Eye of the Needle

Hitchcock could have come close to the last half hour: look at his Frenzy, made seven or eight years before this for a peek at how similarly he looks in parts of this.

In fact the movie is only a notch below that film, better in some ways, much worse in others. The first two thirds being only standard thriller stuff that any decent director might have churned out. However once Sutherland reaches the island, his character takes on a kind of Frankenstein quality: the monster we thought we have been watching takes on a sudden pathos that you seldom get with run of the mill thrillers.

And for that matter, even in most Hitchcocks. Sutherland was a perfect choice for the role, and Nelligan is his equal. Very well cast these two.

The last minute of the film, without giving anything away slips a little.

It should have had that lopped off.

But that is a very minor quibble.

Also it is a very rare chance to catch one of Miklos Roszas scores. Rosza always could be picked out from any other, and he is more or less just going through the notes here, a long way from his best, but even Roszas worst were better than a lot of composers bests.

And compared to most of the thrillers of the eighties and nineties, this is a bloody masterpiece.

This film really does deserve more merit than it seems to get.

Sutherland is a bit odd, with most of all a bizarre accent that almost seems to change from scene to scene. Whilst this is perhaps expected from an international spy in deep cover, it doesn't seem to sit well.

Nelligan steals the show with a wonderful performance, but the real surprise for me was Cazenove. It doesn't take a lot of imagination to see him as the newly qualified, sparkling eyed flyboy, but his portrayal of the embittered, loveless amputee was a joy to watch - clearly a talented man.

The film wraps up a great story with wonderful acting, a great collection of WW2 military hardware and breathtaking scenery. Well worth a watch.

This film about a German agent trying to escape from Britain might seem to offer limited scope for interest, but Sutherland's menacing performance and the events on the island turn it into something approaching a study in psychopathy, laden with uncertainty and fear. The vulnerability of Lucy (Kate Nelligan, a sensitive and intelligent but definitely pre-feminist woman helps to give the film an added poignancy. Sutherland's performance is such that we are always fascinated by the damaged and ruthless character he portrays. Those who dislike war films may find themselves surprised by this film.

This film is maybe a lost treasure, and it deserves to be more well known than it actually is. This is a fascinating and intense spy movie, and the plot takes place during the second world war. Donald Sutherland plays the part of the spy very convincing, ice cold and a character with a ruthless determination to get what he wants, really at all costs. The film is very well done, and eventually ends up as a story of lost love, and hard measures that needs to be taken. The casting is brilliant, and I think the films atmosphere really manages to take you back in a world in war, and different peoples way of life in these circumstances. This makes this film authentic and complete. (sorry about my English)

Eye of the Needle is an oddly structured but nonetheless extremely effective film which in many ways is quite old fashioned in tone and feel,with the addition of a little 'modern'sex and violence. For almost the first half,the film is a fairly conventional but quite gripping spy thriller,as a German agent causes havoc in World War 2 England. There are few surprises,but Donald Sutherland is mesmerising to watch {even if his accent wavers} and the plot at least sounds almost plausible. The keen eyed,however,may spot mistakes in the period detail.

Then Sutherland is washed up on a Scottish island inhabited by a crippled man and his frustrated wife,and the film changes into an incredibly tense mixture of romance and thrills. Sutherland and Nelligan's affair may be basically sexual,but there is real chemistry between them and a real sense of desperation,of two lonely people throwing themselves together. The last half hour is real edge-of-the-seat stuff,perhaps almost bordering on psycho-thriller,but it really works.

Throughout the film Sutherland remains the villain and does do some nasty things,but it's a measure of his performance that occasionally we do come close to sympathising with him. Acting-wise though the film really belongs to Nelligan,a tragically underused and beautiful actress who has to go through the motions of loneliness and frustration,than lust,then fear,and eventually heroism,and does so superbly.

Aided tremendously by the last ever score from the legendary film composer Miklos Rozsa,who provides a moving love theme and some especially thrilling music for the last section of the film,Eye of the Needle perhaps shouldn't really work as well at it does,but that's a measure of it's quality.