Murder Syndrome

Follia Omicida is the original title of this Italian horror. Typical for Italian flicks is the use in other countries of different titles which makes it all confusing. And not even that alone. Now out on DVD and Blu Ray before that it had two versions out on the same label. It came out on Wizard Video on a T-90 cassette. That was the normal release but it also had a big box release on a T-105 cassette. That was the fully uncut version.

From there things go awry for the flick. In the UK it was released as The Wailing. But is was missing 2 minutes. The Wizard release came out under the title Fear and the Greek and Venezuelan videotapes bore the original English export title Unconscious. An alternate Greek release had Satan's Altar. Not only all those different titles and releases made it hard to know which one was correct. It also was released in English and Italian with subs.

The Blu Ray and DVD version now out is even full of mistakes (even the score is changed) so I can only advice to catch the Wizard big box release (with the Italian credits).

All that cleared out it's a weird flick. It has giallo elements but also has a few cheesy moments when for example the black mass scene where we see a big spider and a big spider web as fake as it can be. It also has a few eery moments and a lot of nudity.

Laura Gemser is in it and the first second she appears in this flick she's undressed. And one scene she's even does a full frontal nudity. There are also a few gratuitous nudity shots involved in a forest.

The story itself I can't really explain because it has so many elements of different genres. Michael (Stefano Patrizi) an actor invites his girlfriend to his remote country house. There they will have a on-location shoot. But Michael has a bad backstory which he remembers clearly at the house. His mother is possessive and Michael starts a incestuous relationship with her. But from then on once the crew is at the country house murders abound and all girls have nightmares of a black mass.

Having a lot of nudity it is for an Italian flick low on red stuff. It was Riccardo Freda's (the director) last flick. Sergio Stivaletti made his first special effects here in his first flick to move further to Demon (1985) and other Argento gialli. In the uncut version we can see the work of Sergio by an axe going into a head and a slashing and of course the mutilated body of Laura Gemser.

A collectible flick for so many reasons although it isn't really a good flick due the different elements and not knowing what it really wants to be.

Gore 1/5 Nudity 2/5 Effects 2/5 Story 3/5 Comedy 0/5

A group of filmmakers travel to the family home of the lead actor to scout locations. They are greeted by his disturbed mother and her sinister servant.

Maestro Freda's last feature is a baroque masterwork which indeed forms a kind of review of the entire Italian horror tradition from BLACK SUNDAY on. BLACK SUNDAY lead actor John Richardson appears as the servant in a possible nod to former Freda collaborator Mario Bava.

The story contains many elements from other horror films: PSYCHO, THE TEXAS CHAINSAW MASSACRE, DEEP RED, but Freda tells the tale in an ornate style referencing classical art and music in his imagery and on the soundtrack. The acting is mediocre, but the carefully composed imagery makes up for it. Such hallucinatory visions as a clutch of bleeding skulls, a giant spider and black mass which resembles both a Dali painting and a Michaelangelo sculpture are indelible. Highly recommended for Italian horror and Freda fans. A very underrated film which shows the director still at the apex of his creative powers.

Riccardo Freda is considered one of the maestros of Italian horror based on the strength of three films in the late 50's and early 60's--"I, Vampiri" (which we now know was mostly directed by Mario Bava), "The Horrible Dr. Hitchcock", and the sequel to the latter, "The Ghost". Unfortunately, everything he did after that pretty much ranges from awful to disappointing. This one falls more into the latter category.

An actor nearly strangles his female co-star during the filming of the scene. Everyone seems strange unperturbed about this including the actress herself, who later has sex with him(of course, it helps that this character is played by Laura "Emanuelle" Gemser who pretty much has sex with everybody in her movies). They all repair to the troubled actor's eerie, decrepit estate complete with a creepy butler named Oliver and a mother who is "not well". Actually, she looks pretty good for someone who is supposedly the mother of a grown man and, not surprisingly, she has a close, Oedipal relationship with her son who looks EXACTLY like his musical conductor father, "the Maestro", who was mysteriously murdered years earlier (and you can pretty much bet it was by one of two people). The actor's girlfriend is also along for the ride and she suspects something is up between the two of them when the son introduces her to his a mother as his secretary and insists that they sleep in separate rooms. Meanwhile, someone is dispatching the various guests with the usual over-elaborate giallo methods--a bathtub drowning, a chainsaw, etc.

Freda brings an interesting Gothic sensibility to the giallo genre here, even though his main focus is obviously on the gory murders. At least he is somewhat in his element, unlike with the abysmal "Iguana with a Tongue of Fire" he did earlier. The acting is awful and the special effects during the murder scene are laughable, but fans of Freda and Laura Gemser could do a lot worse I guess.

Members of the cast and crew of a horror movie take a well-earned break at the family home of actor Michael, whose mother (who has obviously been keeping to a tight exfoliation/moisturising regime, since she looks no older than 40) lives a reclusive life with her creepy manservant Oliver. Whilst relaxing at the house, the group are attacked one-by-one by a leather-gloved killer, and Michael begins to fear that a horrific event from his past—one which he has kept suppressed in his mind for years—has finally returned to haunt him.

Murder Obsession opens in fine style with a gleefully trashy scene in which exploitation babe Laura Gemser has her clothes torn from her body by a mysterious assailant who then proceeds to try and strangle her. However, fans of sleazy giallo movies shouldn't get too excited, for director Ricardo Freda soon disappoints by having the camera pull back to reveal that the woman, Beryl, and her attacker, Michael Stanford (Stefano Patrizi), are actors performing their final scene in a horror flick.

Yes, it's the tired old 'movie within a movie' trick! The rest of this wearisome film is just as clichéd and deceptive in style, with numerous silly red herrings during the dull-as-ditch-water first half (nearly every character seems to own a pair of leather gloves!), mucho nudity throughout, cheesy gore towards the end, and a convoluted, logic-free script that is harder to swallow than a broken glass sandwich. Even a genre great like Argento, whose own work is rarely that cohesive, would struggle to make this inept garbage work, so what chance does Freda have?

Supposedly atmospheric dream sequences are rendered laughable by giant rubber spiders; bats flap on clearly visible wires; Michael's girlfriend (Silvia Dionisio) runs through a foggy forest with her tits out; inept gore effects (an axe in the head and a chainsaw in the throat) look as though they were created by a five year old with modelling clay and papier-maché; dreadful dialogue turns emotional scenes into unintentional moments of comedy; and a desperate attempt at shoehorning black magic and psychic powers into the muddled plot severely backfires.

Take a look if a) you dig bad Italian cinema b) you're a rabid Gemser fan, or c) if you absolutely must see every giallo in existence—but be warned.... it ain't great.

I would take some of the other reviews about this film with a pinch of salt - it's not that amazing and it's not that gory, at least in the version I saw under the title "The Wailing". I also suspect a bit of cheating must have occurred to get it the 5.8 rating.

On to the film... It starts with some brilliant music, the sort you used to get in the early 80's horror films. This made me excited for what was to come, but sadly it seemed to go downhill from there. The problem with The Wailing is that it is confusing and the plot meanders too much. There's some dream sequences that go on for so long you forget they are actually dream sequences. Random scenes seem to be thrown together with no connection. There's also a serious lack of lighting, making it even harder to understand what is happening. It reminded me slightly of Lucio Fulci's "The Beyond" because of the meandering plot.

It does have some good points though. As mentioned, the music is great and gives it a real horror 'feel'. However they used it too much; it almost plays through the entire film and gets tiresome after a while. The atmosphere is quite good, and had the plot been more coherent this could have been a really atmospheric horror flick.

This really isn't worth seeking out unless you're a fan of Italian horror, even then you can still do much better. The UK VHS cover is cool though - I'll give it that.