A glowing green orb that embodies ultimate evil terrorizes a young girl with an anthology of bizarre and fantastic stories.A glowing green orb that embodies ultimate evil terrorizes a young girl with an anthology of bizarre and fantastic stories.A glowing green orb that embodies ultimate evil terrorizes a young girl with an anthology of bizarre and fantastic stories.
- Awards
- 4 wins & 2 nominations total
- Harry Canyon
- (segment "Harry Canyon")
- (voice)
- Desk Sergeant
- (segments "Harry Canyon", "Den", "Den", "So Beautiful and So Dangerous")
- (voice)
- …
- Lawyer
- (segments "Captain Sternn", "So Beautiful and So Dangerous")
- (voice)
- …
- Grimaldi
- (segments "Grimaldi", "B-17", "Taarna")
- (voice)
- …
- Girl
- (segment "Grimaldi")
- (voice)
- Girl
- (segments "Harry Canyon", "Harry Canyon")
- (voice)
- …
- Alien
- (segments "Harry Canyon", "Harry Canyon")
- (voice)
- …
- Whore
- (segment "Harry Canyon")
- (voice)
- Whore
- (segments "Harry Canyon", "Den")
- (voice)
- …
- Katherine
- (segment "Den")
- (voice)
- Ard
- (segment "Den")
- (voice)
- Norl
- (segments "Den", "Taarna")
- (voice)
- …
- Prosecutor
- (segment "Captain Sternn")
- (voice)
- Sternn
- (segments "Captain Sternn", "So Beautiful and So Dangerous", "So Beautiful and So Dangerous")
- (voice)
- …
- Hanover Fiste
- (segments "Captain Sternn", "So Beautiful and So Dangerous")
- (voice)
- (as Roger Bumpass)
- …
- Regolian
- (segment "Captain Sternn")
- (voice)
- Pilot
- (segments "B-17", "Taarna")
- (voice)
- …
Featured reviews
Gotta love the old animation!
So how do I critique such a work? Do I go back in time and compare it to it's cool temporaries, the 2D Era of Disney and the rotoscoped images of Rankin-Bass? From the point of view, the animation holds up fairly well, even if it looks choppy in some spots. This was the era before the 80s cartoon boom created a uniform, simplistic approach to animation that was meant to be broad and cater more toward selling toys. And 14-year old me can certainly say one thing....it's like the animators idea of the ideal female body was incepted right out of my pubescent head.
What I didn't realize was the story would be an anthology. While a couple of the stories seemed rather silly, there was some cool storytelling that would be perfect for the sci-fi and medieval imagery that metal bands were using in those times. Plus a story about an orb that stirred up evil where ever it went was like an old Rush album from the 70s. This format did have an added benefit at least. With a slow and often times disjointed story, the anthology style did allow you to engage in different stories.
Is this film a triumph of animation? Depends on your age, I guess. Is it essential viewing for all rock and metal lovers? Of course!
Take it for what it is
It's my LocNar!
TAKE A RIDE...ON HEAVY METAL
Trippy little piece of art; waycool soundtrack to boot
Did you know
- TriviaThe home video was removed from circulation for several years because of problems with music licensing - with so many bands and artists on the soundtrack, securing rights to the music proved difficult.
- GoofsThe two final scenes of "So Beautiful & So Dangerous" are reversed. The robot and Gloria leave the spaceship onto the space station before the ship lands. If you look closely at the lower right corner of the screen as the ship grinds to a halt in the hangar bay, the escalator ramp used by the robot and the secretary only seconds before is deployed.
- Quotes
Prosecutor: Are you Captain Lincoln F. Sternn?
Stern: [haughtily] I am.
Prosecutor: Lincoln Sternn, you stand here accused of 12 counts of murder in the first degree, 14 counts of armed theft of Federation property, 22 counts of piracy in high space, 18 counts of fraud, 37 counts of rape...
[pauses to check the criminal record]
Prosecutor: ...and one moving violation. How do you plead?
Stern: [haughtily] Not guilty.
- Crazy creditsThe rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo.
- Alternate versionsBecause of time constraints, a segment called "Neverwhere Land (1996)" was deleted; in this film, this would have connected "Captain Sternn" to "B-17". The story follows the influence of the Loc-Nar upon the evolution of a planet, from the Loc-Nar landing in a body of water, influencing the rise of the industrial age, and a world war. This original story was created by Corny Cole. The original rough animatics are set to a loop of the beginning of the song "Time" by Pink Floyd. The 1996 VHS release included this segment at the beginning of the tape. On the DVD release, this segment is included within the bonus features and is dedicated "In memory of Dawn M. Cole - 1931-1985". In both released versions, the sequence is set to the music of "Passacaglia" (from Magnificat), composed and conducted by Krzysztof Penderecki.
- ConnectionsFeatured in OTT: Episode #1.8 (1982)
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Universo en fantasía
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $9,300,000 (estimated)
- Gross US & Canada
- $546,545
- Opening weekend US & Canada
- $204,660
- Mar 10, 1996
- Gross worldwide
- $547,563
- Runtime
- 1h 26m(86 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1(original ratio)
- 1.85 : 1








