Time Bandits

It IS a wavelength thing. Terry Gilliam's films are ALL Terry Gilliam films. They all have that certain something, some kind of feeling about them that makes them instantly recognizable. The same can be said of the Coen brothers. Unfortunately, movies that are that personal and unique do not work for everybody. For the people that just can't get into Gilliam films, I hope there's another filmmaker that inspires childlike wonderment in you. Because it's a great feeling. Time Bandits is magic. I've seen it many times (over 10) and each time, I find something new about it. It's a fine example of a movie that works for children and adults alike. When I saw it for the first time at age 8, I enjoyed the fantasy, adventure, and basic good vs. evil story. As I got older I started appreciating the social commentary on consumerism, the Python-esque humor, and just how imaginative and skillfully done the movie is. After watching it again yesterday, I'm having trouble deciding which is the better movie; Brazil or Time Bandits.

A terrific little fantasy that, not surprisingly, has flavors of Monty Python. My children and I first saw it in the early '80s on a night ferry from Harwich to Zeebrugge. I've seen it a few times since, and marvel at the creativity that went into the film. God's "employees" trying to use a map of the universe to track down treasure is the theme; running around through time trying to find the treasure is the game. The cameos by Cleese, Connery and the rest are some amusing highlights, but the Time Bandits themselves really make the story. The climactic scenes with the Evil Genius made me think more than a little of the Sorcerer's Apprentice.

I think it is a well done bit of fantasy for older children and adults; it helps to know a bit of history going into it. I wouldn't let my six-year old granddaughter see it -- at least not yet -- but she and her sister probably will love the adventure in a few years.

This wonderful flick deal with a little boy (Craig Warnock won the role after a wide search for the right child actor) and six dwarfs (Kenny Baker , David Rappaport , Jack Purvis , among others) who are chased by the Supreme Being through time and space . As the kid accidentally joins a band as they jump from time-period to time-period looking for treasure to steal . All of them travel back in time via a map that charts a course through holes holes in the fabric of the universe . Along the way they meet historical characters such as Napoleon (49-year-old Ian Holm plays the 26-year-old Bonaparte) , Robin Hood (John Cleese , though Michael Palin wrote the role of Robin for himself, but Cleese wanted to play him), Supreme Being (Ralph Richardson) and King Agamemnon (the gold masks of Agamemnon's priests are replicas of a king's deathmask, found by Heinrich Schliemann at Mycenae in 1876 , it is in Museum of Atenas). At the end the motley group contends the Evil Genius (David Wagner , the apparatus on his head was influenced by H.R. Giger's work on Alien) .

This is an imaginative , glamorous , chaotic fantasy based on the wonderful trips carried out by a group of adventurers along with a young English schoolboy . Fantastic film contains sense of adventure , thrills , and lots of imagination . From start to finish fantasy , action and delightful adventure are continued . Exciting and interesting screenplay written by Michael Palin and and Terry Gilliam of Monty Python fame . Marvelous special effects are visually stunning and magnificently realized with no computer generator . Starring a considerable cast of top-names performers such as John Cleese as Robin Hood , Shelley Duvall as Dame , Ian Holm as Napoleon , Michael Palin as Vincent , Ralph Richardson as Supreme Being and David Warner as Evil and a young Jim Broadbent as a TV host . Special mention to Sean Connery as King Agamemnon and Fireman , Gilliam did not originally intend to cast Sean Connery as King Agamemnon , he merely wrote in the screenplay that when Agamemnon took off his helmet that he looked "exactly like Sean Connery." To Gilliam's surprise, the script found its way into Connery's hands and Connery subsequently expressed interest in doing the film.

This big-budgeted , under-appreciated film achieved a limited hit at box office and panned by some critics ; however , today is very well considered . Colorful and glimmer cinematography by Peter Biziou . Thrilling as well as evocative original music by Mike Moran . The motion picture was imaginatively directed by Terry Gilliam . Terry shot the film in low camera angles throughout in order to give the audience the perspective of a dwarf or a child . Gilliam is an expert on wonderful , surreal atmospheres (Adventures of Baron Munchausen , Brazil , Fisher king , Doctor Parnasus). He is member of the comedy group "Monty Python" along with John Cleese, Michael Palin, Terry Jones, Eric Idle and Graham Chapman. ¨Time bandits¨ might be described as an extraordinary fantasy full of imagination and color . It's a tale for teens and adults in which entertainment and amusement are guaranteed . Rating : Good , better than average . Worthwhile watching .

This movie is the funniest movie I have ever seen. When it was on cable, we watched it about 20 times and I have worn out two tapes of it. There are so many levels of enjoyment. The sets are great, the effects are wondrous, the storyline is wacky, the combination of veteran actors and new faces is perfection. The dialog is a riot and you will find quotes from this movie everywhere, which thrills me to death! I love all the actors that played the dwarfs, especially David Rappaport who played Randall and also loved his TV show "The Wizard" that was treated so shabbily. We often find ourselves saying, "Remember when Evil said this, and when Og said that?" Or laughly wonder what condition Pansy's boyfriend, Vincent, had that needed fruit? The Napoleon scene alone is enough to cause you to break a rib from laughter. I guarantee that if you have a funnybone at all, you will love this movie! Run, don't walk to the nearest video rental store!

After submerging myself finally into Time Bandits, perhaps too late (or too soon, if I had kids maybe it would've been a different experience), I found it reminded me of a live-action version of one of these animated adventures I would watch on TV as a kid, where a child would be brought into a fantastical universe away from his dull, ordinary existence, with strange friends/characters, and then go on adventures. In a couple of small ways its even palatable to the Terry Jones/Jim Henson collaboration Labyrinth. But the difference here is that it is fused with some more mature humor and some darker elements. In a way this is what the college-age fans of Monty Python in the 70's must have seen as the perfect film to take their kids to see in the 80's. Terry Gilliam, co-writer/director (co-written with fellow Python Michael Palin), knows how to entertain, and many sequences are terrific. It's a shame that some of them were not as much, and a little spotty. The sheer zaniness though, and the will for Gilliam to keep throwing visual gags and intense, fun imagery, keeps it never boring.

It's without a doubt that Time Bandits is in a sense a more 'mainstream' (err, accessible) picture than many of Gilliam's other works, mostly because it tries to reach into the imagination in all people, young and old. Kevin (Craig Warnock, a good straight-character for the audience amid all the ruckus), is in a land of his own imagination, until a group of pillaging dwarfs (played by the likes of David Rappaport and Kenny 'R2-D2- Baker) traveling through time with a stolen map with gaps through time provided by a crazed 'supreme being'. They visit Napoleon (Ian Holm, an ingenious role), Robin Hood (John Cleese), and by accident King Agamemnon (Sean Connery, an unexpectedly cool role). But when the Evil Genius (David Warner, one of the funniest performances of the film) knows they have it, he'll do anything to lure them in to get it from them.

This leads to a climax that in a darker, more scrambled way, reminded me of the climax of Blazing Saddles. There, like in this film, the story almost runs off the tracks, as many parts of history come into play with the forces of good versus evil. It does come to a satisfying conclusion, but in a small way is almost too much. Pauline Kael's comment that "the film suffers from a surfeit of good ideas" is not without some truth. There are so many jokes, so much imagination, so much creativity, its like a tipping scale that balances back and forth, rarely in the middle, of how affecting it is. For children, therefore, it is a sure bet, because children (for all of the modern corporate grabbing and testing of material) thrive on material like this, where the appearance of a comedian like Michael Palin in two separate, hilarious roles, doesn't matter as much as the sheer one-of-a-kind nature of everything put together. Some of the film is violent (as when the Evil Genius blows things up randomly), but always like a cartoon; one can sense the animation influence in the style's bones.

And that is what separates this film from the other films and shows I saw as a child, that there is this need on the part of the filmmaker not to stick to anything really expected, while still in a 'once upon a time' framework. Some jokes may not be funny to kids until they get older, but images like the giant trudging slowly through the water, the dwarfs in a peril in the cages, the pageantry of the Greek sequences. It's all delightful, but also a little overwhelming, and of course a bit much on the first go-around.