Popeye

Why in the world hasn't this film been released on LaserDisc in letterbox format? There's as much or more taking place in the background nooks and crannies of Altman's "Popeye" than there is up front. And all of it is a clever, inventive, respectful homage, to a comic strip/cartoon character that has never received his much deserved place of honor alongside Mickey, Bugs and Daffy. I want to see ALL of Robert Altman's "Popeye," and pan-and-scan just doesn't cut it. Oh, the music is wonderful, by the way. It's what grabbed my attention one day when I still mistakenly believed the critics who panned this film. I was channel surfing and I heard Olive Oyl singing "He Needs Me" and I was hooked. This film is a jewel. ("What squinky eye?")

This movie marked the debut of Williams, in a role suited to his skills at the time as an actor. He looks the part and has fun with the silliness, making the title character likable. Shelley Duvall matches his ability to make her role as Olive Oil likable and she gets some well-deserved laughs in some scenes. It's just good, clean fun.

Wow, again "the worst movie ever made". At least when you go by those self proclaimed internet-movie-critics on IMDb who never bother to bestow upon the heavily bored public their highly imaginative musings like "Two hours of my life I will never get back", without even having one (a life that is) in the first place. Fact is: Every movie in this database is "the worst ever made" ... for someone ... then scroll up or down a bit and suddenly the same movie will become a "never fully appreciated masterpiece". What does this teach us? The truth, like always, lies somewhere in between and is highly subjective. Go and see it for yourself. Don't be interested in what I have to say. Well, if you still are: I quite liked it.

I didn't see Popeye the movie for the first time until it came out on video. But I remember how my dad told me he saw it in the movie theater. He told me afterwards "Popeye hads its moments, sos I, halfway throughs the movie, I wents out to me car to gets me cigarettes, hads me a puffs or two, then wents back inside to wartch the rest of me movie, geh geh geh geh geh." A couple of years later, we rented Popeye on video and I saw it, and I'd seen it several times since. Its not too bad. Robin Williams is fairly convincing as Pop-eye. Paul Smith as Bluto, looking large and menacing like his cartoon version. Paul Dooley isn't too bad as Wimpy. And Ray Waltson as Poopdeck pappy. And Shelly Devaul as Olive fits her role pretty good. She does sort of seem like Olive Ole come to life, with the looks and mannerisms. However, the late Zasu Pitts who starred in several different 1930s films such as "Meet the baron" and "Dames" would've been an even better Olive with her looks and the very Olive Ole like way she went "oh my" in her films. I read somewhere that they took some of Zasu's mannerisms and appearance when creating Olive's character when the Popeye cartoon was first made. I always watched Popeye as a kid growing up even before seeing this movie. I liked the neat special effects, too such as steam really coming from Bluto's ears when he got mad, just like the cartoon. They also had Popeye's (Robin's) forearms really bulging out and him doing the squint with his eye just the right way, and his pipe. They made the seaport town Sweethaven look quite convincing. It always had an English seaside town feel. Anyways, this movie overall had some good, funny, and interesting moments. A few other moments were a little less below par. And I personally don't think the songs in the film were that good, or necessary. Popeye the cartoon was not a musical. Overall though, this is always a pretty good film for a mom or dad to watch with their kids.

Note; I wrote this review about a year and a half ago, and no one has clicked on either 'useful' or 'not useful' yet. Can someone reading this please click on one? I won't be offended either way on which you click on, I'm just curious on what others may think of this review. Thanks

It is very nice to see a revival of interest in this quirky little film. The art direction of this film is simply amazing, and deserved to win an Oscar for being able to completely capture the homely innocence of the story's setting, in rich detail.

Many have derided the story as unfocused, but there is an epic sweep to the storyline, which requires an episodic approach. This film requires paying attention on multiple levels, and rewards viewers who do so, as few other epic films have.

There are some detractors who can't handle the fact that the film is part Musical, but this is definitely in keeping with original cartoons, which frequently featured music in their storylines. In any event, the half-dozen or so songs come at appropriate intervals, and in some cases are Broadway quality set-piece showstoppers, like the scene in the Rough House Diner, and Pappy's diskgruntlement about Kids!

I will leave it to others to comment on the all-round fine ensemble acting, but I would like to finish by saying, that this is truly a film where the whole is greater than its parts. From the rich tapestry of Elzie Segar's original imaginings, to the lush production values brought to this vision by Robert Altman and company, this is a film that fails on some levels but succeeds on many more.