Contraband

Although no highlight of the Italian Crime genre, Lucio Fulci's "Luca Il Contrabbandiere" aka "Contraband" is a rough, tough-minded and ultra-violent Gangster flick that certainly delivers, especially for a Fulci fan. Lucio Fulci is widely renowned as the 'Godfather Of Gore', and "Contraband" is a movie that is certainly not going to deprive him of this well-deserved reputation. Although the plot may not be as original as it was the case with many other of the (generally violent) Italian Crime Thrillers of the 70s and early 80s, "Contraband" scores in means of roughness, intransigence and gruesome, gory violence.

Luca Di Angelo (Fabio Testi) and many of his friends make a living as cigarette smugglers in Naples. After their refusal to deal with drugs instead of cigarettes, ruthless drug dealers, amongst them a sadistic gangster from Marseille start to target the cigarette smugglers' families. Luca, however, is not the kind of man who gives in to threats...

Fabio Testi, who had already worked with Lucio Fulci in "Four Of The Apocalypse" in 1975 (aside Tomas Milian and Lynne Frederick), delivers a good leading performance as Luca, and Marcel Bozzuffi is wonderfully evil in his role of the villain. I also found several of the supporting actors, such as Guido Alberti (who only has a very small role) very good. Some other supporting cast members deliver rather bad performances. The violence is pretty brutal and includes several very nasty scenes of torture and sexual violence. There are some scenes that don't really fit in, such as some cheesy looking and kitschy slow-mo sequences of horses at a racecourse, and the music is sometimes out of place, but all in all, the movie's qualities come up for its flaws. "Contraband" is certainly no highlight of Italian crime cinema, but a brutal and uncompromising flick that highly entertains. Fans of Lucio Fulci and Crime thrillers of the rough kind should be pleased.

Lucio Fulci brings his unique brand of sadism to this okay entry into the Eurocrime genre. Fabio Testi stars as Luca Di Angelo, a cigarette smuggler / family man who does have some principles. His organization is now constantly being threatened by rival outfits who want to control the drug traffic in the area. Luca is ready for revenge when one of the first victims is his brother Mickey (Enrico Maisto), but the bad guys, led by the power hungry Marsigliese (Marcel Bozzuffi) up their game when they decide to kidnap Lucas' wife and son.

The script, credited to four people (including Fulci) is ultimately very routine. There's nothing special about any of the characters, even if they are entertainingly played. Testi, as always, is a rugged and studly "hero". The joy here lies in the fact that the movie is so utterly violent. A face is burned to a crisp with a torch, a throat is torn open, a head is shot apart, and bodies are continuously riddled with bullet holes.

Supporting Mr. Testi are Ivana Monti as Lucas' wife, Saverio Marconi as the cocky young mafia man Perlante, Fabrizio Jovine as a police chief, and Ajita Wilson as Luisa. The actors are fine, especially Mr. Bozzuffi as a thoroughly nasty and despicable villain.

The action set pieces are not spectacular, but they are fun, and Fulci gives this trashy story (complete with full frontal female nudity as well as gore) decent pacing and a visceral appeal.

Fans of Fulcis' bloody horror films from this period may also like this feature.

Look for Fulci near the end in a cameo as one of the gunmen.

Seven out of 10.

A really explicit , disagreeable and twisted thriller with lots of murders committed by heinous mobsters and their hoodlums . It delas with Luca Di Angelo (Fabio Testi) is the leader of a smuggling gang , one member of an organized team trafficking cigarettes and booze up and down the coast off Naples , Italy . After a run-in with the coast guards in which the smugglers get escaped by faking a boat explosion resulting in the police motorboats responding to the false emergency . Then , Luca and his brother Mickey (Enrico Maisto) believe the head of a rival gang of smugglers , Scherino (Ferdinand Murolo) is the mole who's informing to Police on their illegal activities. Lucia and Mickey tell their accusations to their boss Perlante (Saverio Marconi) a sleazy playboy who has his own agend and he agrees to look into it . After an intentional fire at Mickey's racing stables kills a valued racehorse , he and Luca drive over to inspect the damage . On the way, they are stopped at a fake police roadblock , as Luca gets away but his brother is murdered . Luca searches for a haven of safety , while his cronies seek revenge . Things go wrong when a number of fellow smugglers are murdered by a kingpin smuggler from France, known as the Marsigliese (Marcel Bozuffi of French Connection) with numerous Mafia connections , being assisted by his sadist henchman (Romano Puppo) , as he's determined to become the Italian main ringmaster by smuggling drug from Naples ,Italy , to other countries .

Average crime yarn lacks much excitement , filled with sleaziness and non-sense of style . A really brutal thriller with full of killings , sexual violence including rape , red herrings , grisly murders by means of slashing , machine-gun shooting to death , killings in cold blood executed by ominous sicarios , a women's face being burned off with a blow torch , loathsome and lots of blood and gore . A mysoginist gangster movie with plenty of nudism , sadistic frames , graphic violation , explicit scenes of violence and extremely violent style , no for squeamish . Stars the italian idol Fabio Testi who gives a so-so but passable acting as the idealistic family man and dockside worker who actually works for a shady underworld smuggler . He's well acoompanied by a long plethora of familiar faces of the Seventies and Eighties , who participated in all kinds of genres , Spaghetti Western , Peplum , Eurospy , softcore , Poliziesco , such as : Venantino Venantini , Ajita Wilson, Luciano Rossi, Guido Alberti , Romano Puppo , Nello Pazzafini , and brief appearance by Lucio Fulci himself as an Old Boss.

The motion picture was middlingly directed by Lucio Fulci , and being entertaining enough. Fulci was one of the most controversial filmmakers in terror genre , though frequently derided as sheer sensationalism and commerciality , scathing commentary on social themes and state , and at times giving voice to its director's passionate hatred of the Catholic Church . Here Lucio Fulci directs in his usual style filled with flaws , failures and gaps , but professionally made because being a nice artisan . Critics are divided over both the moral and talents of Fulci (1927-1996), who sometimes directed under the alias Louis Fuller . For some reviewers many of his flicks are extremely cruel , grim and savage , yet their gory surface often concealing social , religious , or provoking commentaries or other thoughful , intelligent issues . Nevertheless , most of them considering his works have undeniably provided a considerable influence on the terror genre , creating decent efforts on low-medium budget flicks . Standing out his and ¨A Lizard in a Woman's Skin¨ (1971) and ¨Don't Torture a Duckling¨(1972) deemed to be two of his best pictures . And in the adventure genre with two financially successful Jack London 'White Fang' adventure movies in 1973 and 1974 which were ¨Zanna Bianca¨, and ¨Il ritorno di Zanna Bianca¨. Also during the mid and late 1970s, Fulci directed two 'Spaghetti Westerns' : ¨Four of Apocalypse¨ (1975) and ¨Sella d'argento¨ or ¨Silver Saddle¨(1978), and another good 'giallo' ; ¨The Psychic¨ (1977) with Jennifer O'Neill , as well as a few sex-comedies which include the political spoof : ¨The Eroticist¨(1972) , and the vampire comedy ¨Young Dracula¨ (1975) , and this violent Mafia crime-drama ¨Luca the smuggler¨ (1979) . In 1979, Fulci's film making career successfully another high point with him, breaking into the international market with ¨Zombi 2¨ (1979), an in-name-only sequel to George A. Romero's Zombi : Night of the Living Dead (1978), which had been released in Italy as 'Zombi'. And his big hit ¨New York Ripper¨ , at the time rated as a video nasty , due to it and why the excessive extra violence was heavily cut or prohibited in a large number of countries . With this film established Fulci as a gore director par excellence . Over the next three years , Fulci plied his trade with finesse and flair-play , rivaling even the popularity of his "opponent" the great Dario Argento, with such sanguine classics as ¨City of the Living Dead¨ (1980) and ¨Beyond¨ (1981). These films, as well as the reviled "New York Ripper" (1982) are actually intelligently crafted , with thorny commentaries on everything from American life to religion. Later on , he went on his fall with lousy movies, but eventually Fulci at least found work in television . Rating : 5/10 . Average , only for Lucio Fulci completists .

Here's another one outside the horror genre for director Lucio Fulci. He crafts a brutally biting, if disjointed Italian crime melodrama that serves to make you squirm in it gratuitous acts of extremely depraved violence and sleaziness. Fulci definitely left his calling card on this one, with many unforgettably unflinching nasty moments (like an uncomfortable face-melting scene). The superfluous gore and mean-spirited nature is great, but a lack of any real tension-building does hurt it. The twisty story is frank and unspectacular even with its shifty chain of bleak events and the script is weakly penned (the unsuitable humour when included falling flat), but being broken up by its impulsively vivid action stunts (nice use of slow-motion too) and gorgeous Naples' backdrop, leaves quite a hypnotic imprint. Sergio Salvati's brashly sharp and tight camera-work, interlocks with Fulci's kinetic visual bursts and rounding it off nicely is composer Fabio Frizzi's ever-changing, saucy music score that doesn't lye down. Performances are workably tailored. There's a humanely chiselled and honest performance by Fabio Testi. Marcel Bozuffi makes for a great smarmy, calculating French Mafia Don trying to take over Testi's character's turf. Ivana Monti, Ferdinand Murolo, Saverio Marconi and Guido Alberti provide able support. Quite an edgy, blunt and vicious crime joint that basically gets it kicks off its effectively rousing, if scandalous violence than anything more.

Nasty French drug dealer, the Marsigliese (Marcel Bozzuffi), is trying to take control of the crime scene in Naples; unable to convince the Neapolitan 'capo's (Mafia crime bosses) to deal in his narcotics (they prefer to smuggle harmless cigarettes instead), he has them bumped off one by one.

Eventually, only family guy smuggler Luca Di Angelo (Fabio Testi) stands between the Marsigliese and his total domination of the Naples underworld. But Luca's wife is kidnapped by the megalomaniacal mobster, and it looks as though all is lost—until help arrives in the form of several retired Mafia leaders who do not wish to see the Marsigliese succeed.

Taking a break from the horror scene for which he is better known, director Lucio Fulci has a go at a different genre, but still manages to gross out the audience with the high level of violence and gore he delivers. In order to make up for what is a pretty routine tale, he throws in loads of bloody bullet hits, mutilation, a smidgen of rape, and other assorted graphic nastiness. And when he's not trying to turn your stomach with blowtorches to the face, bullets through the throat or shotgun blasts to the abdomen, he chucks in some gratuitous nudity for good measure.

It is this sleaziness that makes Contraband watchable despite its mundane story, and even more enjoyable than quite a few of his horror films. 6.5 out of 10 (rounded up to 7 for IMDb).