very good but marred film.

If you like the actors I do recommend it. Perhaps a second viewing will be necessary for the plot to make more sense.

It's the early 1980s, it's Good Friday, and Harold Shand is waiting to entertain some powerful American muscle. He hopes to get them to help fund his dockside development, but someone is murdering his men, and although Harold has a good idea who is responsible, he isn't quite prepared for the events that follow.

Plot wise, The Long Good Friday is a lesson in under taxing the audience, simplicity in structure and forgoing thunder in the name of telling a solid story. The Long Good Friday is a British gangster picture that owes more to the Paul Muni and Edward G Robinson pictures from the golden age than something like "The Godfather". Where the characters are men of the street, working class villains who literally could be living around the corner from us, their respective antics giving them a reputation as infamous stars to be feared - and grudgingly admired.

What many modern day film lovers may not be aware of is that "The Long Good Friday" had its release delayed, held back a year as Margaret Thatcher and her merry men frothed at the mouth due to the film's portrayal of the Irish Rebublican Army. This was at a time when the Irish troubles were reaching new and terrifying heights, and here in this film, the government sensed a fall out that could have sent wrong message shock waves across the British Isles. This is one of the chief reasons that lifts the pic high above many of its contemporaries, it may be a simple story, but it's not merely about two gangs striving for power on one manor!.

Barrie Keeffe's script positively bristles with a hard bastard edge, some of the set pieces play out as true Brirtish greats, once viewed they are not to be forgotten. Some of the dialogue has an air of timeless bravado about it, delivered with cockney brashness from Bob Hoskins' Harold Shand. Hoskins is on fire, seemingly revelling in the role and fusing menace with a genuine sense of earthiness, one moment Harold is the bloke you want to have a pint of beer with, the next he's one step from rage induced retribution. Helen Mirren is fabulous as Harold's wife, Victoria, loyal and unerringly calm in the face of the madness unfolding, while the supporting cast are also highly effective, with a cameo from Pierce Brosnan that is icy cold in making a point.

Perhaps now it feels like it's only of its time, and it may well be that it's only British viewers of a certain age that can readily embrace the all encompassing thread of gangland London at risk from insurgents? But I will be damned should I ever choose to love this film less with each passing year, for to me it only just stops shy of being a British masterpiece, bristling with realism at a troubled time, and cheesing off Margaret Thatcher in the process, hell it works for me, always. 9/10

What can I say? 2 hours of class! This is a film which pretty much tells it how it is. The gangster world is not glamour, it's not a world we should dream about being in.

This film is gritty and realistic, it's one of the best pictures ever to be released from the U.K.

Bob Hoskins is in terrific form here, so damn perfect. Helen Mirren is stunning, great actress and rather eye-catching!!!

Pierce Brosnan is hardly in the picture, he was unknown at the time. There are a few faces which you'll recognise, most of them appeared in famous British Television dramas!

The film setting is gritty and shows the real London underworld in the early Thatcher years.

The direction is confident as is the script, and by the end you'll realise that they had guts! The film score is wonderful, it's always in my head.

This film is class!