Ghost Story

Four elderly men members of The Chowder Society fall victim to a vengeful ghost (Alice Krige) who seems to be connected to something they did decades ago and who once dated one of the member's son (Craig Wasson) from beyond the grave. Old fashioned, entertaining film features possibly the best cast ever gathered to star in a horror film. The film itself has a very atmospheric feel to it and generates some suspense, but never really scares the auidence.

Rated R; Nudity, Sexual Situations, Violence, and Profanity.

Watched this one in the theater when I was a kid, still enjoy it to this day as one my all time favorite movies. Yes, it does have holes in it and sparks some questions as to why the one seeking revenge is doing what they're doing. There are solid performances from ALL the cast members, especially from Craig Wasson and Alice Krieg If you've ever read the book by Peter Struab, you'll know why there's holes in the movie as the book is very much like a 'Stephen King' book, in that it is so rich with information and atmosphere that the film producers and John Irvin just could not get all of it into a 2 hour film. I actually a couple of years ago that they might be re'making this one, but as a Mini-Series on TV

I give it 8 out of 10 stars

Enjoy

A condensing of Peter Straubs' more complex, more intriguing novel, the film adaptation is no great shakes but it's certainly not bad at all either. It does have the appeal of a spooky yarn one might spin by a fireplace in the dead of winter. The simplified story deals with four elderly New England gentlemen who get together and tell horror stories, but who in fact share a tragedy from their long-ago past. Now a revenge-minded spirit is out to make their lives miserable - and strike out at the two sons of one of them, to boot. The film does speak of quality - Jack Cardiff did the cinematography, Albert Whitlock and his team supply some beautiful matte shots, Philippe Sarde composed the stirring music score, and Dick Smith creates the plentiful hideous apparition effects - but the powerful main attraction is the assemblage of talent in the four main roles - Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr., and John Houseman - who are a delight, although Fairbanks exits the story much too soon. Craig Wasson plays the twin sons, and is likable as usual and manages to hold his own opposite his legendary co-stars. Patricia Neal is utterly wasted as Astaires' wife, but making up for that is the showcase given to the beautiful South African actress Alice Krige, who's extremely alluring and enigmatic as the mystery woman to whom both sons become attracted. There's a real sexual charge in her scenes with Wasson. This is one element that may concern some viewers, when they think about Astaire, Douglas, Fairbanks, and Houseman acting in a film that has violence and nudity (male as well as female), but for other horror fans a sufficient amount of atmosphere is built up and there are definitely some memorable scenes. Things are sometimes told in a flashback style, as first Wasson tells of his association with the not-so-subtly creepy Krige, or Astaire and Houseman finally break down and tell Wasson their whole sordid story. Overall, it's just compelling enough to work, and it does have some mighty fine moments, especially an iconic one involving a lake and a sinking car. It manages to be pretty eerie on a fairly consistent basis if never very scary. It marked the final feature film appearance for Astaire, Fairbanks, and Douglas. Seven out of 10.

I will take you places you've never been. I will show you things that you have never seen and I will see the life run out of you. ~ Eva, in the film Ghost Story

The movie centers on a group of elderly men who have formed an exclusive story-telling group called The Chowder Society. The men meet regularly, sit around a fire in a dark room and share their best ghost stories. Under the surface, however, lies a ghastly secret they all share - a real life, true ghost story of their own that they dare not speak of.

When one of The Chowder Society member's twin sons dies in a very strange and inexplicable accident, the other twin returns home to mourn with his father. That is when a series of horrifying events begin to unfold, forcing the men of the Chowder Society to come to terms with the shocking and dreadful event that has haunted them for the past 50 years.

I personally love these types of stories. They do not feature masked- maniacs hunting down unsuspecting teenagers and hacking them to death. (Although there are a few good ones in that category!) What this story does provide is a genuine chill-running-down-your-spine sensation that brings you to a terrifying place without ever forcing you to close your eyes.

A star-studded cast includes Fred Astaire, Melvyn Douglas, Douglas Fairbanks, Jr., John Houseman and Patricia Neal, Jacqueline Brookes, Craig Wasson and Alice Krige. Having a cast with such experienced and talented actors creates a believable and authentic film making it a worthwhile, scary little gem of a movie.

If you like genuine ghost stories, watch this movie. Based on the novel by the gifted Peter Straub and skillfully directed by John Irvin, this film is a top pick for me.

When this film was first released, it was greeted with a sense of disappointment. Many felt it did not do Peter Straub's source novel justice.

I thought this was an unfair judgement at the time, and watching the film again today confirms this belief. "Ghost Story" does not attempt to emulate the complexity of Straub's epic tale : that would have been impossible. But it does distil the essence of that story - four ageing men haunted by a terrible tragedy from their youth - and puts it on screen with chilly precision.

With some masterly photography and a recurring motif of running water (most dramatically in the truly scary bathtub scene), Irvin imbues the film with a real chill of the grave feel. The ending, as Alma descends the staircase of her decaying house in her wedding dress, isn't a gorefest : there are no elaborate effects or dramatic battles between good and evil. But it is subtly terrifying nonetheless.

Just about all the IMdB reviews, good or bad, have praised Alice Krige's performance. For such a young actress, she's simply stunning. It's a brave, brilliant portrayal. A feminist reading of the film could argue that the real horror lies in the inability of men (and especially the callow youngsters featured in the 20s flashback) to cope with a powerful, sexually-assertive woman.

This is a clever, stylish film which lends itself to differing interpretations. It creates more elegant frissons of fear than almost any other 80s horror film.