The Final Terror

It's easy to make the mistake of dismissing The Final Terror as just another instantly forgettable, derivative backwoods slasher: the characters are your usual array of one-dimensional psycho-fodder; the setting is the standard 'spooky woods located miles from civilisation'; there's the corny campfire legend that sets up the back story for the killer; and the film features several cribs from other similarly themed horror movies (most obviously John Boorman's Deliverance).

However, I think this film is a more important addition to the genre than it is given credit for: not only did it give director Andrew Davis (of The Fugitive fame) and several future Hollywood stars (Daryl Hannah, Rachel Ward, Joe Pantoliano, and...errr... Adrian Zmed?!?) a step up in their careers, but—and you can call me mad if you like—I am also convinced that The Final Terror was a big influence on the excellent Arnold Schwarzeneggar sci-fi/action movie Predator!

As Lloyd Grossman used to say in Through The Keyhole, 'Let's take a look at the evidence...'

The group of friends stranded in the wilderness; the strange creature who hunts them one-by-one; the pivotal moment where the hunter finally becomes the hunted; and the final showdown in which the killer is lured into a booby-trap made from a huge tree trunk. Let's face it.... all that's missing is a mini-gun!!!

Anyway, regardless of whether you subscribe to my Predator theory or not, The Final Terror is still a reasonably enjoyable way to pass the time, with some effective jump scares, a fair amount of atmosphere, and some lovely cinematography. I'd liked to have seen a bit more gore, some nudity from the ladies (this is a slasher, after all!), and Adrian Zmed get slaughtered (I still remember T. J. Hooker), but I suppose you can't have everything!

6.5 out of 10, rounded up to 7 for IMDb.

The inspirational for this sub-standard, low-budget woodland slasher/survival horror is obvious ('Friday the 13th'and 'Deliverance'), but even then it took the hackneyed clichés and kind of added its own messy slab to the well-worn formula. Was it for the better? I don't know? What fell by the wayside was the overall pacing due to there being too little to the transparent story and simply having the characters going through the motions. Too much dead air with a small body count and not enough thrills. When they were inserted, it was feeble. Other then a decent opening (with that smoking theme song) and thunderously outlandish closing, in between was a lot of repetitively aimless parading. It's easy through those parts because of the beautifully authentic setting that was fluidly photographed. Although the nocturnal scenes are poorly lit. Director Andrew Davis (who would go onto to be a pivotal action deliverer with titles like 'The Package' (1989), 'Under Siege (1992) and 'The Fugitive' (1993) and many more) does a quite passive, if workman-like job without the setting the world alight. There's true grit, but the attacks are telegraphed and rushed leaving it struggling to sustain any sort of momentum in its attempts of suspense. Atmosphere on the other hand, breathes some starkness and the environment moodily blends well with Susan Justin's eerily unhinged music score and penetrating forest sounds. The cast is more interesting to look at on paper, than actually watching their performances. Really the material doesn't allow much room for growth and makes them all unappealingly disposable. Too many I guess. Daryl Hannah, Adrian Zmed and Rachel Ward are fine. Joe Pantoliano in a short role makes the most in an over-exaggeratedly on-edge turn and Lewis Smith's unpredictable character kept one amused. It has its moments, but fails to really come out of first-gear.

The problem with The Final Terror is that the characters are too smart and the writers aren't smart enough. When danger descends upon their large group, they decide not to split up, but to stick it out together in case the killer tries something again. It leaves the finale without much tension since you never really feel like anyone's in danger. The music score is great and the forest atmosphere is haunting at times, but it can't help much when the film lacks suspense and danger.

(**1/2 out of *****)

Produced by Samuel Arkoff, this is one of those low-budget (albeit tolerably directed) jobs with several different titles ("The Campsite Murders" and "Forest Primeval" to name a couple) and two or three different release dates between 1980 and 1985 (I split the difference and went with ‘83, although the original release date is most likely ‘81, for those who care.) It's of interest mainly for featuring Darryl Hannah and Rachel Ward (not to mention Joe Pantoliano, from "Memento" and "The Sopranos") in early roles. The gals play the girlfriends of forest rangers out on a work detail in the woods who run across an unseen, homicidal maniac. There's a refreshingly low body count, but, given the number of potential victims who have little else to do but run around and whine, maybe the cast should have been reduced by two or three actors. Other than a couple of minor shocks here and there, there's also a lack of action and suspense. Come to think of it -- no gratuitous nudity, no excessive violence -- who exactly was this movie made for? The last third, with the survivors paddling down river in a big raft, starts to resemble a tame "Deliverance" (as well as other forest/slasher movies too numerous to name). There are pretty good killer-in-the-woods flicks ("Just Before Dawn") and there are really bad killer-in-the-woods flicks ("Berserker"), and this one sits somewhere just south of the border. Davis went on to direct big-budget action movies (including "Under Siege" and Harrison Ford's "The Fugitive").

HIGHLIGHT: I'm being generous to go with a highlight for this one, but I kinda liked the part where the killer was hit with a giant, swinging log studded with sharp spikes. It reminded me of a Road Runner cartoon.

Terrifying and unsettling movie plenty of thrills , chills , lush outdoors and passable acting. In the opening scene, a young couple loses control of their motorbike and fall to the ground when they hit a fallen tree laying on the track through a forest where they are riding. The guy, Jim, is badly hurt, and the girl, Lori, runs to find some help. She runs back to Jimmy where she finds him hanging upside down from a tree, terrified she runs back to a cabin . Then a group of rangers go camping on unfamiliar forest grounds. All's well until the group members start getting killed by a cunning killer in the woods. But there's some sinister in the woods. They suddenly become desperate when occurs a chain of nightmarish events . He has found you. Screaming won't help anymore. It's too late...Can anyone survive?. Without knowing they have awakened an unknown force. If you go down to the woods today you're sure of... The final terror. Daryl Hannah and Rachel Ward - Trapped In A Web Of Madness And Terror!. Don't See It Alone. A ghoulish tale of murder and the macabre from the creator of Alien. Without knowing they have awakened an unknown force. Can anyone survive?. He Has Found You. Without knowing they have awakened an unknown force!.If you go down to the woods today you're sure of...

The film displays thrills , chills , cardboard horror , tension and lots of blood and gory scenes for nauseating execution. The concept of the movie is plain and simple, the typical series murderer who proceeds an astonishing massacre. Scary and eerie with abundant gore, including nice make-up and adequate special effects. As always, a series killer makes an authentic slaughter with gruesome and bloody assassinations using some forest traps and other murderous instruments . After successes as John Carpenter's Halloween and Sean S. Cunningham's Friday the 13th expanded a lot of rip-offs or imitations and one of the best ones resulted to be this ¨The burning (1981)¨, following this ¨Final terror¨. The Final Terror is notable for the presence of some soon-to-be stars appearing some familiar and young faces as who subsequently to be continued decent cinematic careers: Daryl Hannah, Rachel Ward, Joe Pantoliano, Lewis Smith, Adrian Zmed, John Friedrich, Mark Metcalf . To minimize costs, the production wasn't insured and the actors did their own stunts , for instance, some actors actually climbed the hills risked landscapes in order to save costs . Apart from a couple of minutes of mayhem at the beginning and end, the nearest of the film gets to dealing with the deranged slasher plot is to have it told, midway, as a camp-fire spook story. Undermining genre expectations, director Davis reveals an affectionate respect for the woods and likes his roles enough not to line them up as Slaher Victims. Surprisingly, the women aren't on board to be decorative nude figures , nor simple rape victims. ¨Deliverance¨ is the inspiration, but finally this film rafted down a different stream.

The motion picture was professionally directed by Andrew Davis, but nothing special, he's a filmmaker with a reputation for directing intelligent thrillers. Director Davis provides this film with great plot strength since he himself is an expert in physics and engineering. He has made good and boxoffice films, such as ¨Above the law¨, ¨The final terror¨ , ¨Chain reaction¨ , ¨Collateral damage¨ , ¨The Package¨ and Davis went on to direct 1992's top grossing picture, ¨Under siege¨ (1992), for Warner Brothers, a classic action film teaming Steven Seagal with Tommy Lee Jones. Being his greatest hit ¨The fugitive¨, this film received seven Academy Award nominations including Best Picture and earned Tommy Lee Jones a Best Supporting Actor award. Andrew Davis frequently casts 'Ron Dean', Chelcie Ross, Joseph F. Kosala, Joe Pantoliano and his father 'Nathan Davis' . He often directs in his city : Chicago. Rating The Final Terror(1983): 5.5/10. Passable and acceptable but inferior than other Andrew Davis films.