The Burning

Although Friday THE 13TH has more fame, THE BURNING — with an almost identical premise — is just as much a classic movie of the slasher genre. It has hypnotic 80's synth tunes combined with a gruesome killer and an iconic weapon: The massive garden scissors that we also see on the movie's beautiful poster art.

The story, although predictable, isn't all that bad, and the characters, although somewhat stereotypical, are interesting enough to keep you going. Most importantly, some of the scenes involving the killer are genuinely frightening, with some pretty effective jump scares. Add to this make-up effects by Tom Savini and you have a round package of gore and horror that has aged well. I think THE BURNING is as suspenseful today as it was in the 80's.

THE BURNING

Aspect ratio: 1.85:1

Sound format: Mono

An abusive caretaker at a lonely summer camp is disfigured by fire during a prank which goes horribly wrong. Five years later, he returns to the area to take revenge against one of his former persecutors (now a camp counsellor) and the kids in his charge.

Makeup artist Tom Savini rejected an opportunity to work on "Friday the 13th Part 2" (1981) in order to create effects for Tony Maylam's THE BURNING, yet another in the assembly line of low-budget horror movies which emerged in the wake of HALLOWEEN (1978). Savini warned the film's producers - including a fledgling Harvey Weinstein! - that the script for THE BURNING shared uncomfortable similarities with the "Friday" sequel, though fans may have been too dazzled by the gruesome set-pieces to either notice or care. In truth, THE BURNING shares only a handful of superficial details with "Friday 2", including a late night campfire episode in which the villain is dismissed as an urban legend, culminating in a false 'scare' which today's audiences will probably see coming a mile off. Despite a couple of groan-inducing incidentals ("Oh, I forgot my vitamins - I'll have to go back to my cabin through the dark, creepy woods!"), the narrative develops organically from one scene to the next, and characters react believably to the escalating situation. Unfortunately, the climax - set mostly within an abandoned mineshaft - is staged and executed with little flair or suspense, and amounts to something of a major disappointment.

Of course, the main point of interest - besides seeing some familiar faces in early roles, including Jason Alexander (TV's "Seinfeld"), Fisher Stevens (SHORT CIRCUIT) and an unrecognisable Holly Hunter - is Savini's horrific makeup effects: Victims are slashed, stabbed, punctured and poked in graphic detail, and blood flows copiously from some horribly convincing wounds. Indeed, the film reaches a crescendo of horror during a notorious sequence involving an 'abandoned' canoe (I'll say no more), one of the most vicious set-pieces of the 1980's 'slasher' cycle. Briskly paced, and scored with a series of electronic doodles by no less than Rick Wakeman (!), THE BURNING may seem awfully simplistic to modern viewers, but it delivers the gory goods in no uncertain terms. The movie was censored for an R-rating, but the uncut version has since been released on home video.

One of the first (and best) horror films to follow in the massive success of Friday the 13th (1980) is this terrifically bloody slasher film.

Prank leaves camp caretaker horribly disfigured and ready for some harsh vengeance. Enter a band of teenagers and a sharp pair of garden shears...

While admittedly The Burning isn't the most well-written horror movie of the period, it's definitely one that delivers great atmosphere and suspense. Even better for genre fans, it boasts the spectacular gore FX from master makeup artist Tom Savini. The FX in this film are highly bloody, especially during the infamous 'raft' scene. This, along with a spirited cast, nice wilderness locations, and a tension-filled electronic music score makes this film a pretty well done slasher flick. Oh, also there's a good bit of nudity which helps to make it even more of a guilty pleasure for slasher fans.

Cast-wise the movie holds its own too. Brian Matthews makes for an OK leading man, but it's really the supporting cast that highlights here. Young Jason Alexander and Fisher Stevens both make their film debuts here (along with a passing Holly Hunter) and prove to be likable goofs. Also good is Larry Joshua as the beefy camp bully.

So slasher fans, The Burning is one flick that's not to be missed. Be sure to find an uncut version of it though.

*** out of ****

Summer camp caretaker Cropsy is fire roasted when some pranksters try to scare him with a flaming skull. Five years later, after numerous failed skin grafts, Cropsy is released back into society with a horribly scarred face and even more scarred psychological make-up. Now he's got a bone to pick and returns to the same camp of his accident (after gutting a hooker in the stomach with a pair of scissors) to get revenge on the new campers populating the camp. Armed with a pair of hedge clippers he doesn't hesitate to hack into a dozen or so foul-mouthed, oversexed teens, setting aside special interest in counselor Todd (Brian Matthews), who was one of the kids responsible for his burning. Even though it's saddled with a tired, predictable plot, this is still one of the best of the Friday the 13th rip-offs, and that has a a lot to do with Tom Savini's gory special effects. The music score is also excellent and there are fun appearances by Jason Alexander, Holly Hunter, the guy who played Ratner in Fast Times at Ridgemont High and some other recognizable faces before they were famous. The original VHS of this film was heavily trimmed to remove the gore, but that footage has since been restored. I saw the uncut version on Showtime actually.

There's no disguising the fact that 'The Burning' is a rip off of 'Friday the 13th' so I won't bother arguing about it. The most important thing is that 'The Burning' has more likeable characters and they are killed off in gorier and more flamboyant ways. This makes it one of the few knock offs that I can think of that surpasses the original. The thing that really makes this outstanding isn't the handful of actors in the cast of unknowns that went on to bigger and better things (Jason Alexander, Holly Hunter,etc.), but Tom Savini's realistic and gruesome effects, some of his best work. I don't think you really watch a slasher movie for much more than some shocks and some gore, and this has both in spades, making it one of the very best slasher movies of the 80s. This genre isn't my favourite kind of horror, but I enjoyed 'The Burning' a great deal, and the uncut version is worth tracking down for the raft sequence alone, which is unforgettable and very, very cool. Recommended, but not for the squeamish.