Stone Cold Dead

Stone Cold Dead (1979)

** (out of 4)

Richard Crenna plays Sgt. Boyd who is out trying to solve a group of bizarre killings where a sniper is taking out women involved in the sex business. As he grows closer to the killer it's very possible that someone he has a connection with might end up on the hit list.

If you're a fan of 70s cinema then you probably know about 42nd Street and the various types of sleazy movies that would play there. Snipers, pimps, dirty cops, hookers and drug use were just some of the subjects that would be covered in those types of films and all of those elements are on display in STONE COLD DEAD but sadly the film tries to be too mainstream and it just doesn't work.

STONE COLD DEAD has a lot flaws including the fact that it's just never brave enough to cross the line into a darker territory. The film plays around with various dark elements but it never crosses the line to where the film would be more memorable. It really comes across as a watered down version of something you'd see on 42nd Street and it's anyone's guess why they didn't try to push the envelope further.

What really kills the film though is the fact that there's really not any suspense and none of the characters are all that detailed or interesting. Crenna gives a good performance as he always does and he certainly helps carry the film. Both Paul Williams and Linda Sorensen are good in their supporting parts as well. I will also say that the reveal of the killer is another plus as I certainly didn't see it coming.

STONE COLD DEAD certainly isn't a bad movie but at the same time there's just nothing here to separate it from the dozens of other films out there like it.

It's a rare thing for a Canadian film to be released on the Blu-ray format, and it's even rarer when it's an older movie such as this one. If you do see this movie on the Blu-ray format (as I did), you will see that unlike a lot of other Canadian movies of its era, it's pretty well made on what wasn't a lavish budget. There is some genuine atmosphere here, coming from well chosen creepy locations, skillful lighting, and clever camera angles. The acting is also pretty good, not just with Crenna and Williams, but also by the unknowns in the cast. As a bonus, there is also some good music on display.

Unfortunately, despite these good ingredients, the movie stumbles enough in a key area that as a result it doesn't work. And that is with the script. The narrative of the movie is frequently at a muddle. The story seems to be starting at chapter two or three instead of right at the beginning. There is also frequently juggling between many characters and various plot threads, so sometimes there is a long time before one particular plot thread is returned to. Another problem with the story is that it's pretty easy to figure out who the "Sin Sniper" is long before the "surprise" reveal.

While this isn't a terrible movie, it's too muddled to be as effective as it wants to be. I would only recommend the movie to (very) forgiving people who are fans of grindhouse B movies from this era.

The late 70s and early 80s single-handedly brought forward a unique sub-genre of exploitation cinema, namely that of the misogynic serial-killer on the prowl in the sleazy back alleys and red-light districts of big cities; - preferably in and around 42nd Street in New York. William Lustig's "Maniac" is the obvious example, of course, but there are also more obscure titles like "Delirium", "Bloodrage", "Night of the Juggler", or "The First Deadly Sin". They are also known, among cult fanatics at least, as North American gialli.

"Stone Cold Dead" perfectly fits into the list as well, what with its grisly plot of a sniper, active in sex district of Toronto and exclusively targeting prostitutes. The underrated Richard Crenna plays the fatigued but dedicated Police Sgt trying to stop the killer, and he has plenty of potential culprits to suspect.

The opening sequence, in which a showering call girl is shot death through her bathroom widow is really brute. In fact, all sequences involving the serial killer stalking, photographing, and cold-bloodedly gunning down the victims are very suspenseful. The only problem is this only happens four or five times throughout the movie, and everything else is quite dull and very derivative. Most of the film is just very dark and difficult to follow, and several of the red herring and sub plots are too extended and distracting, like all sequences with the bizarre pimp (played by Paul Williams of "Phantom of the Paradise") and the police corruption.

Finally, but worth mentioning for sure, the most misfit but memorable part of the film is Sgt. Boyd's ingenious method to feed his fish at home. Since he's almost never at home due to his demanding street job, he developed a way to feed his fish by dialing a private phone number that sets in motion a sort of Rube Goldberg machine. It's a pretty cool gimmick, I admit, but since there isn't the least bit of humor in the film otherwise, it feels somewhat improper.

This movie actually had some money behind it. It had name stars and could pay for the music rights to "Fire Down Below" by the Silver Bullet Band. It's too bad they didn't spend more money on scriptwriters, because the plot is truly muddled.

Richard Crenna plays a cop driven to clean up the city's drug and prostitution rackets, facing off against Paul Williams as the least intimidating pimp in the world. The movie is supposed to be about a sniper who is picking off prostitutes, but that character disappears for about 40 minutes of the film, shows up again briefly, and then disappears again until the climax.

The film goes for maximum gritty with ample violence and nudity, but they could have focused it into a more coherent plot.

Richard Crenna is once again solid as a rock, playing a dedicated police sergeant named Boyd. Working the mean streets of Toronto, he has a distaste for the way the world has gone to seed. He also has a vendetta against slimy, diminutive pimp Julius Kurtz (an oddly, but amusingly cast Paul Williams), and would love nothing more than to pin SOMETHING on him. When a rooftop sniper begins methodically taking out hookers, it's up to Boyd to solve the case. Giving him assistance are veteran prostitute Monica Page (Linda Sorensen) and sassy undercover detective Sandy MacAuley (Belinda J. Montgomery).

"Stone Cold Dead" is based on the novel "The Sin Sniper" by Hugh Garner, and written for the screen by George Mendeluk, making his filmmaking debut. It's particularly interesting for a Canadian audience, to see the sleazier sights and sounds of late 70s Toronto. In general, it doesn't tell a *great* story, necessarily (some people will likely figure out the identity of the sniper ahead of time), but it *is* entertaining, offering a fair amount of grit. It combines elements of the Italian murder mysteries known as "Gialli", crime dramas, and exploitation cinema, and viewers will delight in the abundant nudity and sordid (ultimately sad) aspect to the tale being told. It's greatly enhanced by a fine score by under rated Canadian composer Paul Zaza. There are even some nice little touches here and there, such as the ice skating sequence, and Boyds' method of feeding his fish at scheduled times by phoning his own number.

Crenna is well matched against Williams, who gets to play his slimy role with a bit of nuance and humour. Sorensen is well cast as the potential love interest for Boyd, and Montgomery is a real ball of fire as the female cop. She even gets to belt out two numbers. There are various other familiar faces present to any veteran viewer of Canadian cinema: Chuck Shamata, Alberta Watson, Monique Mercure, Jennifer Dale, Frank Moore, George Touliatos. Legendary Canadian boxer George Chuvalo has a brief cameo; also look fast for a young Michael Ironside at around the 82 minute mark (he's not seen clearly, but that voice is unmistakable).

Trashy, and pretty violent, "Stone Cold Dead" is very fine entertainment for people eager to check out some Canuxploitation.

Seven out of 10.