An archaeology professor discovers an ancient crypt containing living dead corpses. The zombies go on a rampage and attack a group of people whom the professor had invited to celebrate his d... Read allAn archaeology professor discovers an ancient crypt containing living dead corpses. The zombies go on a rampage and attack a group of people whom the professor had invited to celebrate his discovery.An archaeology professor discovers an ancient crypt containing living dead corpses. The zombies go on a rampage and attack a group of people whom the professor had invited to celebrate his discovery.
Gianluigi Chirizzi
- Mark
- (as Gian Luigi Chirizzi)
Antonella Antinori
- Leslie
- (as Antonietta Antinori)
Pietro Barzocchini
- Michael
- (as Peter Bark)
Claudio Zucchet
- Nicholas
- (as Claudio Zucchett)
Benito Barbieri
- Professor
- (as Renato Barbieri)
Mariangela Giordano
- Evelyn
- (as Maria Angela Giordan)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Burial Ground is an Italian bonkers mix of audio horror, vile imagery and gutsy character work.
In the best manner, Burial Ground does all it can to make you feel uncomfortable. Forgetting the slow march of the decaying filth following the cast, the cast themselves are playing some of the most egregious characters ever committed to film. Each and every one of them seems wrong in some way. The framing of the violence, often in close up, with the camera remaining long after the skin's been torn, or the skull cracked makes for seat squirming viewing. The zombies, with live maggots and worms and eyes falling out of sockets, stir nasty feelings of disgust as they shamble and stumble and lay seige to the mansion.
In it all, though, is a sense of beauty. The grounds of the mansion and its interior are epic. The cast, even though they're being terrorised all night, look absolutely stunning in their pearls and perms and high neck sweaters. The blood flows like paint on a wet canvas.
But the kicker, the reason to watch this film, is the final scene. In a moment built up over the runtime, we get one of cinema's most depraved and insane developments ever committed to in film. A real horror crowd pleaser that I'm sure if played at any late night horror show would get whoops and gasps and screams of delight from the audience.
In the best manner, Burial Ground does all it can to make you feel uncomfortable. Forgetting the slow march of the decaying filth following the cast, the cast themselves are playing some of the most egregious characters ever committed to film. Each and every one of them seems wrong in some way. The framing of the violence, often in close up, with the camera remaining long after the skin's been torn, or the skull cracked makes for seat squirming viewing. The zombies, with live maggots and worms and eyes falling out of sockets, stir nasty feelings of disgust as they shamble and stumble and lay seige to the mansion.
In it all, though, is a sense of beauty. The grounds of the mansion and its interior are epic. The cast, even though they're being terrorised all night, look absolutely stunning in their pearls and perms and high neck sweaters. The blood flows like paint on a wet canvas.
But the kicker, the reason to watch this film, is the final scene. In a moment built up over the runtime, we get one of cinema's most depraved and insane developments ever committed to in film. A real horror crowd pleaser that I'm sure if played at any late night horror show would get whoops and gasps and screams of delight from the audience.
This is the one. This is the one that puts them all to shame. Fulci, Romero, no one has ever made living-dead cinema seem so dark, gritty, and down right apocalyptic as Andrea Bianchi. Obviously less expensive than anything from those other guys, Burial Ground is certainly no more complicated than anything else from the genre, three giddy couples and a depressed man-child are vacationing in an old mansion in Italy. They couldn't have picked a better location. Little Michael, the man-child is in love with his mother, and he seems a bit jealous of his step-father, I'm not exactly sure what they intended with this little sub-plot but all I know is that incest is hilarious, regardless of what genre it's thrown into, and being completely random makes it all the better. I'm just glad little Michael is a character in a movie and not someone I have to deal with on a regular basis.
Enough about Man-children and incest, there's much more fun to be had. The first twenty minutes of this epic mostly involves the giddy couples spouting ridiculous dialogue, flirting with each other, and frolicking about with not a care in the world, until it happens, the dead are coming back to life, and unfortunately, for some reason, there are a dozen or so rotted corpses buried in the garden. As bad as the English voice-overs are, they do a great job at sounding terrified once the madness begins. Probably more powerful than it was meant to be, Burial Ground gives you the strong impression that these dozens of zombies, some of which resemble the Toxic Avenger, just might take over the world after they're done with these guys. Burial Ground is a prime example of grainy, bad film quality unintentionally enhancing the horror quality. Some scenes, you cant even make out what's going on. Although the sci-fi-ish sound effects are out of place, it adds an apocalyptic feel that makes things seem even more hopeless and dismal. Some how, the unintentional humor doesn't overshadow any of this. Calling Burial Ground creepy would be an insult, nightmarish would be a good start.
The darkness of this masterpiece goes far beneath the dark, grainy quality of the film, even when they show a sunny day, all I see in this film is darkness, things just seemed doomed from the very beginning, and that, exploitation fans, is the makings for true horror. Burial Ground is best Italian gore has to offer, better than The Beyond, even better than Beyond the Darkness, Burial Ground has no equal. The only thing I can recommend more than this, is this on VHS, the film quality is even worse, the sky looks almost pink. VHS really brings out "that look" that the DVD format has ruined. Plenty of Gore, nudity, incest-humor, Burial Ground is the measuring stick of any horror sub-genre it may represent. Aside from the profecy being mis-spelled, the ending leaves quite an impression. Don't talk to me about no damn Evil Dead. Burial Ground has them all beat. That one wasn't that great anyway. 10/10
Enough about Man-children and incest, there's much more fun to be had. The first twenty minutes of this epic mostly involves the giddy couples spouting ridiculous dialogue, flirting with each other, and frolicking about with not a care in the world, until it happens, the dead are coming back to life, and unfortunately, for some reason, there are a dozen or so rotted corpses buried in the garden. As bad as the English voice-overs are, they do a great job at sounding terrified once the madness begins. Probably more powerful than it was meant to be, Burial Ground gives you the strong impression that these dozens of zombies, some of which resemble the Toxic Avenger, just might take over the world after they're done with these guys. Burial Ground is a prime example of grainy, bad film quality unintentionally enhancing the horror quality. Some scenes, you cant even make out what's going on. Although the sci-fi-ish sound effects are out of place, it adds an apocalyptic feel that makes things seem even more hopeless and dismal. Some how, the unintentional humor doesn't overshadow any of this. Calling Burial Ground creepy would be an insult, nightmarish would be a good start.
The darkness of this masterpiece goes far beneath the dark, grainy quality of the film, even when they show a sunny day, all I see in this film is darkness, things just seemed doomed from the very beginning, and that, exploitation fans, is the makings for true horror. Burial Ground is best Italian gore has to offer, better than The Beyond, even better than Beyond the Darkness, Burial Ground has no equal. The only thing I can recommend more than this, is this on VHS, the film quality is even worse, the sky looks almost pink. VHS really brings out "that look" that the DVD format has ruined. Plenty of Gore, nudity, incest-humor, Burial Ground is the measuring stick of any horror sub-genre it may represent. Aside from the profecy being mis-spelled, the ending leaves quite an impression. Don't talk to me about no damn Evil Dead. Burial Ground has them all beat. That one wasn't that great anyway. 10/10
I first saw this in the late 80s on a vhs. Revisited it recently.
Three couples and a demented, creepy kid of one of the women get invited to a castle situated in the woodlands n away from civilization. Unknown to em, the host who is a professor has accidentally unleashed an evil curse thereby summoning up the dead from their graves.
The best part about this film is that it doesn't waste time, the zombies arrive instantly n the film maintains tension throughout.
Those were the days when zombies were slow as snails with decayed teeth n almost blind but still able to relish human bodies.
Wait till u see the zombies in this film who display high levels of intelligence. They work as a team to break into a castle. They even carry different weapons, using tools, axes to chop through doors n they even shoot knives with accuracy n climb pillars. These zombies even kno how to put someone into a woodcutter machine but the kill is never shown.
I was wondering how Michael reached the model factory. We have Mariangela Giordano showing off her tits, the masturbatory nun from Malabimba. (An amazing milf).
Pietro Barzocchini, who played the creepy kid is really freaky and his character disturbing and sick with an unhealthy Oedipal and incestuous relationship with his overly doting mother.
The maid's decapitation with a scythe is shown in a poorly lit scene n one cannot make out what is goin on.
The best part about this film is that it doesn't waste time, the zombies arrive instantly n the film maintains tension throughout.
Those were the days when zombies were slow as snails with decayed teeth n almost blind but still able to relish human bodies.
Wait till u see the zombies in this film who display high levels of intelligence. They work as a team to break into a castle. They even carry different weapons, using tools, axes to chop through doors n they even shoot knives with accuracy n climb pillars. These zombies even kno how to put someone into a woodcutter machine but the kill is never shown.
I was wondering how Michael reached the model factory. We have Mariangela Giordano showing off her tits, the masturbatory nun from Malabimba. (An amazing milf).
Pietro Barzocchini, who played the creepy kid is really freaky and his character disturbing and sick with an unhealthy Oedipal and incestuous relationship with his overly doting mother.
The maid's decapitation with a scythe is shown in a poorly lit scene n one cannot make out what is goin on.
This is one of the most brilliantly funny movies in the history of film. It displays humor that is so complex, and it's so unbelievably fall-on-the-floor-until-you-can-no-longer-breathe-and-your- friends-have-to-dial-9-1-1-but-they-can't-because-they can't-breathe-either-and-you-all-end-up-suffocating-funny that it should not be missed. What's almost as funny are some of the other reviews on this site. People actually admitting to being scared by this unintended laugh fest. The soundtrack is the stuff Academy Award-winning scores are made of. I want to turn that kid who played Michael into a cult hero. I know he's no longer living because I think he had that aging disease. I love the 40 year-old man who dubbed Michael's voice with that soprano-mock-child voice. Paper machet zombies always liven up a film that wears it's no-budget aesthetics proudly on it's sleave. What may be the funniest thing of all is that I own this movie(not the rights, just the video, although I could probably afford the rights.) The blurb on the box says that it's about a "group of jet-setters and a mysterious professor that we don't see too much of." Priceless. This is a rare movie to find at rental stores, but if you look hard enough, it may pop up and your searching efforts will not go unrewarded when you find it. You can trust me on this one. To quote the professor at the beginning, "I'm your friend."
The term "so bad it's good" is one that gets used a lot these days, but I personally feel it really should belong to a special sort of bad movie that is naively unaware or ignorant of its own lousiness, and it has to be entertainingly bad, and have bad acting, bad pacing, bad special effects, and for me 1981's Burial Ground is one movie that definitely lives up to all of that in spades! It's about a horde of zombies that are unleashed after a mad scientist unearths an old stone tablet or something, and they proceed to terrorise a group of jet-setting swingers who had been invited to the old man's sprawling gothic villa, but these are not just your garden variety zombies - They're Italian zombies! A lot of the old zombie splatterfests of the early eighties and beyond were basically all just carbon copies of Romero's classic trilogy, it was zombie movies galore, and some of the most colourful examples came out of the Italian film industry, and Burial Ground, for better or worse, is one of the most bizarre offerings of that whole era! If you're looking for plot you've come to the wrong movie because this is one of the most plotless exercises in celluloid ever to be seen, and the structure is quite meandering and nonsensical, as virtually every scene is just a very tepid zombie onslaught as the slow as molasses zombies, who all wear the exact same silly monk outfit, awkwardly shuffle their way towards the victims as they try to fight back and keep them out and it's the same scene drawn out over and over again... It gets like a fever dream after a while because most of what you're seeing is so very monotonous and weird! It's like they didn't even know how zombies are supposed to work, I mean you ever see a zombie with a pitchfork, or use a battering ram? Burial Ground has you covered! That doesn't mean this fetid pile of zombie dung is totally without a certain tacky charm though, the dubbed performances are so unnatural and hilariously robotic and the spaced out music and goofy nightmare logic that drives the whole thing is so random, and that it's taken so seriously only makes it more unintentionally funny. L do just about like it, I guess, but it sure verges on being intolerably boring a whole lot, and it could have stood to have been a little more creative with its story, as it's got all the prerequisites for a great Italian zombie flick, the over the top gore, the noticeably shabby zombie masks, beautiful naked ladies, but for all that it never quite emerges as a low budget gem or even gets going. My favourite part of the movie and I think a lot of its fans is, is how in order to get around the child actor labour laws the producers opted to use an adult little person named Peter Bark to play a twelve year old boy, a rather freaky looking little person I might add, and it doesn't work for a second, he had a half-man half-child thing going on..but that's what made it so wonderfully strange and hilarious! And also just to make things even weirder, little Michael has an unexplained unhealthy attraction to his mother, and there's one breast scene that you will not soon forget! This is a remarkably terrible film that is somewhat endearing despite its many faults, it's a guilty pleasure if ever there was one.. So if you haven't had the pleasure before and you're in the right mood for some major low budget old school zombie horror movie cheese with a side of hammy robot acting, Burial Ground is the tasty morsel you're looking for, it's very crummy, but I must admit it's fun! You have been warned! X.
Did you know
- TriviaThe workshop set seen in the film's climax also featured in Dario Argento's Inferno (1980), Luigi Cozzi's Contamination (1980) & Antonio Margheriti's Cannibal Apocalypse (1980). It was an interior set at Des Paolis Studios in Rome.
- GoofsDespite that some of the film's characters end up torn completely to pieces by the zombies, they still manage to come back to life without any explanation as to how their limbs were reattached.
- Crazy credits"The earth shall tremble, graves shall open, they shall come among the living as messengers of death and there shall be the nigths of terror." 'Profecy of the Black Spider'
- Alternate versionsThe DVD releases from Shriek Show and Italian Shock are both missing a brief 4-second shot of a man turning around and falling back against a shutter.
- ConnectionsEdited into Cent une tueries de zombies (2012)
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- Burial Ground: The Nights of Terror
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