Once they said God himself couldn't sink her. Then they said no man on Earth could reach her. But an underwater research agency, headed by Admiral James Sandecker, is assigned the job of fin... Read allOnce they said God himself couldn't sink her. Then they said no man on Earth could reach her. But an underwater research agency, headed by Admiral James Sandecker, is assigned the job of finding the doomed ship in her North Atlantic grave.Once they said God himself couldn't sink her. Then they said no man on Earth could reach her. But an underwater research agency, headed by Admiral James Sandecker, is assigned the job of finding the doomed ship in her North Atlantic grave.
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A folly worthy of its namesake, Lord Grade, its liner sized producer famously remarked that it would have "been cheaper to lower the Atlantic", a feat he could have accomplished simply by jumping into it.
Raise the Titanic(!)is an adaptation of the novel by Clive Cussler. In its transition to the big screen however, most of the intricate cold war plotting didn't make it to the lifeboats. In its stead you have the basic story and of course the bank breaking poster promise of the doomed liner rising from her watery grave. It might have worked too had the source material been handled a little better. The screenplay is pretty talky and never really succeeds in building the necessary tension but what really sinks (sorry) the whole enterprise is direction from Jerry Jameson so moribund and lifeless, you'd think he was helming a movie for cable television. Its a mark of this that although it doesn't take very long to find the ship itself on screen you could be forgiven for thinking that you began watching the movie in 1912. Also RTT! has, for the most part a cut price look that undermines the epic scale of the story and its subject matter. When the ship does eventually see the light of day its via some model work and camera over-cranking that fails in producing that all important wow factor. To be fair though there are some very good shots of the ship entering New York harbour that do pack a punch, aided enormously by one of John Barry's best ever scores - a wonderful bombastic orchestral suite that is as good as hes ever produced. Were this a better film, and had anyone gone to see it Barry may have been in line for an Oscar (which he got when he plagiarised parts of the score for Out of Africa). In fact, its fair to say that Barry is the only person behind the camera who does the story any justice.
Richard Jordan gives a good performance as Cussler's hero Dirk Pitt and there's a nice Cornish Cameo for Alec Guinness but everyone else is really just waiting to die here. The twist is a good one but is handled poorly and you're left wondering what a director like John McTernian who did such good work with Clancy's Hunt for Red October may have made of the same material. Sadly the discovery of the real ship in two pieces has scuppered any remake possibilities so this is it. Raise the Bismarck anyone?
Raise the Titanic(!)is an adaptation of the novel by Clive Cussler. In its transition to the big screen however, most of the intricate cold war plotting didn't make it to the lifeboats. In its stead you have the basic story and of course the bank breaking poster promise of the doomed liner rising from her watery grave. It might have worked too had the source material been handled a little better. The screenplay is pretty talky and never really succeeds in building the necessary tension but what really sinks (sorry) the whole enterprise is direction from Jerry Jameson so moribund and lifeless, you'd think he was helming a movie for cable television. Its a mark of this that although it doesn't take very long to find the ship itself on screen you could be forgiven for thinking that you began watching the movie in 1912. Also RTT! has, for the most part a cut price look that undermines the epic scale of the story and its subject matter. When the ship does eventually see the light of day its via some model work and camera over-cranking that fails in producing that all important wow factor. To be fair though there are some very good shots of the ship entering New York harbour that do pack a punch, aided enormously by one of John Barry's best ever scores - a wonderful bombastic orchestral suite that is as good as hes ever produced. Were this a better film, and had anyone gone to see it Barry may have been in line for an Oscar (which he got when he plagiarised parts of the score for Out of Africa). In fact, its fair to say that Barry is the only person behind the camera who does the story any justice.
Richard Jordan gives a good performance as Cussler's hero Dirk Pitt and there's a nice Cornish Cameo for Alec Guinness but everyone else is really just waiting to die here. The twist is a good one but is handled poorly and you're left wondering what a director like John McTernian who did such good work with Clancy's Hunt for Red October may have made of the same material. Sadly the discovery of the real ship in two pieces has scuppered any remake possibilities so this is it. Raise the Bismarck anyone?
Special effects in 1980 weren't what they are in 2002 obviously. This film is rather laughable in terms of pyrotechnics when you compare it to, let us say James Cameron's film (by the way this film was made five years before they found the real Titanic so they had no way of knowing the ship broke in two before it went down). I saw this film as a kid and enjoyed it (I enjoy anything having to do with the Titanic). I remember that summer of 1980 there was a big ad build up for it, the last great human adventure is about to begin. This is a good suspense film, although they would have been better off following Cussler's novel more closely especially in character develpment. Cussler was reportedly so angry at this film he forbid them to make anymore from his novels which is a damn shame. Dirk Pitt is a fine hero in the James Bond mold. The scene where the ship is "raised" is handled rather well. I read something that was kind of funny, the producers spent a fortune building an elaborate studio tank for the model they "raised" then found out they didn't make it big enough. Anne Archer is rather wasted in this film, shes a fine actress who deserved better. The great Alec Guiness has an amusing cameo. He was always such a loveable old ham.
Strictly speaking, I found this to be acceptable entertainment. Its many detractors maintain that it's a poor, poor adaptation of the Clive Cussler novel. In fact, Cussler himself hated it so much that there would be no more adaptations of his work until "Sahara" in 2005. Does the execution of the movie fail to match the awesomeness of the concept? Sure. Could it have used a more accomplished director at the helm? It wouldn't have hurt. But it sustains interest for close to two hours. This viewer was caught up enough in the story that any flaws didn't detract from the experience.
The U.S. government is in an intense search for an obscure mineral (for national defense purposes, of course) and believes that the only place it could be found is on board the wreckage of the Titanic. Since at this point in time, divers couldn't travel that deep into the ocean, people working on the project come up with this offbeat solution of using explosive devices to bring the massive ship to the surface.
Political intrigue adds to the plot, as the Russians believe that by rights they should be allowed to retrieve the mineral. They do everything that they can to undermine the operation.
The actors deliver decent performances, although there are precious few characters that really engage the viewer. One exception is the Titanic survivor John Bigalow, played by Sir Alec Guinness. There's a lot of familiar faces here: Jason Robards, David Selby, Richard Jordan, and Anne Archer as the stars, and a steady array of top notch character actors. The romantic subplot with Selby and Archer never really goes anywhere, but fortunately it doesn't take up TOO much of the running time.
The special effects are adequate, and the actual event of the title is reasonably impressive.
The most worthy component is really the rousing, emotionally rich music score by John Barry.
Seven out of 10.
The U.S. government is in an intense search for an obscure mineral (for national defense purposes, of course) and believes that the only place it could be found is on board the wreckage of the Titanic. Since at this point in time, divers couldn't travel that deep into the ocean, people working on the project come up with this offbeat solution of using explosive devices to bring the massive ship to the surface.
Political intrigue adds to the plot, as the Russians believe that by rights they should be allowed to retrieve the mineral. They do everything that they can to undermine the operation.
The actors deliver decent performances, although there are precious few characters that really engage the viewer. One exception is the Titanic survivor John Bigalow, played by Sir Alec Guinness. There's a lot of familiar faces here: Jason Robards, David Selby, Richard Jordan, and Anne Archer as the stars, and a steady array of top notch character actors. The romantic subplot with Selby and Archer never really goes anywhere, but fortunately it doesn't take up TOO much of the running time.
The special effects are adequate, and the actual event of the title is reasonably impressive.
The most worthy component is really the rousing, emotionally rich music score by John Barry.
Seven out of 10.
Ok, so Raise the Titanic isn't the greatest film ever made, but it's not the worst. Cussler was having Dirk Pitt raise the Titanic and save the world when Tom Clancy was still selling insurance. I wish the film makers had stuck closer to the book, which is part Titanic, part James Bond. It's as if they decided to take the (very) basic plot of the novel and spend about $50 million on a film that looked like about $1.99. The acting is fair considering the script Robards and Jordan had to work with. From an appearance stand point Richard Jordan is Dirk Pitt for me. I can see him in the part. It was just that the part wasn't written for one of Jordan's talent. Read the novel, rent the movie and compare the hatchet job Hollywood did on it. At least they would do better on the next major Titanic movie. Not much consolation to Clive Cussler I'm afraid, but hey that's show biz!
There are films that are bad, and there ones that look bad, but hold value to them not everyone sees. Raise the Titanic, was loosely based off a novel by Clive Cussler. It is a race between the Americans and Russians trying to obtain a rare mineral that could decide who becomes the top world power. To do this, they must salvage the mineral from the Titanic. The only way to do this is by raising the Titanic; ergo the main titles. This may turn off people because the whole plot line is given away, but that shouldn't be something to squander over. It should be more of what is looked forward to. This film has a lot of good stuff in it.
Starring as the main character of Cussler's stories, is Dirk Pitt, played by Richard Jordan. I can't say Jordan is the best choice but he's definitely not bad either. Jordan at least gives the character of Pitt some attitude that comes with the territory. For the most part, the entire film stays faithful to the paperback material. All the characters are in there, along with the most important scenes. One might say that this movie was thought to perform well because Alec Guinness, best known as Obi-Wan Kenobi, from Star Wars, plays a character as well in the story.
On a side note, a particular element that could have been left out of story was the relationship between Gene and Dana Seagram. The same goes for the book but the way the situation was handled here was half-baked. From beginning to the midway point, there were various scenes that show strains on these two characters' marital status and then out of nowhere,...it stops. They get into an argument and Gene temporarily leaves Dana but the issue is never resolved. So why have it? It doesn't make sense to start something and not finish it. Adam Kennedy and Eric Hughes wrote the screenplay; so my question is, who skimmed over this part? Also some people may think the story drags but it all builds up to good ending.
Besides this, there are multiple things to find enjoyable in this movie. First, the special effects. Of course it's "1980" special effects but none the less they are a sight to look at. From the submarines, to the Titanic itself, the props look really authentic. It's when the Titanic is brought to the surface that the view is beautiful. Although audiences may be annoyed to find out that the Titanic is in one piece. But what do you expect? The novel and this film where produced years before the Titanic was even discovered. It's fiction anyway, so why be so critical on accuracy when practically this whole film is inaccurate in real life?
One of the most wondrous moments that takes place in this film is when Dirk Pitt enters the Titanic when it is above the water. It is truly a sight to behold and all this should do is make each of us just a little hungrier to see the Titanic for ourselves. It's plain epic. Another great aspect to Raise the Titanic is the soundtrack composed and conducted by music veteran John Barry. Barry puts in a lot of good tunes and has a gift for making the Titanic look awesome just for being on screen. His music is that moving and it's almost to the point of being angelic. For those who are skeptical, it's still at least worth a try to view.
Except for a few issues dealing with the script, the film adaptation of Raise the Titanic is respectively a suitable tribute to the White Star Line cruise ship. The effects are dated but they are worthy to be seen as is Barry's score heard.
Starring as the main character of Cussler's stories, is Dirk Pitt, played by Richard Jordan. I can't say Jordan is the best choice but he's definitely not bad either. Jordan at least gives the character of Pitt some attitude that comes with the territory. For the most part, the entire film stays faithful to the paperback material. All the characters are in there, along with the most important scenes. One might say that this movie was thought to perform well because Alec Guinness, best known as Obi-Wan Kenobi, from Star Wars, plays a character as well in the story.
On a side note, a particular element that could have been left out of story was the relationship between Gene and Dana Seagram. The same goes for the book but the way the situation was handled here was half-baked. From beginning to the midway point, there were various scenes that show strains on these two characters' marital status and then out of nowhere,...it stops. They get into an argument and Gene temporarily leaves Dana but the issue is never resolved. So why have it? It doesn't make sense to start something and not finish it. Adam Kennedy and Eric Hughes wrote the screenplay; so my question is, who skimmed over this part? Also some people may think the story drags but it all builds up to good ending.
Besides this, there are multiple things to find enjoyable in this movie. First, the special effects. Of course it's "1980" special effects but none the less they are a sight to look at. From the submarines, to the Titanic itself, the props look really authentic. It's when the Titanic is brought to the surface that the view is beautiful. Although audiences may be annoyed to find out that the Titanic is in one piece. But what do you expect? The novel and this film where produced years before the Titanic was even discovered. It's fiction anyway, so why be so critical on accuracy when practically this whole film is inaccurate in real life?
One of the most wondrous moments that takes place in this film is when Dirk Pitt enters the Titanic when it is above the water. It is truly a sight to behold and all this should do is make each of us just a little hungrier to see the Titanic for ourselves. It's plain epic. Another great aspect to Raise the Titanic is the soundtrack composed and conducted by music veteran John Barry. Barry puts in a lot of good tunes and has a gift for making the Titanic look awesome just for being on screen. His music is that moving and it's almost to the point of being angelic. For those who are skeptical, it's still at least worth a try to view.
Except for a few issues dealing with the script, the film adaptation of Raise the Titanic is respectively a suitable tribute to the White Star Line cruise ship. The effects are dated but they are worthy to be seen as is Barry's score heard.
Did you know
- TriviaThe movie was surprisingly accurate on one point, though they didn't know it at the time. Computer displays show the Titanic resting at a depth of 12,347 feet. When the wreck was discovered in 1985, it was resting at a depth of 12,415 feet.
- GoofsThe Titanic is towed up New York City's East River, presumably to the Brooklyn Navy Yard, and passes under the Brooklyn Bridge. The Titanic's masts, which are intact, were about 200 feet high from the waterline. The Brooklyn Bridge has 127 feet of clearance at mean high water. To reach the Navy Yard, the ship would also have to pass under the Manhattan Bridge, which has 135 feet of clearance.
- Alternate versionsThe original theatrical version featured a long sequence of the foam being pumped into the hull of the Titanic, which is mentioned in the screenplay earlier. Shortly after the film began to get the horrid reviews and poor box office, there were edits made to the film and new prints sent to theaters, in a failed attempt to tighten the film a bit. These scenes have not been included in any of the VHS or DVD releases.
- ConnectionsEdited into Voyagers!: Voyagers of the Titanic (1983)
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Hev Titanic
- Filming locations
- The Sloop Inn, The Wharf, St Ives, Cornwall, England, UK(John Bigalow shows Dirk Pitt his collection of Titanic memorabilia at the Sloop Inn)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $36,000,000 (estimated)
- Runtime
- 1h 55m(115 min)
- Color
- Aspect ratio
- 2.35 : 1
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